wild colonial girl

A freelancer moves to Castlemaine

Archive for the category “Novels”

Debut author profile: Nina Smith

Nina Smith, author of Hailstone

Nina Smith, author of Hailstone

Each month I hope to profile a debut author or short story writer who has featured in Friday Night Fictions. This month, it’s Nina Smith, a WA writer who appeared in the August edition.

Her novel, Hailstone, is an action-packed romp with a gun-totin’, pill-poppin’, alcoholic, ex-evangelical lesbian on the loose. I spoke to her about religious cults, creating her novel in CreateSpace and gothic bellydancing (I dare you to try it).

Do you remember the moment when you decided you wanted to be a writer?

To be honest I don’t think it was ever something I decided; it simply was the only thing I ever wanted to do with my life. I was writing stories in early primary school, and my first novel at the age of 14. That, as I recall, was the most awful romance featuring guys on horses, and the heroine doing a lot of swooning, yelling and panicking. I’ve still got it scrawled in pencil in a notebook hidden away somewhere! At 15, my English teacher suggested I study creative writing at university, which was exactly what I ended up doing.

 What inspired you?

I draw inspiration from things that transcend words, like music. Sometimes I get novel ideas in dreams. Sometimes it’s from observing everyday life and the way people interact with each other. To me, stories are whole concepts as much as they are a series of events. Sometimes I will find a whole novel in a stark landscape, or a feeling in a song.

My book and yours share some common themes: religion and betrayal. Why were you drawn to investigating the dark side of church life and a preacher on the edge?

A lot of Hailstone was inspired by churches I came into contact with in my teenage years. Those teenage years were a stormy time, when I put a lot into religion, only to find there were aspects of it that absolutely alienated me. Since then I have had an enduring fascination with cults and the way some religions try to control people — not to mention the ways people rebel. Religion in general is a huge influence on the state of affairs in the world today, and we see it making people do crazy things. I wanted to explore those issues of control, of rebellion and most of all of fanaticism.

Hailstone is written in rapid fire, short sentences. Are you attracted to the crime genre?

To be honest, I haven’t read a lot of crime. My first love is fantasy, but every now and again I need to leave fantasy alone and write something completely and totally grounded in the real world, that’s all action and fast-paced. I love to read thrillers, and when writing them, I like to keep everything as tight and grounded as possible. I think however my day job as a journalist influences me here, as that has trained me to write in a way that wastes no words.

The title is an evocative one. Why did you choose it?

Funnily enough, the title came before the book. It occurred to me while driving one day that Hailstone would be an awesome name for a city, and that was where the story started. I like the name because hailstones, while not a natural disaster, are a force of nature that are incredibly destructive but also quite common. They suggest parts of life that are destructive but so ordinary people simply don’t pay any attention to them.

I was really drawn to both the cover and synopsis of your book. How did they both develop?

HailstoneThe synopsis was a result of days of writing, re-writing, occasional temper tantrums and then more re-writing. I find it so much easier to write a whole novel than a few paragraphs about it! In the end,  once I had distilled the most basic elements of the story — the gun, the church, the father — I was happy with it.

The cover was really interesting to put together. The model is a rather gorgeous woman I know who agreed to dress up and wander around our closest city with me one Sunday afternoon being photographed. That image is one of the last we took, and it was so perfect; the expression on her face, the way she held her keys, everything about her fit the character of Mags McAllister perfectly. I wanted to add something to it, though, so I went to the local wreckers and took photos of smashed windscreens. One of these images I overlaid, then put through filters until I had what I wanted: the feeling that I was looking through a smashed windscreen, watching the person who had smashed it storm away. To me it conveys the desolation, the anger and the brokenness of a woman who is trapped in an abusive cycle.

Your protagonist is a pistol wielding, valium-popping, alcoholic, ex-Christian lesbian. How did you uncover her? Did you do any research:-)

Ha! I might have ‘researched’ some things, but not others, in my miss-spent youth. I chose aspects for the character that were diametrically opposed to the environment she was in. I have to say, though, I’ve previously observed the children of authoritarian figures sometimes take such paths.

What were your favourite books to read as a child?

Everything I could get my hands on. I particularly loved the Obernewtyn Chronicles by Isobelle Carmody and the Vicky Bliss series by Elizabeth Peters.

You used CreateSpace to publish your first book? What was the process and would you recommend it to other authors? 

CreateSpace was a brilliant experience. The program takes you step by step through uploading your text and your graphics and making sure everything is formatted correctly before you order a proof copy. (I picked up a lot of things in that proof copy that I missed on the screen.) You can price your book yourself, order as many or as few copies as you need and it is listed on Amazon.

I highly recommend CreateSpace if you want to get your book out there, so long as you are:  a) able to pay for an editor and cover designer; or b) have the skills to do those things properly yourself.

The end product is beautiful and professional, and having control over every step of the process is a fantastic thing. The one thing you have to be aware of is that once you have your published product, it’s up to you to market it, which is a whole other journey to set out on.

You live in WA. What is it like to be a writer there? Is there a writer community where you are?

Western Australia is a very isolated part of the world. I think it is because of that, that communities of like-minded people tend to be very close and supportive. There are some amazing writers out here, and a great network of people, organisations and festivals.

What is the most important thing you’ve learned in the process of writing your first novel, that you wish you knew at the beginning?

Apparently its not a convention any more to put three spaces after every fullstop. That’s made editing some of my earlier efforts an exhausting process!

You describe yourself as a gothic bellydancer. Tell us a bit more…

Gothic bellydance is a branch of the amazing and diverse art of bellydance that explores the darker sides of life, human nature and music through bellydance. It is a beautiful practice where the costumes are mostly black, a little bit red (no hot pink!); the music is often industrial or dark — Rammstein, Tool and Nine Inch Nails are popular choices, along with bands like Maduro and Solace. It is a theatrical form where you can explore characters such as goddesses or demons, dance out your emotions or create a piece that is intense, confronting or dangerous. I love this form as it allows me to tell stories with my body and my dance in the same way I tell stories with my words.

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Friday Night Fictions: September 2013

Howdy folks and welcome to the September edition of Friday Night Fictions, a monthly club set up to promote the work of debut authors (and short story/microfiction writers: where are you hiding?) both local and international, working in any genre or format (ebooks and indie authors welcome). There’s a sea of talent listed below. I hope you will read these new writers, let them and us know you think, and help them on to pursue their next book. I look forward to your comments and reviews on the blog.

If you want to be included in Friday Night Fictions, see the guidelines. And check out the August edition: I have updated with reviews where people have sent them to me. If you are featured in August or September, and have new reviews, interviews or social media links to mention, let me know…

Last month I announced that I would feature Nina Smith, and her book Hailstone, on the blog. Look out for a profile and review early next week [here it is…].

And to be featured from the September club? Michael Adams‘ YA debut, The Last Girl, brings this great writer on film and pop culture (and you may have seen him on SBS talking about movies) into the fiction realm. I look forward to hanging out with him in late October…

If I have missed anyone (it does happen), let me know, and I’ll add you to the October club.

*

MICHAEL ADAMS, The Last Girl

Michael Adams, The Last GirlThe end of the world happens in an instant. But it’s not caused by an asteroid or zombies or any scenario we’ve ever conceived. The apocalypse comes from within us. One second we’re wearing our usual social masks — and the next our every secret thought and feeling is exposed as a global telepathic outbreak drowns humanity in a psychic tsunami.

Within minutes, suburbs erupt in madness, cities explode in flames and countries collapse in chaos.

Sixteen-year-old Danby Armstrong is protected from the worst of the phenomenon because while she can tune into other people’s minds, no-one else can read her thoughts.

But it’s not much consolation when her family implodes, her neighbours start killing each other and every road out of town offers only more death and destruction.

Set in a very recognisable near-future, The Last Girl combines literary and pop-culture smarts with spectacular action in a frightening scenario that echoes our obsession with constant connectivity.

Buy the book.

See Michael talking about his YA novel.

November update:

Kirsten Krauth reviewed The Last Girl and interviewed Michael Adams for her September debut author profile.

 

ROSS CROTHERS, Running Dead

Ross Crothers, Running DeadAn exclusive London hotel. Two shots, two men executed. Ten years earlier they helped convict a conman. Ash Todd of the Australian Federal Police assisted Scotland Yard in that case. Now The Yard has called him in again.

The search for the killer propels Todd across Europe, the US and the Caribbean. In every city his life is threatened, his trust betrayed, his every move anticipated.

Worse, on the cusp of a breakthrough, The Yard seemingly withdraws support — which leaves him hanging.

Did they really want the case solved — or were they just Running Dead?

Alone and increasingly isolated, he can rely on no-one but himself. With a mounting death toll, and twists in the end that leave him distraught, Todd discovers some vital truths — to the murders; to the 10-year-old fraud case, and ultimately who had betrayed him.

Buy the book (paperback or e-book) from Ross’ website .

Read an extract.

SAM ELLIOTT, Sisters of Satan

Sam Elliott, Sisters of SatanIt all began as a fairytale…

Fast forward to a devastating text from Amelia and this magical evening becomes a terrifying nightmare. Devastated, Seth soon commits to drinking himself into oblivion.

Dead drunk and thirsty for conflict, the wayward soul stumbles into adesolate park.

Reality returns, Seth finds himself naked and shackled to a wheelchair, listening in disbelief to their unspeakable plans, his death wish may be answered but now he decides he wants to live.

To do that he will have to break free and rise against sadistic monsters.

The Sisters of Satan intend to carve him up and feast on his soul. Seth is all that stands between an endless rampage leaving many dead in its wake—a journey taking him through a labyrinth of blood and fire to a vicious showdown with the sisters in the arena where their wicked ways were born.

Buy this book from: Customs Book Publications, Amazon.com, Angus and Robertson.

Read extracts.

DAVID M HENLEY, The Hunt for Pierre Jnr

David M Henley, The Hunt for Pierre JnrThis is a return to classic science fiction with a contemporary spin. While juggling a pacy storyline, filled with unexpected turns, David M Henley brings fresh ideas to the genre.

Book one of a trilogy, The Hunt for Pierre Jnr begins in 2159 CE. There has been fifty years of peace since the great collapse and a complex but egalitarian society controls the planet, but the foundation of their peace is rocked when a psychic event destroys a suburb of Paris.

Nobody is really sure who was responsible, but many believe it is the semi-mythical child Pierre Jnr.

This triggers a capsizing in the governing hierarchy and a new harsher Prime takes over the operation to find and pacify Pierre Jnr.

“I was deeply impressed with the way that neither side (and there are definitely sides to be taken) has a monopoly on what is absolutely right.” Read review.

Meet David at his website.

Contact him on Facebook and Twitter.

Buy the book.

JANE JERVIS-READ, Midnight Blue and Endlessly Tall

Jane Jervis-Read, Midnight Blue and Endlessly TallWhen Jessica, a recently divorced mental-health carer, meets her new patient, Eloise, their lives quickly become entangled. The boundaries of their roles begin to dissolve and questions from the past are uncovered, revealing the fractured histories that brought them together.

Midnight Blue and Endlessly Tall is an original and unpredictable novella about the relationships that consume us when we’re least expecting it.

Winner of the 2013 Viva La Novella Prize.

“Jane Jervis-Read’s beautiful little book … kicks above its weight … and shows the power of leaving things unsaid.” Cate Kennedy

Buy the book.

November update:

Jane read Ellie Marney’s book (see below) and commented: Just finished ‘Every Breath’ in two sittings. Total page-turner with a well-crafted plot and interesting characters. Loved every… breath of it.

SALLY-ANN JONES, Stella’s Sea

Sally-Ann Jones, Stella's SeaStella moves from her wheatbelt family home to a run-down house in Cottesloe on WA’s coast. Her daughter, Miff, has died in a motorbike accident; her husband can’t bear to look at her; her father is in a nursing home; her brother is overseas. Her only company is her daughter’s dog.

Every morning Stella walks with Miff’s dog along the beach. She’s not a part of the scene even though she’s conspicuous in her beekeeper things and mismatched garments.

Her yellow scarf sparks the interest of Ari, an ex-prisoner and coastcare volunteer. As a new friendship slowly forms, Stella recollects her past to deal with her present. But can she acknowledge the guilt that prevents her from moving into the future?

Stella’s Sea is a beautiful novel about the symbiotic nature of life: bees and orchids, loss and love, nurture and growth.

This novel will be released in October.

Pre-order from UWAP.

Read an extract.

KIRSTEN KRAUTH, just_a_girl

Kirsten Krauth, just_a_girlLayla is only 14. She cruises online. She catches trains to meet strangers. Her mother, Margot, never suspects. Even when Layla brings a man into their home.

Margot’s caught in her own web: an evangelical church and a charismatic pastor. Meanwhile, downtown, a man opens a suitcase and tenderly places his young lover inside.

just_a_girl tears into the fabric of contemporary culture. A Puberty Blues for the digital age, a Lolita with a webcam, it’s what happens when young girls are forced to grow up too fast. Or never get the chance to grow up at all.

Read an extract.

Book Club Notes are available.

Meet Layla on Pinterest.

Buy the printed version at ReadingsBooktopia or Amazon.

Read the ebook on Kobo. International readers please contact me direct…

See reviews of just_a_girl here.

Contact Kirsten at Goodreads, her blog (Wild Colonial Girl), Facebook and Twitter.

You can see her read from her work at the Sydney book launch, along with Emily Maguire (who introduced it).

DARCY LEE-TINDALE, Her Story, My Story

Promise anthology by PenguiDarcy’s short story features in the Penguin anthology: Promise.

This anthology includes the top 15 stories selected from over 400 entries in the Monash Undergraduate Short Story Prize.

The book was organised by the Emerging Writers’ Festival.

Darcy is a dramatic arts teacher, director of stage productions, actor, author, theatresports player, puppeteer, and has appeared in TVC, film and on stage.

Her plays, poems, articles, short stories, radio satire and comedy skits have been published, performed and received numerous awards.

She’s studying a BA in Creative Writing.

Buy the ebook from Penguin, iBooks and Amazon.

ELLIE MARNEY, Every Breath

Ellie Marney, Every BreathRachel Watts has just moved to Melbourne from the country, but the city is the last place she wants to be.

James Mycroft is her neighbour, an intriguingly troubled seventeen-year-old who’s also a genius with a passion for forensics.

Despite her misgivings, Rachel finds herself unable to resist Mycroft when he wants her help investigating a murder.

He’s even harder to resist when he’s up close and personal — and on the hunt for a cold-blooded killer.

When Rachel and Mycroft follows the murderer’s trail, they find themselves in the lion’s den — literally. A trip to the zoo will never have quite the same meaning again …

Sizzling chemisty and urban intrigue combine in this thriller from a fresh, exciting new talent.

Buy the book.

Meet Ellie at her website.

November update: Jane Jarvis-Read (see her book above) commented:

Just finished ‘Every Breath’ in two sittings. Total page-turner with a well-crafted plot and interesting characters. Loved every… breath of it

FIONA McFARLANE, The Night Guest

Fiona McFarlane, The Night GuestRuth is widowed, her sons are grown, and she lives in an isolated beach house outside of town.

Her routines are few and small. One night, she wakes to hear a tiger walking around her lounge room.

The next day, a stranger arrives at her door, looking as if she’s been blown in from the sea.

This woman — Frida — introduces herself as a care worker sent by the government. Ruth lets her in.

How far can Ruth trust the mysterious, magnificent Frida?

And, with a tiger on the prowl, how far can Ruth trust herself?

Meet Fiona on Facebook.

Buy her book.

Read an extract.

JENN J McLEOD, House for all Seasons

Jenn J Mcleod, House for all SeasonsFour women. Four lives unravelled. The truth will bind them forever.

Bequeathed a century-old house, four estranged friends return to their hometown, Calingarry Crossing, where each must stay for a season at the Dandelion House to fulfil the wishes of their benefactor, Gypsy.

But coming home to the country stirs shameful memories of the past, including the tragic end-of-school muck up day accident twenty years earlier.

Sara, a breast cancer survivor afraid to fall in love;
Poppy, a tough, ambitions journo still craving her father’s approval;
Amber, a spoilt socialite addicted to painkillers and cosmetic procedures;
Caitlin, a doctor frustrated by a controlling family and her flat-lining life.

At the Dandelion House, the women will discover something about themselves and a secret that ties all four to each other and to the house—forever.

Buy, read a chapter, read the reviews at Jenn’s website.

ANDREW NETTE, Ghost Money

Andrew Nette, Ghost MoneyCambodia, 1996, the long-running Khmer Rouge insurgency is fragmenting, competing factions of the coalition government scrambling to gain the upper hand. Missing in the chaos is businessman Charles Avery. Hired to find him is Vietnamese Australian ex-cop Max Quinlan.

But Avery has made dangerous enemies and Quinlan is not the only one looking. Teaming up with Heng Sarin, a local journalist, Quinlan’s search takes him from the freewheeling capital Phnom Penh to the battle scarred western borderlands. As the political temperature soars, he is slowly drawn into a mystery that plunges him into the heart of Cambodia’s bloody past.

Ghost Money is a crime novel about Cambodia in the mid-nineties, a broken country, what happens to those trapped between two periods of history, the choices they make, what they do to survive.

Visit Andrew’s website.

Buy the book at Amazon.

Insight into how Andrew came to write the novel.

Andrew’s October Update:  

Ghost Money got this very favourable review on the travel website Vagabonding and will be for sale at The Readers Feast Crime & Justice Festival, 15-17 November 2013, where I will also be interviewing Australian author, Garry Disher.

HAVE YOU READ ANY OF THESE DEBUT NOVELS YET? ANY REALLY GRAB YOUR ATTENTION? I LOOK FORWARD TO HEARING YOUR THOUGHTS ON THE SEPTEMBER CLUB.

just_a_girl: upcoming talks, bits ‘n’ bobs

Walter Mason, Destination Cambodia

Walter Mason will be appearing with me at the NSW Writers’ Centre seminar: Open Access – Selling Your Book in the Digital Age

Just a quickie.

Now all the excitement of Friday Night Fictions has died down (for a month or so), I’m doing some housekeeping and sorting out a few just_a_girl items. It seems that the life of the published writer is really geared these days to heading down the talking track and making public appearances (and you know how much I love that) — but the good news is it seems to be getting easier.

If you are in Sydney or Melbourne, come along. Would love to meet you.

Debut Mondays – Wheeler Centre, Melbourne

On Monday 23 September, I will be doing a reading from just_a_girl at the Wheeler Centre, in Debut Mondays, with Fiona McFarlane and Briohny Doyle. It’s at the Moat, a cosy little bar underneath the State Library. I met Kate Holden there once. Angela Savage and I first laid eyes on each other there. The bar and me, we’ve got a history, that’s all I’m saying.

Can Self-Promotion Be a Creative Act? – NSW Writers’ Centre, Sydney

Well, I do my best. It seems writers do have to be entrepreneurs these days. On Saturday 21 September, from 3 to 4pm, I’ll be talking at the Open Access: Selling Your Book in the Digital Age forum in a panel of authors who will discuss what they have found works and whether promoting yourself can be as creative as writing your book. I’m thrilled to be featured with Walter Mason (Destination Saigon), Andrew Nette (Ghost Money) and Jenn J McLeod (House for all Seasons). I’m looking forward to sitting in on the whole day and getting some tips from digital experts like Anna Maguire.

just_a_girl Goes Digital

It’s been news to me that sometimes getting your hands on an ebook can be more difficult than buying a paperback copy. For small publishers, getting ebooks onto Amazon and iBooks can be tricky and can take a loooonnnngggg time (for excitable people like me). The good news is that the just_a_girl ebook is now available on Kobo and is recommended  in the ‘Aussie Reads’ section.

Jenn M McLeod

Jenn J McLeod will be appearing with me at the NSW Writers’ Centre seminar: Open Access – Selling Your Book in the Digital Age

Ratings, ratings, ratings

I’ve never been too sure of the star system when it comes to rating books and music. On Goodreads, I agonise when I have to rate books. There seems to be such a gap between three stars and four. I’d rather read reviews without the stars, but maybe that’s just me. There’s no denying though that the wider publishing world likes stars and ratings. It really helps writers if you give them feedback. If you have read just_a_girl and if you love it (or hate it — I won’t track you down, I promise), it’s good to know people are reading it. It’s like a little security blanket. And if you review it on your blog, even better. Did you know that sales teams for publishers use blog posts to continue arguing to booksellers that the book should remain on the shelves (months after the book has been launched). You can review or rate the book at Goodreads, Amazon or Kobo.

Goodreads competition

One of the best ways to promote a debut novel is to have a giveaway on Goodreads. It’s a way to highlight your book, get people interested in what it’s about, without spamming them. Goodreads does all the organising; writers and publishers just have to mail out the copies. As an added incentive, I asked those who won (and those who entered — who missed out but still read it) to do a little review, and I promised I would include it here on my blog. So here goes:

Thanks to SOPHIE:

just_a_girl is a gritty Puberty Blues-esque novel for the modern age. It is referred to as an adult text however I would recommend it to teenagers as well. The novel is separated into three narratives, in which the interrelated characters develop. The first is Layla, a fourteen year old girl discovering her sexuality and self identity through interactions online. Layla is forced to deal with her fathers homosexuality at a young age, a factor which I believe influences her future relationships with her boyfriend, Davo, and her illicit relationship with an older man, Mr C. Ironically, Mr C is also linked to the second character, Layla’s mother. Margot, struggling to cope with losing her husband for another man and now her daughter to adolescence, turns to the Riverlay Church seeking solace. Here, she meets ‘Mr C,’ or Pastor Bevan, a leader of a new-age Christian Church. Margot finds comfort in Bevan, believing him to represent God in earth, an ironic twist to his actual role. The novel also focuses upon Tadashi, a young Japanese man who seeks affection in the form of a doll after the death of his mother. I was unsure of his overall contribution to the plot. He seemed to be a minor character yet the text kept referring to him. Overall, I thoroughly enjoyed this novel. It is honest and gritty, and I often found it confronting. It represents accurately what teenagers are forced to encounter in modern society, something authors often struggle to represent.

Andrew Nette, Ghost Money

Andrew Nette will be appearing with me at the NSW Writers’ Centre seminar: Open Access – Selling Your Book in the Digital Age

And JESSICA:

This book took me a little while to get into at first, but then I was hooked. Highly recommended for young adults!

And OTHER READERS

Who have posted reviews at Goodreads including Annabel Smith, Ellie Marney, Anna, and Mandee.

AND SPECIAL MENTION

To my husband who rated it five stars. *awwwwwwwww*

NOW, YOUR TURN…

IF YOU’RE A WRITER, DO YOU HAVE ANY TIPS ON HOW TO MARKET A BOOK ONLINE?

AND READERS, HOW DO YOU GO ABOUT CHOOSING A BOOK? A REVIEW IN A NEWSPAPER? ON A BLOG? A FRIEND MENTIONING IT? 

Friday Night Fictions: August 2013

As promised, I’ve decided to start a monthly club, Friday Night Fictions, that helps promote the work of debut authors (both Australian and international) and short story/Flash fiction writers too.

It can be tricky for new authors to gain traction in the media and bookstores, so I hope you can read and support each other’s work. If you could spread the word about Friday Night Fictions via your social media contacts, that would be terrific.

For bloggers or reviewers, if you review any of these fictions, I’ll link to your reviews before the next edition, so we can develop a discussion around emerging writers. Just let me know the URL via the contact form above. I have updated reviews for Jessie Cole and Eleanor Limprecht…

And *clink clink* to all the writers below, who have managed to complete a novel. It’s something many people dream of, but you’ve done it! I like the threads linking some of the works …

The deadline for the September Friday Night Fictions is Friday 20 September and it will be launched on Friday night, 27 September. I mentioned that I would choose one writer from the list to profile for the next FNF. Congratulations to Nina Smith. I love the sound of her wild romp and I look forward to talking to her about Hailstone.

Oh, and if I have missed anyone (these things happen), let me know, and I’ll make sure you’re in September.

Here we go…

 

KATE BAGGOTT, Love From Planet Wine Cooler

Love From Planet Wine CoolerThe last ‘nice girl’ on earth finds her way through a world defined by sex, music and the internet. Somehow.

Love From Planet Wine Cooler is an ode to a generation of women who didn’t so much lose their virginity as misplace it thanks to the advent of wine coolers. Somehow, they managed to find out all about love, relationships and careers.

Or did they?

Put in your imaginary ear plugs and follow Marina and her best friend through the laughter and tears of being a human being from the 90s on the search for answers now.

Read stand-alone parts from Love From Planet Wine Cooler that were published on Lit sites before the book came out:  Mr. January was published on Fiction365;  The Love Detox was published on Once Written. To view more or to buy the book visit: http://www.katebaggott.com.

Contact Kate on Twitter.

DAWN BARKER, Fractured

FracturedTony is worried. His wife, Anna, isn’t coping with their newborn son. Anna had wanted a child so badly and, when Jack was born, they were both so happy. They’d come home from the hospital a family. Was it really only six weeks ago?

But Anna hasn’t been herself since. One moment she’s crying, the next she seems almost too positive. It must be normal with a baby, he thought, she’s just adjusting. He was busy at work. It would sort itself out. But now Anna and Jack are missing. And he realises that something is really wrong…

Fractured is Dawn Barker’s debut novel. It tells the story of an ordinary family whose lives are changed forever after the events of one terrible day. It deals with themes of mental health, parenting and relationships.  Fractured was selected for the 2010 Hachette/Queensland Writers Centre manuscript development programme.

Dawn’s October Update: “There’s been one interview published with me on the Australian Women Writers Challenge website as Fractured has been their most reviewed book this year so far.”

Read an extract. Buy the book.


KATE BELLE, The Yearning

Yearning

 It’s 1978 in a country town and a dreamy 15-year-old girl’s world is turned upside down by the arrival of the substitute English teacher. Solomon Andrews is beautiful, inspiring and she wants him like nothing else she’s wanted in her short life.

 Charismatic and unconventional, Solomon easily wins the hearts and minds of his third form English class. He notices the attention of one girl, his new neighbour, who has taken to watching him from her upstairs window. He assumes it a harmless teenage crush, until the erotic love notes arrive.

Solomon knows he must resist, but her sensual words stir him. He has longings of his own, although they have nothing to do with love, or so he believes. One afternoon, as he stands reading her latest offering in his driveway, she turns up unannounced. What happens next will torment them forever — in ways neither can imagine.

Read an extract. Buy the ebook from Amazon or iTunes. The print book is available at Target, Kmart, Myer, Collins, Dymocks, Big W, Eltham Bookshop, other independent bookshops and major airports. Check out the reading group questions here.

Contact Kate at her website, on Facebook, and Twitter.

Kate’s October Update: “I’ve recently done an author interview with Little Raven Publishing and a number of new reviews up on Goodreads.”

Read more…

Which writer (living or dead) would you like to be for a day?

Leonard Cohen in Greece

Leonard Cohen in Greece

Western Australia seems to be the hotspot for writers at the moment. I have just finished reading Annabel Smith’s wonderful first two novels (A New Map of the Universe; Whisky Charlie Foxtrot) and Amanda Curtin has recently released Elemental (we share the same publisher in UWAP). Annabel and Amanda are part of a collective of writers — alongside Sara Foster, Emma Chapman, Natasha Lester and Dawn Barker — who, once a month, have a writerly debate via their blogs, answering a question about the writing life.

This month, I’m thrilled to be a guest blogger in their Writers Ask Writers series, with the curly question: Which writer (living or dead) would you like to be for a day?

My writing process is like a bear stumbling into a beehive or a honey cache: I’m stumbling right into it and getting stuck, and it’s delicious and it’s horrible and I’m in it and it’s not very graceful and it’s very awkward and it’s very painful and yet there’s something inevitable about it

It’s 1966.
I live on the Greek island, Hydra.
I am surrounded by beauty, simplicity.
I have learnt to play flamenco guitar.
I have taken lots of drugs.
I have had women falling at my feet.
I sing in a monotone.
I live in a haze.
I’m the king of deadpan.
I write about Canada and the Church and the wiping out of Cultures.
I Write Pages of Words Beginning With Capital Letters.
I write about cocks until my fingers bleed.
I write about women and desire.
I can get into character anywhere.
Darling, I was born in a suit.

It’s 1994.
I’m meditating.
I want to retreat and I’ve surrendered.
I’ll stay here for years.
I have taken lots of drugs.
I can be anywhere I want, man.
I’ll project back and forth in time.
Phil Spector threatens me with a crossbow
‘Hallelujah’ becomes the song of a generation but not mine.
I don’t know whether I know.
That four lines from my song ‘Anthem’.
Are four of the most beautiful in the English language.

It’s 2008.
I’m on a hill in the Hunter Valley.
I’m performing in a vineyard but I’m not drinking.
I’ve taken lots of drugs.
But I can see clearly tonight.
The stars are bright looking out.
But there’s someone about to start grieving.
I can see her in the audience.
She is lying down with her head gentle on the grass.
She is thinking about death and souls.
She is remembering how many words she knows.
So she sings them out loud with me.
To her baby who is at his first gig.
Who refuses to close his eyes.
Even as she dances with him all night in her arms.

Ring the bells that still can ring
Forget your perfect offering
There is a crack in everything
That’s how the light gets in.

Leonard Cohen has written songs, poetry and novels. Beautiful Losers is a hell of a ride. I think his voice is better now with its gravel edge. When I was a kid, a family member was obsessed with him (you know who you are) and, every chance she got at the dinner table, would affect this weird nasally voice and embark on dreadful lamentations. I always rolled my eyes; it’s so embarrassing when adults think their music is cool.

And then, damn it, Leonard Cohen did get cool.

Let’s check out who my cohorts wanted to be for a day:

PWFC_author_collage

AND WHAT ABOUT YOU? IF YOU COULD TAKE THE CHALLENGE OF BEING A WRITER FOR A DAY, WHO WOULD YOU PICK?

Friday Night Fictions: for debut authors

Taylor Kitsch, Tim Riggins, Friday Night Lights

Taylor Kitsch, Tim Riggins, Friday Night Lights

When you are releasing a first novel, the most unexpected things can happen. One is that you attract guardian angels — fellow readers and writers who decide to champion your work (even complete strangers).  This is especially important for debut novelists. If a writer with a following retweets you, invites you to guest blog or writes a review, it makes an enormous amount of difference to how your work is perceived, and whether it gets any attention. Two champions for me have been the authors and social media experts  Walter Mason and Angela Savage. Both have done everything in their power to help promote my book (without me even asking). I had never met Walter before the Sydney launch, and only recently met Angela for the first time in Melbourne (after conversing via blogs).

It started me thinking. What I am hearing via FB and blogs is that many debut authors are releasing books or stories into the current climate and the reaction is … NOTHING. Can you imagine spending many years on a project (12 years in my case) to get absolutely no reaction in the media? It can be heartbreaking. Especially as the books are often well-reviewed (if they finally do get reviews). On Twitter it can be like millions of writers all with their own little megaphone, and you can’t hear a thing.

So, I thought I’d take a hint from Walter and Angela, and start a new item on my blog called Friday Night Fictions, with the sole purpose of promoting debut authors’ fiction. I’m also keen on digital fiction, short stories, and Flash or micro-fiction. If you can link to it, even better. The idea is to start a club that promotes first-timers, and we can check out and comment on each other’s work too…

I also realise how important bloggers and reviewers have become in promoting first time writers’ work. If you review any of the works featured, or interview any writers, in Friday Night Fictions, I will link your reviews in the following edition so there is a developing dialogue around each writer’s work…Email me and let me know.

The scope of the internet means first-time works don’t have to come and go without a trace. Unlike printed book publishing, there is time online — to reflect, to debate. Works can stay current and relevant for as long as readers want to look at them, with ebooks available…that’s why I encourage writers who have published in 2013 and 2014 to contact me.

The title comes because I’ve become addicted to the TV show Friday Night Lights. I started watching it on Friday nights. I know, I always come to things a bit late. I’d get the kids to bed early, wrap myself in a doona, hold my husband’s hand and settle in for some good drama and great southern American hairstyles. Then it eked out to Thursdays, Saturdays, Sundays. Then series one ended and now I’m wringing my hands each night as I wait for the next series to arrive in the post on DVD. Sometimes it’s good to wait for good things. You know, like we used to. I originally discovered the series when a friend sent me this article written by Lorrie Moore (you now need to subscribe to get it, but it’s worth it).

Back to Friday Night Fictions. If you would like to be included, I have a series of conditions.

1.If you submit work, you need to subscribe to my blog at Wild Colonial Girl (http://www.wildcolonialgirl.com).

2. You promise that when your work is published on the blog, you will help promote Friday Night Fictions on social media and to your mates. You also promise to read at least one OTHER writer’s work featured, and comment on it.

3. All work needs to be fiction and published in 2013 and 2014.

4. All books need to be debut novels (any genre, from anywhere on the planet). E-books and self-published books are fine.

5. Short stories and Flash/micro-fiction OK, as long as you can link to it.

6. You can only enter a particular work once.

7. Please email submissions to info(at)frecklefeatures(com)au with FRIDAY NIGHT FICTIONS in the subject line.

8. Email submissions need to include: Author’s name and title made clear, and up to 150 words on the work (I will not be editing down so if you include more words than this, it won’t go in); a small image, preferably of the cover, where applicable; a link to where readers can buy or access the work; a link to an extract already available online so readers can get a sense of the style, if possible. Please note: emails must come from authors. No publishers or publicists/agents please.

9. Friday Night Fictions will go up on the last Friday night – every three months. The next issue is May 2014…

10. Reviewers can only send links to reviews of works featured in Friday Night Fictions. These will be updated for the following edition, so featured writers can see responses…

11. Each month I will choose a writer/work from the submissions whose work EXCITES me – to feature for the following edition.

Please pass on to anyone who has had a debut novel published this year, or any emerging writers in fiction. I look forward to your comments and hope we can build a global community of first-timers in fiction…

I’ve had my 15 minutes of fame. Next?

Ms Evie rocks to just_a_girl, Castlemaine launch

Ms Evie rocks to just_a_girl, Castlemaine launch

Although my book just_a_girl was released on the first of June, it’s taken a while to move through the launches.

The Sydney launch took place upstairs at Gleebooks and was like worlds colliding (as Emily Maguire put it). As I stood up to do my speech, I could see my first boyfriend (who knew me when I was just a girl) smiling near the front, along with my current and former bosses seated near the back, and then my dad, sister and a whole line-up of family in the mix. My two best friends were there, along with writers new and old. And Sue Woolfe, my wonderful supervisor and brilliant author. Then there were old friends of my mum’s. And people I’d never met before who were intrigued by the premise.

It’s heady, this collision of people from your past and present. The word that people kept using when they approached me was ‘proud’ and I was so humbled by their support and comments. It showed people really do understand what a hard slog it is, writing and publishing a novel, full of setbacks and then the excitement of getting to print.

I asked Emily Maguire to launch the book and she came in with guns blazing. I’ve always been so inspired by Emily, as both a fiction and nonfiction writer. She is interested in teenage girls and women, how they operate, how culture defines them, how they throw off expectations. Her first book Taming the Beast was a revelation and her latest Fishing for Tigers was a winner of the SMH Best Young Australian Novelists for 2013 (that I was lucky to help judge).

In the speech, Emily spoke of her teenage years, how (like me) she was boy-crazy, and how she reconciled this with her evangelical Christian background. As she spoke, I was so excited and engrossed by what she was saying that I forgot to get nervous — now there’s a great intro! I was most touched by the following line that Emily said about my writing:

I don’t believe there’s any character she couldn’t get me to empathise with, any story she couldn’t make me care deeply about.

Emily Maguire and me, selfie

Emily Maguire and me, selfie

I always hope to write my characters with compassion and conviction (even if they aren’t always likeable) and I’m glad that Emily could see that. My clever husband Damon took a video of the launch and it’s now up on YouTube, so here’s Emily in action on the night. (You can also read a transcript of her launch speech). And if you watch Emily until the end, you can see my Academy Awards moment and a reading from just_a_girl — where Layla swears, meets a moth, and a mysterious man, on the train.

In between the launches, I visited Readings in Carlton to sign some books (and learnt the term ‘face out’ as I begged them to feature it alongside The Rosie Project), did a Q+A at Colour Box pop-up bookstore with Angela Savage in Footscray, and  my first ever radio interviews with Alicia Sometimes (3RRR) and Jan Goldsmith (3CR), where luckily I managed a velvety sexy voice because I had a virus I couldn’t shake off.

The turn-up for the Castlemaine launch was wild and woolly. As in Sydney, the weather wasn’t kind, but Castlemaniacs entered Lot 19 by the bucketloads. I asked Ms Evie and Johnny Danger (from the kids’ punk band Itchy Scabs) to sing the title song of the book (No Doubt’s Just a Girl) and they followed up with Trouble from Pink. Local kids slammed in the moshpit and through the speeches as well. My two-year-old daughter ate a whole bowl of popcorn and double dipped in every bowl on the table.

Angela Meyer managed to raise her voice above the din and again did a beautiful speech to launch just_a_girl. Angela blogs regularly at LiteraryMinded and is a wonderful fiction writer. She also taught me how to get my blog up and running. She is heading off to Scotland for months (months!) to host some panels at Edinburgh — so bon voyage, Angela!

I chose the same part of the novel to read to the Castlemaine audience (so I won’t bore you with the video again) as my son’s Lightning McQueen and various race cars whizzed past my feet. I was looking for a G-rated version to read, considering all the kids, but it wasn’t too easy to find! I had to tone down Layla’s favourite swearword, Fuckadoodle! My son said later that he liked it when everyone went quiet and my voice came out of the speakers. I guess that’s the best feedback I’ll ever get.

Angela Meyer (LiteraryMinded blog) and Mark Anstey (Lot 19)

Angela Meyer (LiteraryMinded blog) and Mark Anstey (Lot 19)

Being in the public eye for a while can be a surreal experience. The local paper had a large photo of me (in the lead up to the launch) with the accompanying title: Lolita with a webcam. I found myself last Friday sitting in my office, staring out at the frosty clothesline, talking on Radio National’s Life Matters about moving from Sydney to Castlemaine and how social media can act as an anchor when you arrive in a new place. Today I published an article on the Wheeler Centre blog about the dangers of social media for teenage girls. This Thursday (25 July) I’m doing a ‘live’ author chat at Allison Tait’s Pink Fibro Facebook book club about writing a first novel, judging literary awards and editing a magazine for writers. I hope you all can come along and join me, and ask lots of questions…

In a recent post I mentioned Susan Cain and her TED talk on introspection. She talks of her ‘Year of Talking Dangerously’. In her spirit, in the upcoming months, I have decided to say ‘yes’ to everything, and see where I end up. I’m sitting up the front on the rollercoaster.

WHAT ABOUT YOU? HAVE YOU HAD YOUR 15 MINUTES OF FAME? DID YOU ENJOY OR ENDURE IT?

OK, my book is out, now what?

Thrilled at the book's safe arrival!

It’s arrived! just_a_girl released 1 June…

When I posted that question recently on Facebook, a good mate said: ‘Sell it.’ Increasingly, with the advent of social media, and with book buyers receding, there is pressure on writers to market and sell their own books. I sometimes wish we could revert to the olden days before writer festivals, book tours and launches, when after your book was written, someone else would take it off your hands and you could let it gently fly away (I recently heard someone refer to releasing your book as watching your baby crawl across an eight-lane freeway.)

But who am I kidding?  I realise the irony of this, as I sit here writing a blog about my new book. I recently enjoyed seeing the literary critic James Wood speak at the Sydney Writers’ Festival. I love his reviews, and they focus as much on the writer as the writing. The audience is hungry to know where the essence of the fiction comes from, what ‘truth’ gives the novel its flavour. I admire the guts of Italian writer Elena Ferrante, who Wood quotes:

Ferrante sent her publisher a letter that, like her fiction, is pleasingly rigorous and sharply forthright. It lays out principles she has not deviated from since. She will do nothing for [her book] “Troubling Love,” she tells her publisher, because she has already done enough: she wrote it. She won’t take part in conferences or discussions, and won’t go to accept prizes, if any are awarded. “I will be interviewed only in writing, but I would prefer to limit even that to the indispensable minimum”:

[Ferrante says] I believe that books, once they are written, have no need of their authors. If they have something to say, they will sooner or later find readers; if not, they won’t. . . . I very much love those mysterious volumes, both ancient and modern, that have no definite author but have had and continue to have an intense life of their own. They seem to me a sort of nighttime miracle, like the gifts of the Befana, which I waited for as a child. . . . True miracles are the ones whose makers will never be known. . . . Besides, isn’t it true that promotion is expensive? I will be the least expensive author of the publishing house. I’ll spare you even my presence.

Oh, to have the gall! I wonder if she has read Wood’s article…

It is daunting letting your first book out into the world. You want it to be reviewed but to be treated kindly. You want discussion that looks at the real issues, that delves beneath the surface. You want your characters to be respected (but not necessarily liked). You want the fact that you’re a beginner (in terms of novels) taken into account.

Margaret Atwood, in a recent interview with Jennifer Byrne (currently available on ABC iView), mentioned that there were four kinds of books: good books that make money; bad books that make money; good books that make no money; and bad books that make no money. She said that three of these four is OK! I love her cheeky style.

And so here we go…the spruik (I promise I will only do this once).

just_a_girl was released into bookstores on 1 June

It’s been very exciting to finally see the manuscript in book form. When I opened the package from the publishers my hands were shaking and I did the equivalent of the touchdown dance they do in footy (or whatever it’s called).

Apparently, the book is available in Australian bookstores (a friend saw it in Readings in Melbourne but, being a rural Victorian, I haven’t seen it in a bookstore yet – if you do send pics!). If you live in Castlemaine, Stoneman’s will have it.

You can also buy either a paperback or e-book version from UWA Publishing here. If you live in the States or elsewhere overseas (I know a number of readers do), it’s available for pre-order on Amazon.

Invite: Sydney launch of just_a_girl, 18 June, Gleebooks, 6.30pm

Invite: Sydney launch of just_a_girl, 18 June, Gleebooks, 6.30pm

The official launches

The Sydney launch is coming up fast. TUESDAY 18 JUNE, 6.30pm, at Gleebooks, to be launched by the wonderful novelist Emily Maguire. If you’d like to come along, you can RSVP directly to Gleebooks via their website. Children are welcome. Would love to celebrate and meet you there.

The Castlemaine launch will be SATURDAY 13 JULY at Lot 19 in Castlemaine, from 5pm, to be launched by Angela Meyer of LiteraryMinded fame. The band Itchy Scabs will be playing and kids are welcome there too. If you’re in Melbourne, come up for the weekend. It’s a gorgeous spot to explore. Invites are being prepared as we speak…

Order it at your library

If you don’t have the funds to buy books (and many don’t), please ask for it at your library. I love libraries and the more libraries who order it, and the more requests at those libraries, the happier I will be.

Review it on Goodreads and Amazon

The worst thing that can happen for a writer is resounding silence, after ten years of focus on a work… If you like the book (or if you hate it), please talk about it. I’ve set up an author page and the book is now up for discussion at Goodreads. Get in contact with me on the blog, do a review. I’m so keen to hear your thoughts. Also, if you’re not on Goodreads, it is absolute heaven for book lovers. You can create shelves with books you have read, books you’re currently reading, do reviews, rate books, recommend books to others, and get close and personal with writers.

Suggest it for your Book Club — or start your own

Book Clubs are a fantastic way of talking about writers, especially debut novelists! If you’re a member of a Book Club, just_a_girl has some terrific book club notes exploring the following issues:

• Sexuality and identity; Teenage friendships and relationships; The dangers of social media and technology; Mother-daughter relationships; Faith and healing; Searching for connection in a disconnected world

Interviews and articles

The most wonderful thing about social media is how bloggers and tweeters help each other out. I will be posting interviews and articles/reviews regularly at Wild Colonial Girl, but first off the rank is the lovely Allison Tait who invited me in for a cup of tea and a chat at her blog Life in a Pink Fibro — about the teenage voice (in an adult novel) and choosing a publisher.

If you’d like to interview me, would like a guest blog post, or a review copy, just click on the Contact tab and send me a message.

Read a sample chapter or two

Sometimes, with all the choice on offer, I like to see a writer’s style of writing before I purchase a book, especially if it’s the first time. Here’s a sample (introductory chapters) of just_a _girl and I hope you enjoy it…

WHAT ABOUT YOU?

HAVE YOU HAD A BOOK PUBLISHED?

WHAT WAS IT LIKE LETTING IT OUT INTO THE WORLD?

AND HOW DID YOU GO ABOUT PROMOTING IT — AND DID YOU WANT TO?

Meet the locals: author Simmone Howell

Simmone Howell

Simmone Howell

Simmone Howell’s recent YA novel Girl Defective is a smart and punchy coming of age tale set on the meanstreets of St Kilda. In a record store owned by her dad, Sky negotiates love, loss and a little brother who always wears a pig mask.

Simmone’s narrative voice (in whatever character she is writing) is the kind that you long for, so strong it becomes a part of your own interior monologue, and changes how you see the world for a while. Her dialogue, description and humour are fresh and seamless. Her rapid fire delivery floors you. I’ve read a lot of YA fiction recently and this book stands out in the genre (or any genre, really).

As it happens, Simmone is also a local (for the moment, anyhow). I first saw her on stage at Castlemaine Word Mine, hosting a session with Martine Murray and Sally Rippin, and we recently did a session together (with Ellie Marney) on teen fiction. 

Here I speak to her about writing, nostalgia and folk music …

When did you move to Castlemaine? What drew you to the area?

I moved here in 2008. I wanted to try living in the country and Castlemaine had good coffee, plus a cinema and a train to Melbourne …

How does the area inspire your own writing?

I’m yet to see if the area has inspired my writing. I’m not sure that it does except for the fact that I walk a lot more than I used to and as a result have more ‘forward thoughts’ … but I also seem to have less time to write them down. And I spend a lot of time dreaming of escape.

How does a writer survive in Castlemaine? Do you do other work as well?

I do a little freelance writing stuff here and there, and I run creative workshops with Lisa D’Onofrio. I live lean and am nearly always thinking of finishing a Grad. Dip.

You seem to be drawn to YA fiction, novels with strong and humorous young female voices. Does the teen voice come naturally to you?

Yes! Even when I write an old man character he manages to sound like a 15-year-old girl. (This could be a problem …)

You’re a writing mother. How does having a family influence the way you work? Your characterisation?

Having a family means I have more resources in one way – I am constantly being pulled into the child’s perspective and I think it also makes me very nostalgic about my past and the feeling of time passing. I think being a parent has made me a nicer person. Not sure if that helps with the novelling though.

Girl DefectiveYour new novel, ‘Girl Defective’, seems to be about the importance of preservation (records, St Kilda’s iconic buildings) and an embrace of the vintage. Do you collect things? Are you drawn to record stores and op shops?

Yes and Yes. I have always been a collector and a cataloguer. I also love to throw things away and then mourn them.

‘Girl Defective’ has a wonderful sense of place. Why did you decide to set it in St Kilda?

I lived in St Kilda for a little while, and it was also the land of my teenager dreams. It always seemed like a mythical place to me – like Australia’s version of Los Angeles where everything is surface and the darkness is never far away. I love the history of St Kilda and the geography. I’m not sure if I would live there again so it was great to be able to live there vicariously through Sky.

Sky seems to be a girl coping in many ways on her own, with a lot of responsibility (her mother is absent, her dad relies on her to look after her brother). Do you think she is essentially taking on the parenting role in the narrative?

Yes. I think responsibility is one of the themes of the novel. Put baldly like that, ‘responsibility’ seems to be quite a boring theme, but when I was writing I was thinking a lot about the roles that people take on, how we can fall into them without wanting them, and then, sometimes surprisingly, be good at them.

You’re currently working on your latest novel. What’s the process? Do you research extensively? Or do you hit the ground running once you’ve found a character?

No research unless I really have to. I’ve been quite good about writing forward. With Girl Defective I remember I changed the tense about fifty billion times, re-writing the book each time … with my current manuscript I’m playing around with the voice. I’ve been writing it in 3rd person, but now I think I’d quite like it to be in 1st. Basically my process is to write something and then at a crucial point in the narrative go back to the start — this way it takes me years to finish.

Are you a writer who likes to stick to a routine, who finds comfort there, or do you embrace spontaneity?

I would love to stick to a routine, but I seem unable to. My only routine now is that I use the software Freedom which allows me to turn off the internet.

You’ve worked in other genres including an award-winning screenplay. What drew you to film, and how does writing a short film differ from narrative fiction.

I love films. I spent most of my teen years lurking at the video store slowly working through actors and genres … the short film Pity 24 came from a short story which was basically an oral biography, so in that instance there wasn’t a lot I had to change. (The film is like a fake documentary, though not a ‘mock’ documentary because no-one’s being mocked in it … I think there’s a difference.)

Actually I find screenwriting really challenging. I would love to adapt one of my books but think I might need a bravery injection first.

You’ve been successful in exporting your fiction internationally. Do Australian writers in YA stand a chance in the US market?

Definitely. There is a lot of love for Australian YA in the US. Margo Lanagan, Melina Marchetta, Jaclyn Moriarty, Marcus Zusak, John Marsden — the big names here garner a lot of respect there. Very generally speaking, I think they love the ‘direct’ Aussie voice. My writing has been called things like ‘unvarnished’ and ‘raunchy’ in the US and for some reason it feels like a compliment!

You have recently hosted a local radio show, Folkish on Tuesday mornings (currently in hiatus). What are your top 5 folk tracks (at the moment)?

Simmone’s earlier novel Notes From The Teenage Underground won the Victorian Premier’s Literary Award for YA Fiction and the Gold Inky in 2007. The short film Pity24 won an AWGIE for screenwriting.

A UNIQUE VOICE IS SO IMPORTANT IN FICTION … WHO ARE YOUR FAVOURITE WRITERS — WHO MANAGE TO CREATE A VOICE SO MESMERISING THAT YOU DON’T WANT TO LET GO?

IF YOU ENJOYED THIS, YOU MIGHT ALSO LIKE TO MEET LOCAL WRITERS JON BAUER AND ADAM FORD …

Do you remember the first time? Part 2: readings + The Voice

You can pre-order my book, just_a_girl. Just click on the pic.

You can pre-order my book, just_a_girl. Just click on the pic.

I’m one of those people who would rather die than get up and say a few words. I think this is in part genetic (my grandmother on my mum’s side and my grandfather on my dad’s side were both content to sit in corners and observe at social situations, and confessed their fears to me of standing up to speak) but also influenced by my experiences in primary school.

I don’t remember being self-conscious until about Grade 4. I feel like I can pinpoint the moment it began. When — as my character Layla takes up the narrative in my book — I had a teacher who decided to conduct a class experiment. Mr S told me to go outside and pick up rubbish. A strange request but I was a dutiful student (pretty much). When I returned I went to my desk as usual. Later in the day he smashed his ruler down in front of me and got me to stand up in front of the class while he accused me of hitting and hurting a small boy. This was so against my nature that I threw it off for a while, but then he got a student to go and get the little boy in question, and he lied convincingly. I felt stranded and confused. Did I actually do it? Without realising? When I sat down, my teacher revealed it was an experiment. To see how boldly I stuck to the truth. To see if I changed my story. The class all had to write about me (and the scenario). I felt completely exposed.

And recently I realised: when I stand up in front of an audience now, I feel like I’ve done something wrong — even though I haven’t. It’s a hard thing to shake off. Of course, a therapist may say I’d feel this sense of dread anyway (many writers do). So, when I finished the book, I realised I had to confront it. The public/private persona. The exposure to strangers. Writers are expected to speak and be comfortable speaking (even when this is a completely different skill to writing). I heard a saying recently, ‘hiding in plain sight’, and I relate to this well. Every day I confront it. The need to compose myself.

Harrison Craig on The Voice

Harrison Craig on The Voice

I’ve been hooked on The Voice lately. This show is my guilty pleasure. I watch all the auditions. I watch them again on the net. It’s the only TV show I get really addicted to. I love singing, and distinctive voices. But when I’m watching it’s as if I’m searching for something. For clues. And I realise I’m fascinated by that moment of connection. When the singer touches the audience (or judges). It’s about letting yourself be vulnerable. Being unique. Allowing emotion to move through your body. It is a mystery to me.

Now, singing and dancing are different from speaking. I could get up on a stage and sing and dance in musicals at school. The Wizard of Oz. Godspell. Musicals meant you could hang out with older boys (I went to a girls’ school) who played guitar. There was a freedom there. But I never auditioned for a play. I guess, people who stutter would understand this. It seems a different part of the brain handles song, as opposed to speech. When I get nervous, I go mute. Not just my voice, but my brain! I can’t access what I need when asked a question in front of people. Many times at school and university I had to leave the room. For fear of not being able to find the right words.

But recently it all came to a head. I was asked to do my first reading of the book (a preview) at the Castlemaine Word Mine with Simmone Howell and Ellie Marney. I knew that this was make or break time. That from this point on, leading up to and beyond the launch, it was only going to get harder. Or easier. Depending on how the night went. And you know what? I drove home pumping my fist at the moon and screaming ‘Fuck, yeah!’ because I got to the other side. Where it actually felt good. And here’s what I learnt.

Join a writers’ group 

Even though I’ve written my first novel, I’ve never had any group feedback. I chose a research masters to avoid classes (of course). One on one feedback I can handle. But in Castlemaine I stumbled upon the most wonderful group. All experienced writers. All willing to be both gentle and pernickety. I started to tentatively read aloud. I couldn’t look up from my page. But I started to hear my own voice.

Say yes first and panic later

Q&A with Kirsten Krauth, Ellie Marney, Simmone Howell, Castlemaine Word Mine

Q&A with Kirsten Krauth, Ellie Marney, Simmone Howell, Castlemaine Word Mine

Make a commitment to doing the talk. All writers deep down really want to share their work. While I didn’t write my book for an audience, it has ideas I want to share. Find out as much detail as you can about the event. How long will you read? Are you on with a panel? Who’s on first? Is there a Q+A? Can you get an idea of the questions?

Practise for a week

Choose an excerpt from your book that you really love, and that has strong narrative drive. As a fellow writer told me, don’t go for beautiful words. They may look good on paper (and the reader will appreciate this) but they inspire daydreaming. Take your audience on a trip; include them in the journey. Read your excerpt out loud, once a day, for a week leading up. Learn the words that you stumble on and change or eliminate them. Write down where to pause. Write down where to smile. Reminders are great. Most importantly, write yourself an intro, even if you have to write ‘Hello! I’m Kirsten Krauth’! For me, the stumble is that initial opening. Once my voice actually comes out, I’m getting there…

Good old NLP + love your toes

Neuro-linguistic programming seems odd. Replacing words and concepts with others. Too good to be true? But every time you say ‘nervous’ to yourself or friends and family, replace it with ‘excited’. I did this and it worked. Couldn’t believe it. By the time I got to the reading I was pretty fucking excited. But actually, something weird happened and the nerves seemed to evaporate as the (very long) day wore on.

Moments before I stood up to read, I concentrated on my feet. They were dug into the ground. I scrunched my toes up (another tip from a friend) and thought only of them. When the time came my feet were happy to move me from A to B.

The art of performance: become your character

When I hit the stage, my only goals for the night (other than turning up) were to slow down and look up from the page once. But as I started to read the practice paid off. The words and timing seemed effortless and as I was reading in first-person, I started to play with the voice of 14-year-old Layla. I started to embody her, and she started to embody me. It turned into a performance rather than a reading. As we moved together, I actually started to enjoy it. Character acting. That’s what it was about.

Invite your friends and family

I’ve had lots of conversations about this one. Most writers agree that it’s easier to speak to a room full of strangers; and to read from a script. But as my eyes furtively darted from the page, I began to see people I know. People I like. People who had given up precious time to turn up on a cold night and listen. I saw they were smiling. They were keen. They were encouraging me to keep going. And this was an amazing help.

I wasn’t in a classroom being humiliated or attacked. Things had moved on.

WHAT ABOUT YOU? ARE YOU A NERVOUS (READ EXCITED) OR COURAGEOUS PUBLIC SPEAKER? ANY TIPS OR ADVICE? HAVE YOU EVER BEEN BLOWN AWAY BY SEEING A WRITER SPEAK? HAVE YOU EVER WISHED YOU COULD SINK INTO THE FLOOR?


PS And … the exciting news is that you can now pre-order  just_a_girl online (it comes out 1 June). I’m really excited about the cover. Although I originally didn’t want a girl on the cover, I was talked around. It’s dark and techie and murky — not girlie — and represents the book well, I think. If you can’t afford to buy a copy, and let’s face it, many people can’t, it would be great if you could request it at your local library. That way, they can order it in:-) Or, if you want to get a review copy for your journal or blog, let me know! It’s also available as an ebook.

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