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Debut author profile: Michael Adams

Michael Adams, star of FRIDAY NIGHT FICTIONS, and author

Michael Adams, star of FRIDAY NIGHT FICTIONS, and author of The Last Girl

I must confess I didn’t know too much about YA until quite recently. I always had in my head that it was a closed genre, featuring vampires and werewolves and girls with ballgowns and insipid romance. But everyone makes mistakes. Reading more widely this year — and the YA community’s quick embrace of just_a_girl led me down this path — I realised that it’s an enormously diverse market with exactly the kind of narratives that excite me, a genre often caught in between the adult and teen worlds.

I’m always a sucker for coming-of-age-girl-as-outsider-awkward-moments-until-she-realises-everybody-is-like-that narratives. Blame the 80s and Molly Ringwald. When I was an adolescent, the idea of books for teens was just gaining ground. I devoured SE Hinton, Paul Zindel, Judy Blume, Robert Cormier. These writers tackled dark subjects, spoke of sex and drugs and religion (and all those things I’m still writing about), and empowered teens to fight for themselves.

Michael Adams’ The Last Girl is a strong addition to the genre, that also fights to be let out into literary fiction. Highlighted in the September edition of FRIDAY NIGHT FICTIONS, it demands close reading. While lead girl Danby confronts an apocalyptic vision of Sydney, where most of the inhabitants can read each other’s minds, it’s also about communities separated by high-density living, soaring property prices, environmental catastrophe, the legacy of stealing someone else’s land, and addiction to personal-technologies.

Michael knows how to cram in big ideas. His background as a film critic (editor for Empire — where he employed me to write on Bergman [bliss]  — and even appearing on The Movie Show on SBS) serves him well here. The fiction is full of pop-culture references, sly humour, out-of-the-blue violence, and challenges to narrative conventions.

Danby is a memorable figure through the death and destruction around her, intuitive, strong, countering expectations to be led astray by wayward boys, dealing with challenges effectively with humour and courage. I’d like to meet her one day. Let’s hope she makes it to the end of the trilogy (The Last Girl is the first in a series). Knowing Michael, this isn’t entirely certain.

Here I talk to him about Stephen King, Sydney and the Blue Mountains on fire, and heroines that break free of conventions…

Do you remember the moment when you decided you wanted to be a writer?

Not the precise moment but it goes back as far as I can remember. As a six-year-old I’d write and illustrate little stapled books about soldiers and sharks and dinosaurs — sometimes all in the same story. By the time I was in my early teens I was trying to write novels. Then I got into journalism and creative writing took a backseat. It wasn’t until I’d tried my hand at screenwriting and non-fiction that I finally, finally, achieved the goal I’d set for myself when I was about 13. Oddly — or maybe not oddly — The Last Girl contains echoes of those adolescent efforts.

Michael Adams, The Last GirlWhat inspired you?

The Last Girl came as a bit of a flash — at least in concept. In 2008 I was in New York and at dinner at a restaurant with my partner. We were having a great time talking to another couple who’d survived Hurricane Katrina. But at another table there was a couple who didn’t say a word to each other all night. At some point I wondered: what if they could read each other’s thoughts, hear everything that wasn’t being said. Then I wondered what it’d be like if the phenomenon spiralled out to encompass the city, the country, the world.

My book and yours share some common themes: teenage girls on the edge; a narrative that swings between Sydney and the Blue Mountains (on the train tracks); the questioning of digital cultures and their effects on psychology and relationships. Why did you decide to pursue these ideas in a YA novel?

Initially I thought I was writing an adult book about a young adult character. It wasn’t until I’d sent the book to Allen & Unwin that it was explained it was a YA. The definition was that YA focuses on young characters who have to make their own decisions in the absence of adult authority. That pretty much summed up Danby’s situation in The Last Girl. But I’m not sure about the YA label because it wasn’t used to describe similar books when I was growing up. The Catcher In The Rye and Lord Of The Flies spring to mind. Back then they were literature — now they’re YA. And then there’s the US statistic that says 84 per cent of YA is purchased by people over 18. I guess what’s important is that it’s a good story well told and in a voice authentic to the age of the character.

You’ve written extensively on film (as a reviewer and non-fiction writer). To what extent did cinema, and in particular B-grade films, influence your narrative?

I wanted the story to grab readers by the throat, take them to a cliffhanger and then tease them with backstory that’d become important throughout the trilogy before plunging back into an ever-escalating series of disasters for poor Danby. But I wanted to throw her and readers constant curveballs so it’d be difficult to predict where the story was heading. So the movies I kinda had in mind were those that’ve had that effect on me: Se7en, Fight Club, Zodiac, Psycho, The Usual Suspects, Night Of The Living Dead are a few that spring to mind. I also put as much black humour into the book as possible and in that the touchstones are films like Dr Strangelove, Bride Of Frankenstein and Repo Man.

Breaking Bad

The biggest influence on The Last Girl? Breaking Bad…

But the biggest influence wasn’t film — it was Breaking Bad. I watched the entire series twice and really tried to understand how Vince Gilligan created an emotionally charged character-driven suspense thriller that was so dense, complex and funny — while also layering in all of his narrative callbacks, in-jokes and Easter Eggs. There’s a lot of that kind of thinking in The Last Girl. Seemingly throwaway details become pivotal to survival. References to pop culture echo the themes. There’s a reason Danby’s dad orders a plate of shrimp and a Miller. Google it and you’ll see why.

The Last Girl is the first in a series. Did the publisher commission a number of books at once? How hard is it as a writer to plan out a series?

Yes, A&U bought the trilogy. By that stage I had a solid first draft of The Last Girl and about 20,000 words of the sequel. Now book two, The Last Shot, is at the final proofreading stages and I’ve got three months to finish the first draft of The Last Place, which will wrap things up. When I started The Last Girl, I was pretty much making it up as I went along. The ending I eventually decided on and worked towards would’ve left a lot unresolved. I wanted to know what came next. The fun — and tough — thing is to ensure continuity while you juggle drafts. But I’ve really enjoyed playing with the world — or end of the world — and seeing how the puzzle pieces actually do fit together. Mostly it’s been an organic process. But I’ve also worked to ensure the books don’t repeat scenes or scenarios. I hate sequels that’re just a reheat.  So I see the series as one story, which also means that I need the end of book three to be bigger and more powerful than what’s come before. I want it to be my Toy Story 3 and not The Godfather Part III.

Your novel is playful and toys with genre conventions: the romantic lead; the heroine as victim/survivor; futuristic horror; the quest. Was this always something you had in mind when you started writing, or did it evolve as you went? How did this go when you were trying to get the book published? Was there pressure to make it one thing or another?

There was a lot I didn’t want my book to be. Passive heroine? Fuck that. Instant love between characters? No thanks. Scared suburban types who suddenly become fearless warriors? Uh-uh. I hate reading or watching stories in which you spend your time shaking your head at bad character decisions and/or illogical scenarios. So as much as possible I wanted Danby’s nightmare to feel real, to be blow-by-blow. Yay, she’s made it to the car! But can she drive? Can you feasibly escape a burning city on clogged roads? And if not, then what? I wanted characters who haven’t got all the answers. I tried to imagine myself in her shoes and in doing that painted Danby into some seemingly inescapable corners. A few of these took months to figure out. And that meant walking the actual locations until the “A-ha!” moment struck. Writing like that intrinsically bends genre expectations because we’re so often fed the same-old people and situations. Tough guys walk in slow-motion from the explosion without looking around? Stupid. How about sensibly shit-scared guys run but one can’t help looking back and gets flash-blinded while another’s cut in half by shrapnel and they all end up concussed by the shock wave that shatters every window for five blocks? By doing the latter you’re being logical and realistic but it’s also bleakly funny and subversive because it’s not what we’re used to seeing. As for how A&U reacted, they were brilliant. I was never asked to make it anything other than what I’d envisaged. The cuts and changes suggested were more to do with me overwriting, paying too much attention to secondary scenes or wandering away from the character voice.

You live in the Blue Mountains (I used to as well). Your book deals with catastrophic events, including, it seems, a whole city and mountain on fire. How did it feel when the recent Springwood fires were happening (after the book had been published)? Did it feel like life imitating art in some hellish way?

It was freaky because a few scenes, particularly smoke blanketing Parramatta and Silverwater, were exactly as I’d imagined them. I got a few messages from people saying, “Whoa, dude, that’s spooky.” But we were too busy packing up our and getting out of Katoomba to think about it too much. I did get asked by a big newspaper if I’d comment on the book’s similarities to the events but I declined because I thought it disrespectful to trivialise an ongoing situation threatening people’s lives and homes. Writer turns down publicity: film at 11!

Is there a writer community in the Blue Mountains? Can you survive being a writer up there, or do you still commute to Sydney for a day job?

There are a lot of writers in the Blue Mountains but I work a day job in Sydney so I haven’t had much time to explore the community. Couldn’t even go to the SFF events they had last year. Sad face. But the dream is to do exactly that: hang out up there and write. But for the foreseeable future I’ll be commuting to the office gig — and freelancing my butt off to supplement those wages. It’s all freaking glamour, me tells ya.

What is the most important thing you’ve learned in the process of writing your first novel, that you wish you knew at the beginning?

I guess it’s something you learn and re-learn every time you pick up a pen or sit at the keyboard: you’ll think your first jottings are amazing and you’ll be so very wrong. But they’re a start. And the next draft will be better …  and then the next …  and the next …  and so on. But what’s equally important is to be ruthless, murder darlings in the nest before you get too attached. The first submitted draft ran to 111,000. The final book’s about 87,000. The 25,000 words or so that were cut were words I’d spent a long time writing and polishing. There was a lot in there that didn’t need to be but I was too close to it. By contrast, the first draft of The Last Shot was 80,000 — and it’s ended up at 93,000. So maybe I swung too far the other way. Perhaps the third book will be just right — but I doubt it!

Dead Zone

Michael’s favourite book as a teen

What were your favourite books to read when you were a teenager?

I am indebted to Stephen King. I loved that supernatural events were happening in our very ordinary world and to ordinary people. The Stand and The Dead Zone were hugely influential. Later, at school, we did Lord Of The Flies, The Loved One, Nineteen Eighty Four, Shakespeare: and I loved all of them too. So a mixture of the high and lowbrow — but, like YA, I’m never sure exactly where the border lies.

Of course, the book screams film rights. If you could choose anyone (director, actors) to adapt and star in your film, who would they be?

David Fincher [Fight Club, Panic Room, Zodiac, The Social Network]. I love his obsessive attention to detail, the mood he creates. As for actors, I’m going home-grown. Eva Lazzaro as Danby. She’s the right age, she looks the part and she’s really talented. I thought she was the best thing about Tangle. Alex Russell as Jack. He was funny and charismatic in Chronicle and he had an edge to him. Nathan’s young and from Sri Lankan parents. I wonder if cricketer Ashton Agar can act?

Michael Adams’ The Last Girl was featured as part of FRIDAY NIGHT FICTIONS for September. You might also like to read an interview with August’s debut author, Nina Smith and YA author of Girl Defective, Simmone Howell.

WHAT ABOUT YOU? WHO ARE YOUR FAVOURITE YA AUTHORS? IS IT TRICKY TO DEFINE YA? OR HAVE YOU READ MICHAEL’S BOOK YET? LET US KNOW WHAT YOU THINK!

Writing Mothers: Annabel Smith

Author Annabel Smith

Author Annabel Smith

Novelist Annabel Smith is a writer who kind of slipped by me. I’m not sure how this happened (but she has blogged extensively on it).

I read her first novel A New Map of the Universe earlier this year as if I was in a fever. The language is at times extraordinary. The opening scene where the lovers trace maps of stars on each other’s bodies is *sigh* so erotic, in the best shape of the word, that I felt like I might dissolve. It’s a book about abandonment (something that, as a writer, I identify with strongly), and about mothers who disappear (slowly, slowly). It’s a daring and transcendent debut, packed with emotion and punch.

I read her second novel pretty much immediately, intrigued by her ability to manipulate me as a reader (in a good way) and pluck at my tender bits and vulnerabilities.  Whisky, Charlie, Foxtrot is also assured but completely different in tone, a signal to me that Smith is quite an exceptional writer in the Australian cultural landscape. With this book, I think she deserves to be considered on the international stage (many Australian writers other than Peter Carey should be there). Beautifully structured, pared back in style, it’s a contemporary novel about technique as much as plot, about how words are shaped. As a family negotiates feelings around a brother (or son) in a coma (you can throw away all the cliches too), Smith negotiates how memories are formed and relationships battered by seemingly small misunderstandings — miscommunications and withdrawals — that grow into obstacles almost too big to crawl over.

Annabel Smith, A New Map of the UniverseI’ve got to know Annabel (virtually) in the past year. Her debut novel was published by UWA Publishing, like my own. And since just_a_girl was published she has been quick to review it and give feedback, helping me over initial hurdles. She invited me to contribute to her Which Writer For a Day collective blog (with other WA writers) and to think about my favourite book for her ‘Friday Faves’ series. She taught me the importance of writerly communities, and helping each other out online in innovative ways. I was also fascinated by her latest project, The Ark, a digital narrative that pushes the boundaries of fiction — I look forward to seeing it in final form.

Here I speak to Annabel about motherhood, writing, and writing mother characters in her fiction.

When you were pregnant, what were your expectations regarding having a baby and writing? Were you planning to write after the baby was born?

I prepared for pregnancy as I prepare for most things — by reading about it. What I read led me to believe that my baby would usually have 3 naps a day, adding up to 3 or 4 hours in total. Based on this information, I expected I might be able to spend perhaps an hour a day writing.

What was it like in reality? Did you get any writing done in the first year after your baby was born?

My son was colicky and difficult to settle. He had an abnormally short sleep cycle (only 25 minutes as opposed to the average 45 minutes), and never napped for more than 1 cycle. The time it took to settle him was often longer than the duration of his nap and was horribly stressful. I felt that getting him to sleep was one of my primary functions as a mother and I was failing horribly at it. Often by the time he fell asleep I was completely strung out, and there were a million things to do around the home, so writing didn’t get a look in. I didn’t write a word for the first six months after he was born and I felt incredibly frustrated and resentful about this. Eventually, we worked out a routine where my husband would look after him for half a day each weekend and I would spend a few hours at the library working on my book.

Did you find it difficult to sit down and write? Or was it the opposite? Were you more creative, as you had less time, and had to be super disciplined?

I was amazingly productive. My writing time was so precious, I didn’t waste a minute. I would sit down at the desk and barely look up for three hours.

Did you find the experience of motherhood starting to seep into your characters? Into the way you portray people?

Annabel Smith, Whisky, Charlie, FoxtrotI was writing Whisky Charlie Foxtrot then. After my son was born I wrote a scene in which my protagonist Charlie goes to see his mother, and talks to her about his feeling that his brother was her favourite child. She reveals that it was in fact the opposite, and shares her guilt about this feeling. Parental guilt is something you can’t imagine if you haven’t had children. I’d heard people speak about the feeling that they were constantly doing something wrong, or letting their children down in some way and I’d think, just let it go, stop beating yourself up about it. Then I became a parent and I experienced it for myself and I understood how it gets hold of you. So I wouldn’t have thought of writing that scene unless I had experienced that.

Did having a child mean you had to go back and rewrite or change characterisation (of mothers or other characters) in any ways?

Not that I remember, although having a baby also affected my memory really badly so it’s hard to be sure!

In your novels, mothers are often seen as difficult to reach or disappearing slowly out of grasp. Is this a common thread in your work?

It isn’t always easy to see the threads in your own work because often they seem to be driven by unconscious impulses. My first two novels both focus on the idea of communication in families — things that need to be said and aren’t, things that shouldn’t be said but are. All sorts of the relationships are fractured, not just those between mothers and children. But when I think about it more carefully, in my third novel The Ark (to be published in 2014) I have a character called Ava, who has a nervous breakdown, and worries about the impact of this on her 8-year-old daughter. And my current work-in-progress centres on a cult built around a woman known as ‘la madre’ which means ‘mother’ in Spanish. So perhaps it is an idea I feel a need to keep exploring in different forms, but it is not deliberate.

Mothering can involve managing many conflicting emotions. To what extent do these emotions transform or play a part in your writing?

What a great question. But also a difficult one to answer. I have certainly had many conflicting emotions as a mother and perhaps more extremes of emotion too. I had post-natal depression so some of the lowest times of my life have been since the birth of my son. The silver lining of this, for me, is having more compassion for others, especially people suffering with mental illnesses. I think if a writer has compassion for their characters, the reader is more likely to as well, even the difficult characters. So I hope that my experience with depression has helped me to write characters with more depth, and characters who readers might be able to feel sympathy for, even if they are behaving in ways that are hard to understand.

Both your books challenge the idea that motherhood and nurturing come naturally. Your characters struggle with grief and detachment. Do you think these are feelings many women negotiate but feel uncomfortable talking about?

Undoubtedly. I think there’s a terribly repressive culture which perpetuates the myth that all women are natural mothers and that motherhood is the most wonderful thing that can ever happen to us, and this culture makes it difficult for women to express their true feelings about motherhood which are often ambivalent and complex. I think this culture is changing, which is great to see, but it still has a long way to go.

Annabel Smith’s novel Whisky, Charlie, Foxtrot has been nominated for the Small Press Network’s Most Underrated Book Award, to be announced at the Wheeler Centre tomorrow night. Good luck, Annabel, and I’ll keep you posted.

THIS POST IS PART OF THE WRITING MOTHERS SERIES: You can also read interviews with Anna Funder, Debra Adelaide, Susan Johnson, Kirsten Tranter, and many other wonderful writers

WHAT ABOUT YOU? ARE YOU A WRITING MOTHER – OR IN THE PROCESS OF WRITING MOTHER CHARACTERS? HOW DO YOU HANDLE IT?

Friday Night Fictions: October 2013

Howdy, and welcome to the third soiree for FRIDAY NIGHT FICTIONS*.

It’s a strong contingent this month. Each time I do this, seek out debut novels and collections of short stories, I’m impressed by the scope and daring of the writing, especially that released by the smaller and independent publishers.

The more I wade into the deep of promoting my book, the more I realise that success is based on personal connections. In the list below, I have previously reviewed Cameron Raynes‘ dry and exquisite collection of short stories (for The Australian), which prompted me to hire him to write an article for Newswrite (the magazine I edit for the NSW Writers’ Centre) on how a stutter has helped (and hindered) his creative life (one of my favourite articles, that makes me cry every time I read it). I have watched Alex Hammond talk at a NSW Writers’ Centre panel on how to market crime fiction. And I have read with interest the reviews of Snake Bite, that seem linked to my own work: both novels billed as Puberty Blues(es) for the contemporary age.

One of my favourite moments of pulling together FNF is to choose a writer to profile each month. Next up is an interview with Michael Adams  (whose book The Last Girl featured in September) and I’ll be chatting to him next week.

And, ta dah!, the chosen one for October is Tracy Farr. “This is the story of Dame Lena Gaunt: musician, octogenarian, junkie.” With that opening line, I’m in!

If you’re a debut novelist or short story writer who’d like to contribute to next month’s edition, check out the guidelines and the August and September clubs.

For previous clubbers, I’ve also updated the August and September pages to see how writers are faring a couple of months in. Congrats to Dawn Barker, whose  Fractured has been the most reviewed book on the Australian Women Writers’ website, and Melissa-Jane Pouliot, whose novel about a missing person has really struck a nerve (see both in the August edition). I like the idea of all the pages evolving each month (rather that remaining static), so please email me updates at any time, so everyone can track how you’re going, and get some inspiration…

Indie (self-published authors) have had a bit of a rough trot lately. Where are you hiding? Give me a hoy. This monthly club is especially geared to you!

FINALLY, I was also pretty thrilled to see the Sydney Morning Herald‘s Susan Wyndham give FRIDAY NIGHT FICTIONS and debut author Nina Smith a little plug in her weekly column. This has brought many new visitors to the site…

just_a_girl SMH column

just_a_girl (and Friday Night Fictions) promoted in Susan Wyndham’s column in Sydney Morning Herald

*PS, as I post this, I realise it’s actually just turned to November and, due to unforeseen error (ie partying with Mikelangelo and the Black Sea Gentlemen at the Spotted Mallard in Brunswick), it’s more like Saturday Night Fever. Whoops. Anyway – enjoy!

SARAH AYOUB, Hate is Such a Strong Word

Hate Is Such A Strong Word Sophie Kazzi is in Year 12 at an all-Lebanese school where she is uncool and bored out of her brain. She’s desperate to find a little more to her life, documenting her hates in a journal that sounds like a rant list, not a diary.

Unfortunately, her father has antiquated ideas about women, curfews and the ‘Lebanese way’. Bad news for Sophie, who was hoping to spend Year 12 fitting in and having fun — not babysitting, studying or thinking about the accounting course she doesn’t want to do.

Then Shehadie Goldsmith arrives at school. Half-Australian and half-Lebanese, he’s even more of a misfit than Sophie. And with his arrogant, questioning attitude, he also has a way of getting under her skin.

But when simmering cultural tensions erupt in violence, Sophie must make a choice that will threaten the cultural ties that have protected her all her life.

Are her hates and complaints worth it?

Read an extract of the book on Harper Collins’ Summer of Supernatural page here.

Catch Sarah on her website + Facebook  + Twitter.

Buy the book at any of these retailers.

CRAIG CLIFF, The Mannequin Makers

The Mannequin MakersTwo rival window dressers at the beginning of the Twentieth Century try to outdo each other with ever more elaborate displays and lifelike mannequins.

When one of the window dressers, Colton Kemp, is rocked by the sudden death of his wife, the rivalry takes on new dimensions. Inspired by a travelling Vaudeville company, Kemp decides to raise his children to be living mannequins.

What follows is a tale of art and deception, strength and folly, love and transgression, which spans a century and ranges from small-town New Zealand to the graving docks of Scotland, an inhospitable rock in the Southern Ocean to Sydney’s northern beaches.

Along the way we meet a Prussian strongman, a family of ship’s carvers with a mysterious affliction, a septuagenarian surf lifesaver and a talking figurehead named Vengeance.

Buy the printed version at Fishpond, Booktopia, The Nile or Mighty Ape. Buy the e-book from Amazon, iBooks or Kobo.

Read the first chapter here. Find Reading Group Questions on The Mannequin Makers here.

Visit Craig’s website or blog, or follow him on Twitter for more information.

 

SHADY COSGROVE, What the Ground Can’t Hold

What the Ground Can't HoldTwo Americans are presumed dead and nine people are trapped in a cabin after an avalanche in the remote Andes…

Among them is Emma, an Australian faced with an impossible decision that could see her parents jailed.

Jack, a teenager obsessed with Jack Kerouac, guided by a skewed moral compass.

Carmen, a tango dancer whose estranged father is dying of cancer.

Pedro, the cabin manager who’s in hiding from those he loves most.

And Wolfe, an American on a deadly family quest.

With food supplies dwindling, these unlikely companions are forced to extremes and discover they are bound by more than their surroundings — each has a secret that links them to Argentina’s Dirty War.

What the Ground Can’t Hold is a gripping exploration of the ways the past closes in on the present, and destroys the foundations upon which we build our lives.

Buy the book from Pan MacmillanBoomerang Books and Booktopia.

Read an extract.

Shady’s November update:

Shady’s book has been getting some great coverage. See her blog for details + the Sydney Morning Herald, That Book You Like blog and Write Note Reviews.

TRACY FARR, The Life and Loves of Lena Gaunt

The Life and Loves of Lena GauntThis is the story of Dame Lena Gaunt: musician, octogenarian, junkie.

Born in Singapore, bundled away to boarding school in Perth, Lena Gaunt has made her own way — through music — to a glittering career on the world stage as Music’s Most Modern Musician, the first theremin player of the twentieth century.

“Music from a theremin can sound like a human voice, an electronic scream…or the low moan of a cello.”

Through a life shaped by love and loss, her relationship with music endures. Lured out of retirement to play at a music festival, Lena finds herself under the gaze of documentary filmmaker Mo Patterson. Mo wants to tell the story of Lena’s life, loves and music — but Lena is reluctant to comply.

The Life and Loves of Lena Gaunt is a novel woven with sound, sea, the stories we tell (and don’t tell), and the spaces between.

Buy the book (paperback or e-book).

Read an extract.

Contact Tracy on Twitter  and Facebook  or at her website.

Listen to an interview with Tracy on ABC RN Books and Arts Daily.

Listen to Tracy read from her book at its New Zealand launch.

Tracey’s November update:

My book has been reviewed at The Incredible Rambling ElimyOtago Daily Times and recommended, MUBAs and Shakers list, on the Kill Your Darlings blog. See my post about it.

ALEX HAMMOND, Blood Witness

Blood WitnessMelbourne defence lawyer Will Harris is reluctantly drawn into a bizarre murder trial. A terminally ill man claims to have witnessed the brutal crime — in a vision.

But the looming trial is more than just a media circus: it’s Will’s first big case since the tragic death of his fiance.

With pressure mounting, Will’s loyalties are split when his fiance’s sister is charged with drug trafficking.

The strain of balancing both cases takes its toll and Will finds himself torn between following the law and seeking justice.

“a slick, fast-paced legal thriller set in Melbourne but with a genuine international flavour and with enough twists to surprise even the most avid fans of the genre” – West Australian

“There’s romance and rumbling, knife fights, knuckle sandwiches and a cracking twist in the tale. Verdict: fast paced and gripping” – The Courier Mail

See more reviews.

Read an extract.

Buy a copy.

DIANE HESTER, Run to Me

Run to MeIt’s been two years since Shyler O’Neil’s beloved son Jesse was killed, but his final moments are as vivid to her now as they were that dreadful day. Suffering from post-traumatic stress, and convinced she did not do enough to protect him, she retreats to an isolated cabin in the woods of northern Maine.

Zack Ballinger — a ten-year-old boy who’s never known a mother’s love — has seen too much and is running for his life. Pursued into the woods, he finds himself at Shyler’s cabin. He’ll take whatever help she can give — even though, for some reason, she keeps calling him Jesse . . .

Protecting Zack may well be Shyler’s one chance at redemption.

Or she is the child’s greatest threat . . .

Buy this book at Dymocks, Big W, Kmart, and other independent bookstores.

Available online from Dymocks and Angus & Robertson.

Available as an ebook from Amazon.

Read an extract.

Connect with Diane on her website and on Facebook.

ANGIE HOLST, Expectations

ExpectationsMeet Sophia, Elise, Joe and Zoe. Four students at St Andrew’s College, tired of junior school’s same old routine, but starting to feel the heavy weight of expectation and responsibility that early adulthood brings.

Sophia is sick of being a part of shallow Gen Y, and feels like an old lady trapped in a young girl’s body: oh, and she’s realised she is identifying as lesbian, just to complicate matters.

Elise is an Aussie through and through except, well, she looks thoroughly Vietnamese and she’s a mathematical genius. But she really doesn’t want to become just another Asian nerd and she’s pretty sure she doesn’t want to study maths at uni.

Quirky Joe has always hung out with them so everybody at school has concluded that he’s kind of girly: you know, he’s smart and funny and gets along with girls, so clearly he must be gay or at the very least, metro. In reality, he’s a bubbling mass of testosterone, and that volcano of energy is about to blow as his home life becomes more and more tense.

And finally there’s Zoe. Zoe is beautiful, smart, and popular but she spends most nights alone, what with her mother running a busy solicitor’s practice and her father a politician. She wants to grow up fast, and have sex on her terms. But it’s that impatience that’s clouding her judgement — and will lead her to an absolute train wreck of a situation.

In the short space of a fortnight new friendships will develop, old friendships will change, and life lessons will be learnt. But one thing is certain: being sixteen has never been easy.

Read an extract.

Follow Angie on Twitter: @awoo75

Buy the ebook at Kobo.

SHARON KERNOT, Underground Road

Underground RoadDamien, Edith, Kenneth and Mary are residents of a single street whose lives are ordinary to the last degree and as such encompass addiction and domestic violence, quiet achievements and small acts of kindness and treachery.

Jack and Mary, locked at uncomfortably close quarters on Jack’s retirement, chafe and sulk and fret.

Edith finds solace playing the pokies.

Damien lives in terror of his stepfather Marcus and the school bully and broods on revenge.

And Kenneth, unhinged, wanders the streets.

Lives intertwine and decisions are made, and the tension quietly grows to its shattering climax.

“There is dread in this work coupled with a great sense of normality and ordinariness. This is uncomfortable, political, ‘get real’ literature. The final scenes are riveting.” – Francesca Rendle-Short

Read an extract.

Buy the book.

November update:

Sharon Kernot has done a wonderful review of Margaret Merrilees’ ‘The First Week’ (which also features in this edition). Read her review in the REVIEWS section (at the bottom of this post).

KIRSTEN KRAUTH, just_a_girl

Kirsten Krauth, just_a_girlLayla is only 14. She cruises online. She catches trains to meet strangers. Her mother, Margot, never suspects. Even when Layla brings a man into their home.

Margot’s caught in her own web: an evangelical church and a charismatic pastor. Meanwhile, downtown, a man opens a suitcase and tenderly places his young lover inside.

just_a_girl tears into the fabric of contemporary culture, a Puberty Blues for the digital age, a Lolita with a webcam, it’s what happens when young girls are forced to grow up too fast. Or never get the chance to grow up at all.

““Krauth’s debut is alive with ideas about isolation and connection in the digital age, particularly the way the internet raises the stakes of teenage rebellion.” – Jo Case, The Australian

“It’s about porn/love, isolation/connection, sexualisation/justification, misogyny/mentality, Facebook and the face-to-face. It’s about our world, right now, and it’s a little bit brilliant.” – Danielle Binks, ALPHA READER.

Read an extractBook Club Notes are available.

Buy the printed version at ReadingsBooktopia or Amazon. The ebook is available at Amazon.com.au and iBooks.

International readers please contact me direct…

See reviews of just_a_girl here.

Contact Kirsten at Goodreads, her blog (Wild Colonial Girl), Facebook and Twitter. You can see her read from her work at the Sydney book launch, along with Emily Maguire (who introduced it).

Kirsten’s November update:

Erin Stewart did a review of ‘just_a_girl’ and Christie Thompson’s ‘Snake Bite’ (see below) for Birdee Magazine. There have also been wonderfully thought-provoking reviews from Elizabeth Lhuede at Devoted Eclectic and Margot McGovern at LIP magazine — and the book featured on a list of MUBAS and Shakers at the Kill Your Darlings blog.

MARK LAMPRELL, The Full Ridiculous

The Full RidiculousA story about an ordinary family who go through an extraordinarily difficult time, told from the dad’s point of view, after he is hit by a car.

When he doesn’t die, he is surprised and pleased. But he can’t seem to move from the crash position.

He can’t control his anger and grief, or work out what to do about anything much.

His wife is heroically supportive but his teenage children don’t help his post-accident angst: daughter Rosie punches a vindictive schoolmate, plunging her parents into parent-teacher hell; son Declan is found with a stash of drugs.

A strange policeman starts harassing the family and to top it all off, his professional life starts to crumble.

This novel about love, family and the precarious business of being a man, examines the terrible truth: sometimes you can’t pull yourself together until you’ve completely fallen apart.

Buy the book.

Mark Lamprell on Radio National’s Life Matters.

Contact Mark on Twitter.

MARGARET MERRILEES, The First Week

The First WeekThis is a novel with its roots in a battered ancient landscape — the south of Western Australia.

But above all it is the story of one woman, Marian Anditon: pragmatist, farmer, mother.

When disaster strikes she is shocked and disorientated.

Hidden layers of grief and distress rise up around her like the salt of the degraded earth.

Her journey through the next week challenges all her previous assumptions.

Winner of the 2012 Unpublished Manuscript Award at Adelaide Writers’ Week.

Read an extract.

Order a copy.

Meet the author.

November update: 

Sharon Kernot (see ‘Underground Road’ above) has done a wonderful review of Margaret’s book. Heather Taylor Johnson (see below) also fell in love with Margaret’s book. See their reviews at the bottom of the page.

EIMEAR MCBRIDE, A Girl is a Half-Formed Thing

A Girl is a Half-Formed ThingThis novel tells the story of a young woman’s relationship with her brother, and the long shadow cast by his childhood brain tumour.

After years of rejections by UK publishers because it was too difficult to sell, A Girl is a Half-Formed Thing was picked up by a tiny independent press.

What followed was a debut novelist’s dream — an avalanche of critical acclaim and a rapturous response from readers.

In an intimate and compelling voice, McBride charts the progress of a young girl and her brother raised in a small Irish community.

A claustrophobic backdrop of poverty and devout faith surround this profound and devastating tale of love, betrayal and self-destruction.

Buy the book at Amazon.

CAMERON RAYNES, The Colour of Kerosene (and other stories)

The Colour of Kerosene (and other stories)A welfare worker is asked to spy on a colleague. An artist finds ragged consolation in the breakdown of a relationship.

And, in the award-winning title story, a taxi driver accepts a fare he knows he shouldn’t:

“They headed east, the nude hills of the Geraldton plains, stripped bare of trees a century before, leaning into them on both sides as the car climbed into the marginal country. Behind him, Luke heard the gurgle of fluid sluicing out of a bladder and into a cup … It occurred to him that it was not too late to turn back.”

The fourteen stories in The Colour of Kerosene lay bare the ordinary moral dilemmas we face in contemporary Australia. The small wars we fight; the alliances we forge; the compromises we make. These are crafted stories in which regret and failure are often tempered by the possibility of redemption.

See samples (with illustrations).

Read an extract.

Buy the book.

November update: Jane Skelton commented (see her book ‘Lives of the Dead’ below):

The Colour of Kerosene – I love the title. The cover’s fab — and there’s a quote from Ron Rash! I’m always interested in new short story collections and this one, set in dry, harsh places, is certainly on my list. I’m intrigued to see this collection has illustrations — mine has photos. What do people think about that idea? Does it distract from the prose or add interest, another layer?

CLAIRE SCOBIE, The Pagoda Tree

The Pagoda TreeTanjore, 1765. Maya plays among the towering granite temples of this ancient city in the heart of southern India. Like her mother before her, she is destined to become a devadasi, a dancer for the temple and it’s expected she will be chosen as a courtesan for the prince himself.

But as Maya comes of age, India is on the cusp of change. The prince is losing his power and the city is sliding into war. Maya is forced to flee her ancestral home, and heads to the bustling port city of Madras.

Maya captivates all who watch her dance. Thomas Pearce, an ambitious young Englishman is entranced from the moment he first sees her. But their love is forbidden, and comes at enormous cost.

Weaving together the uneasy meeting of two cultures, The Pagoda Tree is a captivating story of love, loss and fate.

Buy the book.

See the book trailer.

Read an extract.

Contact Claire on FacebookTwitter and on her website.

November update: Jane Skelton (see below) commented:

I picked up ‘The Pagoda Tree’ at a friend’s place and began reading while she was dressing to go out. I love the enticing pink and green cover. I decided it’s a ‘can’t put it down’ kind of book from the the bit I read. But I couldn’t very well slip it into my bag! The prose is very vivid and filmic. It’s on my Christmas reading list for sure. I’m really interested to see how Claire Scobie brings to life a very different time and culture and resolves the story of Maya’s destiny. It’ll be one to take travelling.

JANE SKELTON, Lives of the Dead (and other stories)

Lives of the DeadIn this short story collection, Jane Skelton writes cool prose about hot landscapes, about characters seeking relief from strong emotions. Her characters twist and turn in the violent weather that is trying to break them, while inside their bodies the turmoil is as great as or greater than the outside world.

Combined with the spare prose, the emotion of the weather and the landscape is almost unbearable, except that, like waiting for the southerly buster on a hot afternoon, we wait to know what will happen to these characters. Will the storm pass over the islands, will it rain in outback Queensland and take the pressure down?

These evocative descriptions of the Australian landscape and keen observations of the people who inhabit it, bring to mind Thea Astley and Jessica Anderson.

Lives of the Dead is a haunting and lyrical debut collection by a talented writer.

Meet Jane at her website.

Buy the book online or in good bookshops.

See the book trailer.

Jane’s November update: 

I’m interested in all the books here – it’s great to be part of this site and conversation. I’ll be checking back each month for updates… I’ve had a really good review by Heather Lunney on the NSW Writers’ Centre’s website.

HEATHER TAYLOR JOHNSON, Pursuing Love & Death

Pursuing Love and DeathIt is customary to bring gifts to a wedding.

But as daughter Luna prepares to marry her dream husband, the Smith family instead have in tow their own idiosyncratic brands of emotional baggage.

Her father, Graham, struggles to write his own own obituary; her mother, Velma, attempts to negotiate her mid-life crisis with a lover seventeen years her junior; her brother, Ginsberg, tries to come to term with being a homosexual who has inadvertently fallen in love with his wife.

Pursuing Love & Death is a darkly comic family saga, written with wit, lyricism and poignancy.

The storyline is believable, tragic and hilarious as clashing personalities unite for the first time in years — with explosive results.

Meet Heather at her blog.

Buy the book at Amazon.

Heather’s November update:

My book has been reviewed in the Advertiser by Katherine England … 

Heather has also done a wonderful review of Margaret Merrilees’ The First Week. Read it at the bottom of this page.

CHRISTIE THOMPSON, Snake Bite

Snake BiteJez is seventeen and lives with her alcoholic single mum in in a government rental in Canberra’s outer-suburbs, with little money or future prospects. As well as suffering from terminal boredom, Jez has got epic First World Problems: where is her next pill coming from, what will her first tattoo be, and how will she ever lose her virginity?

Over the course of one blazing summer, Jez runs a gauntlet of new experiences and discovers the real meaning of home. Filled with humour, brilliant observations and raw revelations, Snake Bite is a coming-of-age story of a wild teenager in a Canberra you never dreamed existed. It will sink its fangs into, inject you with its intoxicating venom, and never let you go.

Read reviews at ABC’s Books and Arts Daily, That Book You Like blogGoodreads and Sydney Morning Herald.

November update: 

Erin Stewart reviews just_a_girl (see above) and Snake Bite for Birdee Magazine.

FRIDAY NIGHT FICTIONS REVIEW: Heather Taylor Johnson looks at Margaret Merrilees’ The First Week

I read Margaret Merrilees’ The First Week during my first week of convalescence with shingles. Having been too uncomfortable to move, reading seemed a good option and thus far I had read Flanagan’s The Narrow Road to the Deep North (dare I say it? Yes, yes I do: the next Miles Franklin) and Barracuda (by the author I think is doing something really important for our booming Australian identity, the brilliant Christos Tsiolkas). After such heavyweights, I was prepared to settle back into something less confronting, get off that obsession-train one sometimes finds herself on when reading back-to-back stunners of novels. But then I read the first paragraph of Merrilees’ book, and I simply couldn’t stop reading until I was through. Such was my fascination with Marion, the sixty-plus year old protagonist who finds herself way in over her farm-living head when her city-based son is found guilty of murdering two strangers in a grocery store, that I read the book in one day. It was a fantastic commentary on character, on Australia, and on where the two rally. A perfect triumvirate: Flanagan, Tsiolkas and Merrilees. And now I’m onto Winton. Will the goodness ever end?

FRIDAY NIGHT FICTIONS REVIEW: Sharon Kernot also responds to Margaret Merrilees’ The First Week
When Marian receives a phone call with the news that her youngest son has committed a serious crime her life changes dramatically and permanently. Prior to the incident Marian’s life is tough but predictable and seemingly dull. She has been a widow for many years and brought up her two sons on her own on a farm near the Stirling Ranges in Western Australia. Her eldest son stayed on at the farm while the younger one went to Perth to study at university.

 The novel follows Marian’s first week after she receives the news that her youngest son, Charlie, is in trouble and, it turns out, has committed murder. She is understandably devastated and as she travels to Perth to find out exactly what has happened she is overwhelmed with confusion and grief and despair. She wonders how her son could do such a thing. She also wonders about her relationship with him and what might she have done to cause it. Who is to blame? And why?

When she arrives in Perth, Marian meets with Charlie’s friends and it becomes evident that his life is completely alien. He is like a stranger and his values are now opposed to those that he grew up with. His social activism and choice of friends are initially bewildering to Marian. Her opinions regarding racism, sexuality and farming practices are challenged and over the course of the week Marian struggles to reconcile these views. It is a strange and bleak time and Marian moves through it in a fog of sleep-deprivation doing things she would not normally do. At one point she allows herself some comfort with a stranger, and even goes back to his hotel room.

When Marian heads back home to the farm she does not have all the answers she hoped for. The motivation behind Charlie’s crime is not fully resolved but she has much to think about and her view of the world has changed considerably.

 The First Week won the 2012 Wakefield Press Unpublished Manuscript Award at Adelaide Writers’ Week and it is easy to see why: it is instantly gripping and I was compelled to read on. Marian’s struggle to come to terms with her son’s actions, her grief, despair and confusion are insightfully and compassionately articulated, and the Western Australian environment — its dry salt-damaged landscape is beautifully and evocatively depicted.

Walter Mason: I’ll show you mine if you show me yours

Walter Mason, Destination CambodiaI thought it might be fun to do a tandem blog post every now and then, where I review someone’s book, and they review mine, and we put them up at the same time. My idea was for it to be a kind of ‘two of us’ of books/authors, where we find the connections between our work — and our lives. First up, I chose Walter Mason and his travel memoir, Destination Cambodia: Adventures in the kingdom.

Walter has been a wonderful mentor to me in many ways. We first met when he rocked up to my book launch in Sydney and, since then, I’ve seen him launch his own book too (from afar) and we spent an afternoon together at the NSW Writers’ Centre’s Open Access seminar, talking about marketing as a creative act.

Walter is someone you don’t forget. He fills a room with his quiet (wicked) humour and grace. While he’s an expert promoter, he also spends a lot of time helping others with their writing.

DESTINATION CAMBODIA

In 2005, I desperately needed to leave the country. I was fed up with working in a bureaucracy, I was creatively stifled, and I needed out. I had never travelled internationally on my own before. I wanted to go somewhere in Asia. I chose an Intrepid tour in Cambodia — and it was one of the best experiences of my life. The tour did more than just fly in and out of Siem Reap to see Angkor Wat. We tracked some of Walter’s journey. Phnom Penh to Battambang to Sihanoukville. Although I only went for a quick two weeks (and Walter went for months), I was forced to continually readjust my idea of how I was positioned in the world (as a traveller, and as a white and privileged person). I came back to Sydney with a deep sense of loss, an acute awareness of how structured and wealthy my position was, and wanting to return immediately and live near the ocean there (unfortunately, like many travel dreams, this wore off and got lost).

What I like best about Walter’s book is his sensitive rendering of the characters and friends he makes along the way. This is not an overarching look at the history of the place but a cultural assessment, based on the small things and day-to-day of people’s lives and, really, isn’t that what makes engaging history anyway? I visited Cambodia with a Lonely Planet list of all the books I needed to read but, when I landed, I was so electrified and confused, and too switched on to every detail, that I was reluctant to read a set of facts and figures.

But Walter paints a clear picture of the devastation and beauty of Cambodian lives. When describing the Pol Pot regime, and the complete lack of care for the general populace, he comments:

In Khmer Rouge hospitals, untrained nurses were, according to journalist Joel Brinkley, ‘injecting patients with Pepsi or coconut milk’.

Images like that, and there are many, are impossible to forget. They mix with my own: a three-year-old, living in cardboard, begging for pizza from my table and returning to share it with other children, no older than five; a local guide laughing at moments when revisiting his past (losing family) to reassure us; finding a quiet place in the grounds of the Tuol Sleng Torture Museum to rest my head on my knees and breathe and cry after seeing the photographs: documentation of a generation tortured and murdered; a group of men on motorbikes taking us on a tour of rice paddies, and then to a Battambang nightclub, where they treated us with great respect under the strobe-lights, and screamed ‘Oh my Buddha’ in joy as they raced us back to our hotel.

Like the best travel writing, Walter’s book reveals as much about him as the Cambodians he writes about. I’m always drawn to writers on the outside looking in (my characters tend to be like that too). Walter is a curious mix: he describes himself as having ‘few inhibitions’ (which is why he tries to avoid alcohol) and yet he can be shy. People seem drawn to him, to open up in his company, and yet ‘[he] had been brought up never to ask difficult or personal questions, even if [he] was burning with curiosity’. I’m like this too, hampered by my own politeness. A difficult trait for a writer keen to engage with the world.

But one of the best things about travelling is that you are often forced to communicate, especially if no-one speaks your language. I remember days of agony on my first trip to Europe, trying to get up the guts to approach hotels with my execrable French.

Walter also knows how to keep you on the edge of your seat. One chapter details a huge event that Walter is invited to (with hundreds of people waiting expectantly), where he gradually realises, with dawning dread and fear, that he is the key speaker on the topic of Buddhism (to a parade of venerated monks). It’s like the worst of my nightmares where I’m completely unprepared, and exposed to the world. I won’t reveal the final outcome – it’s too excruciating; I just can’t go there. But Walter does.

The book is also centred on the sacred. Walter’s friend Panit ‘recognises the forest as sacred in many ways, fearing certain spots and glorying in the beauty of others’. My Japanese character Tadashi  (in just_a_girl) observes his mother’s Shinto religion, and sees everyday objects, and nature, as having kami, or spirits. Walter comments:

I had learned to not laugh at such statements, or to launch into a rationalist lecture about the absence of spirit realms. Friends spoke casually of spectral presences, of visitations by dragons and angels, of possession and trance … When faced with the possible alternative existence I felt only curiosity and a willingness to indulge in the possible wonder of multiple worlds.

Angkor Wat, Cambodia

Angkor Wat, Cambodia

Where Walter is in his element is turning his sharp focus back on Westerners and how they approach different cultural encounters. I particularly loved his writing on Angkor Wat, on how a spectacularly beautiful place is pretty much ruined by the sight at dawn of thousands of photographers perched for the perfect shot which, ironically, will be mainly of other photographers. I was lucky in 2005 to have a lot of this place to myself at certain moments. But I do remember sitting in the early morning behind some British backpackers, one loud girl in a see-through white mini-dress that revealed a bright pink thong, and wanting to push her off the edge of the temple to an untimely death. Walter contrasts the ‘Westerners strolling through [the sacred site] dressed as though for a day at the beach – a bad day at that’ with his friend, Panit:

Panit had taken a half-hour that morning to select the clothes he was going to wear to Angkor Wat, that proudest symbol of the Khmer people. All of the Cambodians we encountered were dressed neatly, respectfully.

And Walter is not afraid to expose himself to the light either. As a very camp and large man — the locals call him ‘fat’ (often favourably) — he often longs to be able to just fit in, be a part of the crowd. His description of the raucous encounter with a nasty masseuse who grabs his flesh and calls him names is a reminder of the pitfalls of travel, of trusting someone, of cultural differences where not everyone is ‘polite’ and it’s customary to comment on someone else’s body. At another point, two men get off their motorbikes and spontaneously grapple with and stroke his flesh. Through it all, Walter steps back, is passive, let’s things happen. This is disturbing and exhilarating for the reader, and something I understand well: being frozen by an extraordinary moment, unable to think, let alone act.

Fried spiders, Cambodia

Fried spiders, Cambodia

One night in a beach bar in Sihanoukville, I shared a joint with a friend. The next thing I knew, after falling asleep, I woke up, unable to find friends. Disoriented, I stumbled down the beach, stopping every now and then to have a little lie down, gradually becoming aware as I moved that I had no idea where my hotel was, had no idea how to get there, and couldn’t even remember its name. All I could hear was my mum’s voice saying ‘what were you thinking?‘. I strolled up to a road. It was about 3am. No-one around. I heard a putting motorbike coming my way. I hesitated as it approached me: do I flag it down? I’d never do it in Australia. I decided to take the risk.

The man stopped. I got on the bike. We didn’t say a word. He drove me through the streets and straight to the gates of my hotel. He refused my offer of money — a very generous offer.

It is my enduring memory of Cambodia. Along with eating a tarantula.

Walter’s Destination Cambodia is a collection of memories that offers an open and generous perspective of what it is like to confront another culture head-on.

Read Walter Mason’s review of just_a_girl.

WHAT ABOUT YOU? WHAT ARE YOUR FAVOURITE TRAVEL BOOKS?

OR HAVE YOU BEEN TO CAMBODIA? PLEASE SHARE YOUR MEMORIES OF THE PLACE…

Debut author profile: Nina Smith

Nina Smith, author of Hailstone

Nina Smith, author of Hailstone

Each month I hope to profile a debut author or short story writer who has featured in Friday Night Fictions. This month, it’s Nina Smith, a WA writer who appeared in the August edition.

Her novel, Hailstone, is an action-packed romp with a gun-totin’, pill-poppin’, alcoholic, ex-evangelical lesbian on the loose. I spoke to her about religious cults, creating her novel in CreateSpace and gothic bellydancing (I dare you to try it).

Do you remember the moment when you decided you wanted to be a writer?

To be honest I don’t think it was ever something I decided; it simply was the only thing I ever wanted to do with my life. I was writing stories in early primary school, and my first novel at the age of 14. That, as I recall, was the most awful romance featuring guys on horses, and the heroine doing a lot of swooning, yelling and panicking. I’ve still got it scrawled in pencil in a notebook hidden away somewhere! At 15, my English teacher suggested I study creative writing at university, which was exactly what I ended up doing.

 What inspired you?

I draw inspiration from things that transcend words, like music. Sometimes I get novel ideas in dreams. Sometimes it’s from observing everyday life and the way people interact with each other. To me, stories are whole concepts as much as they are a series of events. Sometimes I will find a whole novel in a stark landscape, or a feeling in a song.

My book and yours share some common themes: religion and betrayal. Why were you drawn to investigating the dark side of church life and a preacher on the edge?

A lot of Hailstone was inspired by churches I came into contact with in my teenage years. Those teenage years were a stormy time, when I put a lot into religion, only to find there were aspects of it that absolutely alienated me. Since then I have had an enduring fascination with cults and the way some religions try to control people — not to mention the ways people rebel. Religion in general is a huge influence on the state of affairs in the world today, and we see it making people do crazy things. I wanted to explore those issues of control, of rebellion and most of all of fanaticism.

Hailstone is written in rapid fire, short sentences. Are you attracted to the crime genre?

To be honest, I haven’t read a lot of crime. My first love is fantasy, but every now and again I need to leave fantasy alone and write something completely and totally grounded in the real world, that’s all action and fast-paced. I love to read thrillers, and when writing them, I like to keep everything as tight and grounded as possible. I think however my day job as a journalist influences me here, as that has trained me to write in a way that wastes no words.

The title is an evocative one. Why did you choose it?

Funnily enough, the title came before the book. It occurred to me while driving one day that Hailstone would be an awesome name for a city, and that was where the story started. I like the name because hailstones, while not a natural disaster, are a force of nature that are incredibly destructive but also quite common. They suggest parts of life that are destructive but so ordinary people simply don’t pay any attention to them.

I was really drawn to both the cover and synopsis of your book. How did they both develop?

HailstoneThe synopsis was a result of days of writing, re-writing, occasional temper tantrums and then more re-writing. I find it so much easier to write a whole novel than a few paragraphs about it! In the end,  once I had distilled the most basic elements of the story — the gun, the church, the father — I was happy with it.

The cover was really interesting to put together. The model is a rather gorgeous woman I know who agreed to dress up and wander around our closest city with me one Sunday afternoon being photographed. That image is one of the last we took, and it was so perfect; the expression on her face, the way she held her keys, everything about her fit the character of Mags McAllister perfectly. I wanted to add something to it, though, so I went to the local wreckers and took photos of smashed windscreens. One of these images I overlaid, then put through filters until I had what I wanted: the feeling that I was looking through a smashed windscreen, watching the person who had smashed it storm away. To me it conveys the desolation, the anger and the brokenness of a woman who is trapped in an abusive cycle.

Your protagonist is a pistol wielding, valium-popping, alcoholic, ex-Christian lesbian. How did you uncover her? Did you do any research:-)

Ha! I might have ‘researched’ some things, but not others, in my miss-spent youth. I chose aspects for the character that were diametrically opposed to the environment she was in. I have to say, though, I’ve previously observed the children of authoritarian figures sometimes take such paths.

What were your favourite books to read as a child?

Everything I could get my hands on. I particularly loved the Obernewtyn Chronicles by Isobelle Carmody and the Vicky Bliss series by Elizabeth Peters.

You used CreateSpace to publish your first book? What was the process and would you recommend it to other authors? 

CreateSpace was a brilliant experience. The program takes you step by step through uploading your text and your graphics and making sure everything is formatted correctly before you order a proof copy. (I picked up a lot of things in that proof copy that I missed on the screen.) You can price your book yourself, order as many or as few copies as you need and it is listed on Amazon.

I highly recommend CreateSpace if you want to get your book out there, so long as you are:  a) able to pay for an editor and cover designer; or b) have the skills to do those things properly yourself.

The end product is beautiful and professional, and having control over every step of the process is a fantastic thing. The one thing you have to be aware of is that once you have your published product, it’s up to you to market it, which is a whole other journey to set out on.

You live in WA. What is it like to be a writer there? Is there a writer community where you are?

Western Australia is a very isolated part of the world. I think it is because of that, that communities of like-minded people tend to be very close and supportive. There are some amazing writers out here, and a great network of people, organisations and festivals.

What is the most important thing you’ve learned in the process of writing your first novel, that you wish you knew at the beginning?

Apparently its not a convention any more to put three spaces after every fullstop. That’s made editing some of my earlier efforts an exhausting process!

You describe yourself as a gothic bellydancer. Tell us a bit more…

Gothic bellydance is a branch of the amazing and diverse art of bellydance that explores the darker sides of life, human nature and music through bellydance. It is a beautiful practice where the costumes are mostly black, a little bit red (no hot pink!); the music is often industrial or dark — Rammstein, Tool and Nine Inch Nails are popular choices, along with bands like Maduro and Solace. It is a theatrical form where you can explore characters such as goddesses or demons, dance out your emotions or create a piece that is intense, confronting or dangerous. I love this form as it allows me to tell stories with my body and my dance in the same way I tell stories with my words.

Friday Night Fictions: September 2013

Howdy folks and welcome to the September edition of Friday Night Fictions, a monthly club set up to promote the work of debut authors (and short story/microfiction writers: where are you hiding?) both local and international, working in any genre or format (ebooks and indie authors welcome). There’s a sea of talent listed below. I hope you will read these new writers, let them and us know you think, and help them on to pursue their next book. I look forward to your comments and reviews on the blog.

If you want to be included in Friday Night Fictions, see the guidelines. And check out the August edition: I have updated with reviews where people have sent them to me. If you are featured in August or September, and have new reviews, interviews or social media links to mention, let me know…

Last month I announced that I would feature Nina Smith, and her book Hailstone, on the blog. Look out for a profile and review early next week [here it is…].

And to be featured from the September club? Michael Adams‘ YA debut, The Last Girl, brings this great writer on film and pop culture (and you may have seen him on SBS talking about movies) into the fiction realm. I look forward to hanging out with him in late October…

If I have missed anyone (it does happen), let me know, and I’ll add you to the October club.

*

MICHAEL ADAMS, The Last Girl

Michael Adams, The Last GirlThe end of the world happens in an instant. But it’s not caused by an asteroid or zombies or any scenario we’ve ever conceived. The apocalypse comes from within us. One second we’re wearing our usual social masks — and the next our every secret thought and feeling is exposed as a global telepathic outbreak drowns humanity in a psychic tsunami.

Within minutes, suburbs erupt in madness, cities explode in flames and countries collapse in chaos.

Sixteen-year-old Danby Armstrong is protected from the worst of the phenomenon because while she can tune into other people’s minds, no-one else can read her thoughts.

But it’s not much consolation when her family implodes, her neighbours start killing each other and every road out of town offers only more death and destruction.

Set in a very recognisable near-future, The Last Girl combines literary and pop-culture smarts with spectacular action in a frightening scenario that echoes our obsession with constant connectivity.

Buy the book.

See Michael talking about his YA novel.

November update:

Kirsten Krauth reviewed The Last Girl and interviewed Michael Adams for her September debut author profile.

 

ROSS CROTHERS, Running Dead

Ross Crothers, Running DeadAn exclusive London hotel. Two shots, two men executed. Ten years earlier they helped convict a conman. Ash Todd of the Australian Federal Police assisted Scotland Yard in that case. Now The Yard has called him in again.

The search for the killer propels Todd across Europe, the US and the Caribbean. In every city his life is threatened, his trust betrayed, his every move anticipated.

Worse, on the cusp of a breakthrough, The Yard seemingly withdraws support — which leaves him hanging.

Did they really want the case solved — or were they just Running Dead?

Alone and increasingly isolated, he can rely on no-one but himself. With a mounting death toll, and twists in the end that leave him distraught, Todd discovers some vital truths — to the murders; to the 10-year-old fraud case, and ultimately who had betrayed him.

Buy the book (paperback or e-book) from Ross’ website .

Read an extract.

SAM ELLIOTT, Sisters of Satan

Sam Elliott, Sisters of SatanIt all began as a fairytale…

Fast forward to a devastating text from Amelia and this magical evening becomes a terrifying nightmare. Devastated, Seth soon commits to drinking himself into oblivion.

Dead drunk and thirsty for conflict, the wayward soul stumbles into adesolate park.

Reality returns, Seth finds himself naked and shackled to a wheelchair, listening in disbelief to their unspeakable plans, his death wish may be answered but now he decides he wants to live.

To do that he will have to break free and rise against sadistic monsters.

The Sisters of Satan intend to carve him up and feast on his soul. Seth is all that stands between an endless rampage leaving many dead in its wake—a journey taking him through a labyrinth of blood and fire to a vicious showdown with the sisters in the arena where their wicked ways were born.

Buy this book from: Customs Book Publications, Amazon.com, Angus and Robertson.

Read extracts.

DAVID M HENLEY, The Hunt for Pierre Jnr

David M Henley, The Hunt for Pierre JnrThis is a return to classic science fiction with a contemporary spin. While juggling a pacy storyline, filled with unexpected turns, David M Henley brings fresh ideas to the genre.

Book one of a trilogy, The Hunt for Pierre Jnr begins in 2159 CE. There has been fifty years of peace since the great collapse and a complex but egalitarian society controls the planet, but the foundation of their peace is rocked when a psychic event destroys a suburb of Paris.

Nobody is really sure who was responsible, but many believe it is the semi-mythical child Pierre Jnr.

This triggers a capsizing in the governing hierarchy and a new harsher Prime takes over the operation to find and pacify Pierre Jnr.

“I was deeply impressed with the way that neither side (and there are definitely sides to be taken) has a monopoly on what is absolutely right.” Read review.

Meet David at his website.

Contact him on Facebook and Twitter.

Buy the book.

JANE JERVIS-READ, Midnight Blue and Endlessly Tall

Jane Jervis-Read, Midnight Blue and Endlessly TallWhen Jessica, a recently divorced mental-health carer, meets her new patient, Eloise, their lives quickly become entangled. The boundaries of their roles begin to dissolve and questions from the past are uncovered, revealing the fractured histories that brought them together.

Midnight Blue and Endlessly Tall is an original and unpredictable novella about the relationships that consume us when we’re least expecting it.

Winner of the 2013 Viva La Novella Prize.

“Jane Jervis-Read’s beautiful little book … kicks above its weight … and shows the power of leaving things unsaid.” Cate Kennedy

Buy the book.

November update:

Jane read Ellie Marney’s book (see below) and commented: Just finished ‘Every Breath’ in two sittings. Total page-turner with a well-crafted plot and interesting characters. Loved every… breath of it.

SALLY-ANN JONES, Stella’s Sea

Sally-Ann Jones, Stella's SeaStella moves from her wheatbelt family home to a run-down house in Cottesloe on WA’s coast. Her daughter, Miff, has died in a motorbike accident; her husband can’t bear to look at her; her father is in a nursing home; her brother is overseas. Her only company is her daughter’s dog.

Every morning Stella walks with Miff’s dog along the beach. She’s not a part of the scene even though she’s conspicuous in her beekeeper things and mismatched garments.

Her yellow scarf sparks the interest of Ari, an ex-prisoner and coastcare volunteer. As a new friendship slowly forms, Stella recollects her past to deal with her present. But can she acknowledge the guilt that prevents her from moving into the future?

Stella’s Sea is a beautiful novel about the symbiotic nature of life: bees and orchids, loss and love, nurture and growth.

This novel will be released in October.

Pre-order from UWAP.

Read an extract.

KIRSTEN KRAUTH, just_a_girl

Kirsten Krauth, just_a_girlLayla is only 14. She cruises online. She catches trains to meet strangers. Her mother, Margot, never suspects. Even when Layla brings a man into their home.

Margot’s caught in her own web: an evangelical church and a charismatic pastor. Meanwhile, downtown, a man opens a suitcase and tenderly places his young lover inside.

just_a_girl tears into the fabric of contemporary culture. A Puberty Blues for the digital age, a Lolita with a webcam, it’s what happens when young girls are forced to grow up too fast. Or never get the chance to grow up at all.

Read an extract.

Book Club Notes are available.

Meet Layla on Pinterest.

Buy the printed version at ReadingsBooktopia or Amazon.

Read the ebook on Kobo. International readers please contact me direct…

See reviews of just_a_girl here.

Contact Kirsten at Goodreads, her blog (Wild Colonial Girl), Facebook and Twitter.

You can see her read from her work at the Sydney book launch, along with Emily Maguire (who introduced it).

DARCY LEE-TINDALE, Her Story, My Story

Promise anthology by PenguiDarcy’s short story features in the Penguin anthology: Promise.

This anthology includes the top 15 stories selected from over 400 entries in the Monash Undergraduate Short Story Prize.

The book was organised by the Emerging Writers’ Festival.

Darcy is a dramatic arts teacher, director of stage productions, actor, author, theatresports player, puppeteer, and has appeared in TVC, film and on stage.

Her plays, poems, articles, short stories, radio satire and comedy skits have been published, performed and received numerous awards.

She’s studying a BA in Creative Writing.

Buy the ebook from Penguin, iBooks and Amazon.

ELLIE MARNEY, Every Breath

Ellie Marney, Every BreathRachel Watts has just moved to Melbourne from the country, but the city is the last place she wants to be.

James Mycroft is her neighbour, an intriguingly troubled seventeen-year-old who’s also a genius with a passion for forensics.

Despite her misgivings, Rachel finds herself unable to resist Mycroft when he wants her help investigating a murder.

He’s even harder to resist when he’s up close and personal — and on the hunt for a cold-blooded killer.

When Rachel and Mycroft follows the murderer’s trail, they find themselves in the lion’s den — literally. A trip to the zoo will never have quite the same meaning again …

Sizzling chemisty and urban intrigue combine in this thriller from a fresh, exciting new talent.

Buy the book.

Meet Ellie at her website.

November update: Jane Jarvis-Read (see her book above) commented:

Just finished ‘Every Breath’ in two sittings. Total page-turner with a well-crafted plot and interesting characters. Loved every… breath of it

FIONA McFARLANE, The Night Guest

Fiona McFarlane, The Night GuestRuth is widowed, her sons are grown, and she lives in an isolated beach house outside of town.

Her routines are few and small. One night, she wakes to hear a tiger walking around her lounge room.

The next day, a stranger arrives at her door, looking as if she’s been blown in from the sea.

This woman — Frida — introduces herself as a care worker sent by the government. Ruth lets her in.

How far can Ruth trust the mysterious, magnificent Frida?

And, with a tiger on the prowl, how far can Ruth trust herself?

Meet Fiona on Facebook.

Buy her book.

Read an extract.

JENN J McLEOD, House for all Seasons

Jenn J Mcleod, House for all SeasonsFour women. Four lives unravelled. The truth will bind them forever.

Bequeathed a century-old house, four estranged friends return to their hometown, Calingarry Crossing, where each must stay for a season at the Dandelion House to fulfil the wishes of their benefactor, Gypsy.

But coming home to the country stirs shameful memories of the past, including the tragic end-of-school muck up day accident twenty years earlier.

Sara, a breast cancer survivor afraid to fall in love;
Poppy, a tough, ambitions journo still craving her father’s approval;
Amber, a spoilt socialite addicted to painkillers and cosmetic procedures;
Caitlin, a doctor frustrated by a controlling family and her flat-lining life.

At the Dandelion House, the women will discover something about themselves and a secret that ties all four to each other and to the house—forever.

Buy, read a chapter, read the reviews at Jenn’s website.

ANDREW NETTE, Ghost Money

Andrew Nette, Ghost MoneyCambodia, 1996, the long-running Khmer Rouge insurgency is fragmenting, competing factions of the coalition government scrambling to gain the upper hand. Missing in the chaos is businessman Charles Avery. Hired to find him is Vietnamese Australian ex-cop Max Quinlan.

But Avery has made dangerous enemies and Quinlan is not the only one looking. Teaming up with Heng Sarin, a local journalist, Quinlan’s search takes him from the freewheeling capital Phnom Penh to the battle scarred western borderlands. As the political temperature soars, he is slowly drawn into a mystery that plunges him into the heart of Cambodia’s bloody past.

Ghost Money is a crime novel about Cambodia in the mid-nineties, a broken country, what happens to those trapped between two periods of history, the choices they make, what they do to survive.

Visit Andrew’s website.

Buy the book at Amazon.

Insight into how Andrew came to write the novel.

Andrew’s October Update:  

Ghost Money got this very favourable review on the travel website Vagabonding and will be for sale at The Readers Feast Crime & Justice Festival, 15-17 November 2013, where I will also be interviewing Australian author, Garry Disher.

HAVE YOU READ ANY OF THESE DEBUT NOVELS YET? ANY REALLY GRAB YOUR ATTENTION? I LOOK FORWARD TO HEARING YOUR THOUGHTS ON THE SEPTEMBER CLUB.

Meet the locals: festival director Lisa D’onofrio

Lisa Donofrio teaching

Lisa Donofrio teaching

Last year, after pretty much just landing in Castlemaine, I went along to the Castlemaine Children’s Literature Festival. The kids and I saw innovative puppet shows and powerful Sudanese storytelling and song. All the sessions were booked out. Sometimes kids’ programming (at other festivals) can be lazy… so it was great to see so many hands-on sessions.

This year, the program is even more expansive. It’s a wonderful initiative, with a carefully creative program aimed directly at children from a wide range of age groups. It starts at the end of this week. For Melbournites, it’s worth a trip down to explore the options during the school hols.

I first met festival director Lisa D’Onofrio at Castlemaine Word Mine, a regular gathering of local writers here. She hosted a reading I did with Simmone Howell and Ellie Marney on adult and YA fiction, and the crossovers between them.

I spoke to Lisa about the festival, that starts this weekend, and how she ended up landing in the Maine.

Why did you move to Castlemaine?

The short answer is we needed to settle somewhere fast, and Castlemaine had good schools, a train line and a rocking library. We also knew one person here!

Ajak Kwai launching last year's festival

Ajak Kwai launching last year’s festival

Why start a Children’s Literature Festival?

That’s a very good question, which I ask myself several times a day, especially in the lead up to the festival! When we first came to Australia around three and a half years ago, we did a bit of travelling. In Queensland I read about PL Travers, who wrote the Mary Poppins series, and I wanted to do something that celebrated Australian children’s literature, so it grew from there. I’ve got a background in literature/literacy development, and a long history of facilitating arts projects so it seemed a perfect fit.

The CCLF is a unique festival which focuses on children and young people as creative producers and active participants, which isn’t the usual model for festivals, where the children’s program seems like an add-on, or is purely schools-based. Selfishly, I also wanted my own kids to have access to local, cheap but quality, arts-based activities in the holidays!

What are some of the highlights of this year’s fest?

So many highlights! Most of the performers/facilitators are local, which is wonderful, and we were very lucky to have  multi-award-winning author Melina Marchetta do some pre-festival workshops.

Johnny and Evie Danger developed their show Oceanic Daredevils for the festival, which has been booked out twice over.

I’m looking forward to Monsters in my Wardrobe, a production by Mark Penzac, which has had some input from Castlemaine North primary students, and the dance/word workshop with Thais Sansom on the Saturday, which I wish I was young enough to particpate in!

Monster Mash Up Rhyme Time is an annual favourite starring Jess Saunders, our library worker extraordinaire, which is always lovely — outside under the big tree in the beautiful surrounds of Buda.

Johnny and Evie Danger coming up at the CCLF

Johnny and Evie Danger coming up at the CCLF

The Wordy Wonder Day will be a cracker, including a sound walk led by the poet Klare Lanson and Luca Sartori, who runs a cafe in town, singing Italian tunes!

You can check out the program here and book here.

Festival events will take place in Taradale, Fryerstown, Maldon and Newstead as well as Castlemaine.

 

WHAT ABOUT YOU? WHAT WAS YOUR FAVOURITE BOOK AS A CHILD?

Also check out:

  • Top 5 Australian Children’s Books to Re-Read Until You Go Mad
  • Meet the Locals: Castlemaine YA Author Simmone Howell

just_a_girl: upcoming talks, bits ‘n’ bobs

Walter Mason, Destination Cambodia

Walter Mason will be appearing with me at the NSW Writers’ Centre seminar: Open Access – Selling Your Book in the Digital Age

Just a quickie.

Now all the excitement of Friday Night Fictions has died down (for a month or so), I’m doing some housekeeping and sorting out a few just_a_girl items. It seems that the life of the published writer is really geared these days to heading down the talking track and making public appearances (and you know how much I love that) — but the good news is it seems to be getting easier.

If you are in Sydney or Melbourne, come along. Would love to meet you.

Debut Mondays – Wheeler Centre, Melbourne

On Monday 23 September, I will be doing a reading from just_a_girl at the Wheeler Centre, in Debut Mondays, with Fiona McFarlane and Briohny Doyle. It’s at the Moat, a cosy little bar underneath the State Library. I met Kate Holden there once. Angela Savage and I first laid eyes on each other there. The bar and me, we’ve got a history, that’s all I’m saying.

Can Self-Promotion Be a Creative Act? – NSW Writers’ Centre, Sydney

Well, I do my best. It seems writers do have to be entrepreneurs these days. On Saturday 21 September, from 3 to 4pm, I’ll be talking at the Open Access: Selling Your Book in the Digital Age forum in a panel of authors who will discuss what they have found works and whether promoting yourself can be as creative as writing your book. I’m thrilled to be featured with Walter Mason (Destination Saigon), Andrew Nette (Ghost Money) and Jenn J McLeod (House for all Seasons). I’m looking forward to sitting in on the whole day and getting some tips from digital experts like Anna Maguire.

just_a_girl Goes Digital

It’s been news to me that sometimes getting your hands on an ebook can be more difficult than buying a paperback copy. For small publishers, getting ebooks onto Amazon and iBooks can be tricky and can take a loooonnnngggg time (for excitable people like me). The good news is that the just_a_girl ebook is now available on Kobo and is recommended  in the ‘Aussie Reads’ section.

Jenn M McLeod

Jenn J McLeod will be appearing with me at the NSW Writers’ Centre seminar: Open Access – Selling Your Book in the Digital Age

Ratings, ratings, ratings

I’ve never been too sure of the star system when it comes to rating books and music. On Goodreads, I agonise when I have to rate books. There seems to be such a gap between three stars and four. I’d rather read reviews without the stars, but maybe that’s just me. There’s no denying though that the wider publishing world likes stars and ratings. It really helps writers if you give them feedback. If you have read just_a_girl and if you love it (or hate it — I won’t track you down, I promise), it’s good to know people are reading it. It’s like a little security blanket. And if you review it on your blog, even better. Did you know that sales teams for publishers use blog posts to continue arguing to booksellers that the book should remain on the shelves (months after the book has been launched). You can review or rate the book at Goodreads, Amazon or Kobo.

Goodreads competition

One of the best ways to promote a debut novel is to have a giveaway on Goodreads. It’s a way to highlight your book, get people interested in what it’s about, without spamming them. Goodreads does all the organising; writers and publishers just have to mail out the copies. As an added incentive, I asked those who won (and those who entered — who missed out but still read it) to do a little review, and I promised I would include it here on my blog. So here goes:

Thanks to SOPHIE:

just_a_girl is a gritty Puberty Blues-esque novel for the modern age. It is referred to as an adult text however I would recommend it to teenagers as well. The novel is separated into three narratives, in which the interrelated characters develop. The first is Layla, a fourteen year old girl discovering her sexuality and self identity through interactions online. Layla is forced to deal with her fathers homosexuality at a young age, a factor which I believe influences her future relationships with her boyfriend, Davo, and her illicit relationship with an older man, Mr C. Ironically, Mr C is also linked to the second character, Layla’s mother. Margot, struggling to cope with losing her husband for another man and now her daughter to adolescence, turns to the Riverlay Church seeking solace. Here, she meets ‘Mr C,’ or Pastor Bevan, a leader of a new-age Christian Church. Margot finds comfort in Bevan, believing him to represent God in earth, an ironic twist to his actual role. The novel also focuses upon Tadashi, a young Japanese man who seeks affection in the form of a doll after the death of his mother. I was unsure of his overall contribution to the plot. He seemed to be a minor character yet the text kept referring to him. Overall, I thoroughly enjoyed this novel. It is honest and gritty, and I often found it confronting. It represents accurately what teenagers are forced to encounter in modern society, something authors often struggle to represent.

Andrew Nette, Ghost Money

Andrew Nette will be appearing with me at the NSW Writers’ Centre seminar: Open Access – Selling Your Book in the Digital Age

And JESSICA:

This book took me a little while to get into at first, but then I was hooked. Highly recommended for young adults!

And OTHER READERS

Who have posted reviews at Goodreads including Annabel Smith, Ellie Marney, Anna, and Mandee.

AND SPECIAL MENTION

To my husband who rated it five stars. *awwwwwwwww*

NOW, YOUR TURN…

IF YOU’RE A WRITER, DO YOU HAVE ANY TIPS ON HOW TO MARKET A BOOK ONLINE?

AND READERS, HOW DO YOU GO ABOUT CHOOSING A BOOK? A REVIEW IN A NEWSPAPER? ON A BLOG? A FRIEND MENTIONING IT? 

Friday Night Fictions: August 2013

As promised, I’ve decided to start a monthly club, Friday Night Fictions, that helps promote the work of debut authors (both Australian and international) and short story/Flash fiction writers too.

It can be tricky for new authors to gain traction in the media and bookstores, so I hope you can read and support each other’s work. If you could spread the word about Friday Night Fictions via your social media contacts, that would be terrific.

For bloggers or reviewers, if you review any of these fictions, I’ll link to your reviews before the next edition, so we can develop a discussion around emerging writers. Just let me know the URL via the contact form above. I have updated reviews for Jessie Cole and Eleanor Limprecht…

And *clink clink* to all the writers below, who have managed to complete a novel. It’s something many people dream of, but you’ve done it! I like the threads linking some of the works …

The deadline for the September Friday Night Fictions is Friday 20 September and it will be launched on Friday night, 27 September. I mentioned that I would choose one writer from the list to profile for the next FNF. Congratulations to Nina Smith. I love the sound of her wild romp and I look forward to talking to her about Hailstone.

Oh, and if I have missed anyone (these things happen), let me know, and I’ll make sure you’re in September.

Here we go…

 

KATE BAGGOTT, Love From Planet Wine Cooler

Love From Planet Wine CoolerThe last ‘nice girl’ on earth finds her way through a world defined by sex, music and the internet. Somehow.

Love From Planet Wine Cooler is an ode to a generation of women who didn’t so much lose their virginity as misplace it thanks to the advent of wine coolers. Somehow, they managed to find out all about love, relationships and careers.

Or did they?

Put in your imaginary ear plugs and follow Marina and her best friend through the laughter and tears of being a human being from the 90s on the search for answers now.

Read stand-alone parts from Love From Planet Wine Cooler that were published on Lit sites before the book came out:  Mr. January was published on Fiction365;  The Love Detox was published on Once Written. To view more or to buy the book visit: http://www.katebaggott.com.

Contact Kate on Twitter.

DAWN BARKER, Fractured

FracturedTony is worried. His wife, Anna, isn’t coping with their newborn son. Anna had wanted a child so badly and, when Jack was born, they were both so happy. They’d come home from the hospital a family. Was it really only six weeks ago?

But Anna hasn’t been herself since. One moment she’s crying, the next she seems almost too positive. It must be normal with a baby, he thought, she’s just adjusting. He was busy at work. It would sort itself out. But now Anna and Jack are missing. And he realises that something is really wrong…

Fractured is Dawn Barker’s debut novel. It tells the story of an ordinary family whose lives are changed forever after the events of one terrible day. It deals with themes of mental health, parenting and relationships.  Fractured was selected for the 2010 Hachette/Queensland Writers Centre manuscript development programme.

Dawn’s October Update: “There’s been one interview published with me on the Australian Women Writers Challenge website as Fractured has been their most reviewed book this year so far.”

Read an extract. Buy the book.


KATE BELLE, The Yearning

Yearning

 It’s 1978 in a country town and a dreamy 15-year-old girl’s world is turned upside down by the arrival of the substitute English teacher. Solomon Andrews is beautiful, inspiring and she wants him like nothing else she’s wanted in her short life.

 Charismatic and unconventional, Solomon easily wins the hearts and minds of his third form English class. He notices the attention of one girl, his new neighbour, who has taken to watching him from her upstairs window. He assumes it a harmless teenage crush, until the erotic love notes arrive.

Solomon knows he must resist, but her sensual words stir him. He has longings of his own, although they have nothing to do with love, or so he believes. One afternoon, as he stands reading her latest offering in his driveway, she turns up unannounced. What happens next will torment them forever — in ways neither can imagine.

Read an extract. Buy the ebook from Amazon or iTunes. The print book is available at Target, Kmart, Myer, Collins, Dymocks, Big W, Eltham Bookshop, other independent bookshops and major airports. Check out the reading group questions here.

Contact Kate at her website, on Facebook, and Twitter.

Kate’s October Update: “I’ve recently done an author interview with Little Raven Publishing and a number of new reviews up on Goodreads.”

Read more…

Which writer (living or dead) would you like to be for a day?

Leonard Cohen in Greece

Leonard Cohen in Greece

Western Australia seems to be the hotspot for writers at the moment. I have just finished reading Annabel Smith’s wonderful first two novels (A New Map of the Universe; Whisky Charlie Foxtrot) and Amanda Curtin has recently released Elemental (we share the same publisher in UWAP). Annabel and Amanda are part of a collective of writers — alongside Sara Foster, Emma Chapman, Natasha Lester and Dawn Barker — who, once a month, have a writerly debate via their blogs, answering a question about the writing life.

This month, I’m thrilled to be a guest blogger in their Writers Ask Writers series, with the curly question: Which writer (living or dead) would you like to be for a day?

My writing process is like a bear stumbling into a beehive or a honey cache: I’m stumbling right into it and getting stuck, and it’s delicious and it’s horrible and I’m in it and it’s not very graceful and it’s very awkward and it’s very painful and yet there’s something inevitable about it

It’s 1966.
I live on the Greek island, Hydra.
I am surrounded by beauty, simplicity.
I have learnt to play flamenco guitar.
I have taken lots of drugs.
I have had women falling at my feet.
I sing in a monotone.
I live in a haze.
I’m the king of deadpan.
I write about Canada and the Church and the wiping out of Cultures.
I Write Pages of Words Beginning With Capital Letters.
I write about cocks until my fingers bleed.
I write about women and desire.
I can get into character anywhere.
Darling, I was born in a suit.

It’s 1994.
I’m meditating.
I want to retreat and I’ve surrendered.
I’ll stay here for years.
I have taken lots of drugs.
I can be anywhere I want, man.
I’ll project back and forth in time.
Phil Spector threatens me with a crossbow
‘Hallelujah’ becomes the song of a generation but not mine.
I don’t know whether I know.
That four lines from my song ‘Anthem’.
Are four of the most beautiful in the English language.

It’s 2008.
I’m on a hill in the Hunter Valley.
I’m performing in a vineyard but I’m not drinking.
I’ve taken lots of drugs.
But I can see clearly tonight.
The stars are bright looking out.
But there’s someone about to start grieving.
I can see her in the audience.
She is lying down with her head gentle on the grass.
She is thinking about death and souls.
She is remembering how many words she knows.
So she sings them out loud with me.
To her baby who is at his first gig.
Who refuses to close his eyes.
Even as she dances with him all night in her arms.

Ring the bells that still can ring
Forget your perfect offering
There is a crack in everything
That’s how the light gets in.

Leonard Cohen has written songs, poetry and novels. Beautiful Losers is a hell of a ride. I think his voice is better now with its gravel edge. When I was a kid, a family member was obsessed with him (you know who you are) and, every chance she got at the dinner table, would affect this weird nasally voice and embark on dreadful lamentations. I always rolled my eyes; it’s so embarrassing when adults think their music is cool.

And then, damn it, Leonard Cohen did get cool.

Let’s check out who my cohorts wanted to be for a day:

PWFC_author_collage

AND WHAT ABOUT YOU? IF YOU COULD TAKE THE CHALLENGE OF BEING A WRITER FOR A DAY, WHO WOULD YOU PICK?

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