wild colonial girl

A freelancer moves to Castlemaine

Friday Night Fictions: September 2013

Howdy folks and welcome to the September edition of Friday Night Fictions, a monthly club set up to promote the work of debut authors (and short story/microfiction writers: where are you hiding?) both local and international, working in any genre or format (ebooks and indie authors welcome). There’s a sea of talent listed below. I hope you will read these new writers, let them and us know you think, and help them on to pursue their next book. I look forward to your comments and reviews on the blog.

If you want to be included in Friday Night Fictions, see the guidelines. And check out the August edition: I have updated with reviews where people have sent them to me. If you are featured in August or September, and have new reviews, interviews or social media links to mention, let me know…

Last month I announced that I would feature Nina Smith, and her book Hailstone, on the blog. Look out for a profile and review early next week [here it is…].

And to be featured from the September club? Michael Adams‘ YA debut, The Last Girl, brings this great writer on film and pop culture (and you may have seen him on SBS talking about movies) into the fiction realm. I look forward to hanging out with him in late October…

If I have missed anyone (it does happen), let me know, and I’ll add you to the October club.

*

MICHAEL ADAMS, The Last Girl

Michael Adams, The Last GirlThe end of the world happens in an instant. But it’s not caused by an asteroid or zombies or any scenario we’ve ever conceived. The apocalypse comes from within us. One second we’re wearing our usual social masks — and the next our every secret thought and feeling is exposed as a global telepathic outbreak drowns humanity in a psychic tsunami.

Within minutes, suburbs erupt in madness, cities explode in flames and countries collapse in chaos.

Sixteen-year-old Danby Armstrong is protected from the worst of the phenomenon because while she can tune into other people’s minds, no-one else can read her thoughts.

But it’s not much consolation when her family implodes, her neighbours start killing each other and every road out of town offers only more death and destruction.

Set in a very recognisable near-future, The Last Girl combines literary and pop-culture smarts with spectacular action in a frightening scenario that echoes our obsession with constant connectivity.

Buy the book.

See Michael talking about his YA novel.

November update:

Kirsten Krauth reviewed The Last Girl and interviewed Michael Adams for her September debut author profile.

 

ROSS CROTHERS, Running Dead

Ross Crothers, Running DeadAn exclusive London hotel. Two shots, two men executed. Ten years earlier they helped convict a conman. Ash Todd of the Australian Federal Police assisted Scotland Yard in that case. Now The Yard has called him in again.

The search for the killer propels Todd across Europe, the US and the Caribbean. In every city his life is threatened, his trust betrayed, his every move anticipated.

Worse, on the cusp of a breakthrough, The Yard seemingly withdraws support — which leaves him hanging.

Did they really want the case solved — or were they just Running Dead?

Alone and increasingly isolated, he can rely on no-one but himself. With a mounting death toll, and twists in the end that leave him distraught, Todd discovers some vital truths — to the murders; to the 10-year-old fraud case, and ultimately who had betrayed him.

Buy the book (paperback or e-book) from Ross’ website .

Read an extract.

SAM ELLIOTT, Sisters of Satan

Sam Elliott, Sisters of SatanIt all began as a fairytale…

Fast forward to a devastating text from Amelia and this magical evening becomes a terrifying nightmare. Devastated, Seth soon commits to drinking himself into oblivion.

Dead drunk and thirsty for conflict, the wayward soul stumbles into adesolate park.

Reality returns, Seth finds himself naked and shackled to a wheelchair, listening in disbelief to their unspeakable plans, his death wish may be answered but now he decides he wants to live.

To do that he will have to break free and rise against sadistic monsters.

The Sisters of Satan intend to carve him up and feast on his soul. Seth is all that stands between an endless rampage leaving many dead in its wake—a journey taking him through a labyrinth of blood and fire to a vicious showdown with the sisters in the arena where their wicked ways were born.

Buy this book from: Customs Book Publications, Amazon.com, Angus and Robertson.

Read extracts.

DAVID M HENLEY, The Hunt for Pierre Jnr

David M Henley, The Hunt for Pierre JnrThis is a return to classic science fiction with a contemporary spin. While juggling a pacy storyline, filled with unexpected turns, David M Henley brings fresh ideas to the genre.

Book one of a trilogy, The Hunt for Pierre Jnr begins in 2159 CE. There has been fifty years of peace since the great collapse and a complex but egalitarian society controls the planet, but the foundation of their peace is rocked when a psychic event destroys a suburb of Paris.

Nobody is really sure who was responsible, but many believe it is the semi-mythical child Pierre Jnr.

This triggers a capsizing in the governing hierarchy and a new harsher Prime takes over the operation to find and pacify Pierre Jnr.

“I was deeply impressed with the way that neither side (and there are definitely sides to be taken) has a monopoly on what is absolutely right.” Read review.

Meet David at his website.

Contact him on Facebook and Twitter.

Buy the book.

JANE JERVIS-READ, Midnight Blue and Endlessly Tall

Jane Jervis-Read, Midnight Blue and Endlessly TallWhen Jessica, a recently divorced mental-health carer, meets her new patient, Eloise, their lives quickly become entangled. The boundaries of their roles begin to dissolve and questions from the past are uncovered, revealing the fractured histories that brought them together.

Midnight Blue and Endlessly Tall is an original and unpredictable novella about the relationships that consume us when we’re least expecting it.

Winner of the 2013 Viva La Novella Prize.

“Jane Jervis-Read’s beautiful little book … kicks above its weight … and shows the power of leaving things unsaid.” Cate Kennedy

Buy the book.

November update:

Jane read Ellie Marney’s book (see below) and commented: Just finished ‘Every Breath’ in two sittings. Total page-turner with a well-crafted plot and interesting characters. Loved every… breath of it.

SALLY-ANN JONES, Stella’s Sea

Sally-Ann Jones, Stella's SeaStella moves from her wheatbelt family home to a run-down house in Cottesloe on WA’s coast. Her daughter, Miff, has died in a motorbike accident; her husband can’t bear to look at her; her father is in a nursing home; her brother is overseas. Her only company is her daughter’s dog.

Every morning Stella walks with Miff’s dog along the beach. She’s not a part of the scene even though she’s conspicuous in her beekeeper things and mismatched garments.

Her yellow scarf sparks the interest of Ari, an ex-prisoner and coastcare volunteer. As a new friendship slowly forms, Stella recollects her past to deal with her present. But can she acknowledge the guilt that prevents her from moving into the future?

Stella’s Sea is a beautiful novel about the symbiotic nature of life: bees and orchids, loss and love, nurture and growth.

This novel will be released in October.

Pre-order from UWAP.

Read an extract.

KIRSTEN KRAUTH, just_a_girl

Kirsten Krauth, just_a_girlLayla is only 14. She cruises online. She catches trains to meet strangers. Her mother, Margot, never suspects. Even when Layla brings a man into their home.

Margot’s caught in her own web: an evangelical church and a charismatic pastor. Meanwhile, downtown, a man opens a suitcase and tenderly places his young lover inside.

just_a_girl tears into the fabric of contemporary culture. A Puberty Blues for the digital age, a Lolita with a webcam, it’s what happens when young girls are forced to grow up too fast. Or never get the chance to grow up at all.

Read an extract.

Book Club Notes are available.

Meet Layla on Pinterest.

Buy the printed version at ReadingsBooktopia or Amazon.

Read the ebook on Kobo. International readers please contact me direct…

See reviews of just_a_girl here.

Contact Kirsten at Goodreads, her blog (Wild Colonial Girl), Facebook and Twitter.

You can see her read from her work at the Sydney book launch, along with Emily Maguire (who introduced it).

DARCY LEE-TINDALE, Her Story, My Story

Promise anthology by PenguiDarcy’s short story features in the Penguin anthology: Promise.

This anthology includes the top 15 stories selected from over 400 entries in the Monash Undergraduate Short Story Prize.

The book was organised by the Emerging Writers’ Festival.

Darcy is a dramatic arts teacher, director of stage productions, actor, author, theatresports player, puppeteer, and has appeared in TVC, film and on stage.

Her plays, poems, articles, short stories, radio satire and comedy skits have been published, performed and received numerous awards.

She’s studying a BA in Creative Writing.

Buy the ebook from Penguin, iBooks and Amazon.

ELLIE MARNEY, Every Breath

Ellie Marney, Every BreathRachel Watts has just moved to Melbourne from the country, but the city is the last place she wants to be.

James Mycroft is her neighbour, an intriguingly troubled seventeen-year-old who’s also a genius with a passion for forensics.

Despite her misgivings, Rachel finds herself unable to resist Mycroft when he wants her help investigating a murder.

He’s even harder to resist when he’s up close and personal — and on the hunt for a cold-blooded killer.

When Rachel and Mycroft follows the murderer’s trail, they find themselves in the lion’s den — literally. A trip to the zoo will never have quite the same meaning again …

Sizzling chemisty and urban intrigue combine in this thriller from a fresh, exciting new talent.

Buy the book.

Meet Ellie at her website.

November update: Jane Jarvis-Read (see her book above) commented:

Just finished ‘Every Breath’ in two sittings. Total page-turner with a well-crafted plot and interesting characters. Loved every… breath of it

FIONA McFARLANE, The Night Guest

Fiona McFarlane, The Night GuestRuth is widowed, her sons are grown, and she lives in an isolated beach house outside of town.

Her routines are few and small. One night, she wakes to hear a tiger walking around her lounge room.

The next day, a stranger arrives at her door, looking as if she’s been blown in from the sea.

This woman — Frida — introduces herself as a care worker sent by the government. Ruth lets her in.

How far can Ruth trust the mysterious, magnificent Frida?

And, with a tiger on the prowl, how far can Ruth trust herself?

Meet Fiona on Facebook.

Buy her book.

Read an extract.

JENN J McLEOD, House for all Seasons

Jenn J Mcleod, House for all SeasonsFour women. Four lives unravelled. The truth will bind them forever.

Bequeathed a century-old house, four estranged friends return to their hometown, Calingarry Crossing, where each must stay for a season at the Dandelion House to fulfil the wishes of their benefactor, Gypsy.

But coming home to the country stirs shameful memories of the past, including the tragic end-of-school muck up day accident twenty years earlier.

Sara, a breast cancer survivor afraid to fall in love;
Poppy, a tough, ambitions journo still craving her father’s approval;
Amber, a spoilt socialite addicted to painkillers and cosmetic procedures;
Caitlin, a doctor frustrated by a controlling family and her flat-lining life.

At the Dandelion House, the women will discover something about themselves and a secret that ties all four to each other and to the house—forever.

Buy, read a chapter, read the reviews at Jenn’s website.

ANDREW NETTE, Ghost Money

Andrew Nette, Ghost MoneyCambodia, 1996, the long-running Khmer Rouge insurgency is fragmenting, competing factions of the coalition government scrambling to gain the upper hand. Missing in the chaos is businessman Charles Avery. Hired to find him is Vietnamese Australian ex-cop Max Quinlan.

But Avery has made dangerous enemies and Quinlan is not the only one looking. Teaming up with Heng Sarin, a local journalist, Quinlan’s search takes him from the freewheeling capital Phnom Penh to the battle scarred western borderlands. As the political temperature soars, he is slowly drawn into a mystery that plunges him into the heart of Cambodia’s bloody past.

Ghost Money is a crime novel about Cambodia in the mid-nineties, a broken country, what happens to those trapped between two periods of history, the choices they make, what they do to survive.

Visit Andrew’s website.

Buy the book at Amazon.

Insight into how Andrew came to write the novel.

Andrew’s October Update:  

Ghost Money got this very favourable review on the travel website Vagabonding and will be for sale at The Readers Feast Crime & Justice Festival, 15-17 November 2013, where I will also be interviewing Australian author, Garry Disher.

HAVE YOU READ ANY OF THESE DEBUT NOVELS YET? ANY REALLY GRAB YOUR ATTENTION? I LOOK FORWARD TO HEARING YOUR THOUGHTS ON THE SEPTEMBER CLUB.

Advertisements

Meet the locals: festival director Lisa D’onofrio

Lisa Donofrio teaching

Lisa Donofrio teaching

Last year, after pretty much just landing in Castlemaine, I went along to the Castlemaine Children’s Literature Festival. The kids and I saw innovative puppet shows and powerful Sudanese storytelling and song. All the sessions were booked out. Sometimes kids’ programming (at other festivals) can be lazy… so it was great to see so many hands-on sessions.

This year, the program is even more expansive. It’s a wonderful initiative, with a carefully creative program aimed directly at children from a wide range of age groups. It starts at the end of this week. For Melbournites, it’s worth a trip down to explore the options during the school hols.

I first met festival director Lisa D’Onofrio at Castlemaine Word Mine, a regular gathering of local writers here. She hosted a reading I did with Simmone Howell and Ellie Marney on adult and YA fiction, and the crossovers between them.

I spoke to Lisa about the festival, that starts this weekend, and how she ended up landing in the Maine.

Why did you move to Castlemaine?

The short answer is we needed to settle somewhere fast, and Castlemaine had good schools, a train line and a rocking library. We also knew one person here!

Ajak Kwai launching last year's festival

Ajak Kwai launching last year’s festival

Why start a Children’s Literature Festival?

That’s a very good question, which I ask myself several times a day, especially in the lead up to the festival! When we first came to Australia around three and a half years ago, we did a bit of travelling. In Queensland I read about PL Travers, who wrote the Mary Poppins series, and I wanted to do something that celebrated Australian children’s literature, so it grew from there. I’ve got a background in literature/literacy development, and a long history of facilitating arts projects so it seemed a perfect fit.

The CCLF is a unique festival which focuses on children and young people as creative producers and active participants, which isn’t the usual model for festivals, where the children’s program seems like an add-on, or is purely schools-based. Selfishly, I also wanted my own kids to have access to local, cheap but quality, arts-based activities in the holidays!

What are some of the highlights of this year’s fest?

So many highlights! Most of the performers/facilitators are local, which is wonderful, and we were very lucky to have  multi-award-winning author Melina Marchetta do some pre-festival workshops.

Johnny and Evie Danger developed their show Oceanic Daredevils for the festival, which has been booked out twice over.

I’m looking forward to Monsters in my Wardrobe, a production by Mark Penzac, which has had some input from Castlemaine North primary students, and the dance/word workshop with Thais Sansom on the Saturday, which I wish I was young enough to particpate in!

Monster Mash Up Rhyme Time is an annual favourite starring Jess Saunders, our library worker extraordinaire, which is always lovely — outside under the big tree in the beautiful surrounds of Buda.

Johnny and Evie Danger coming up at the CCLF

Johnny and Evie Danger coming up at the CCLF

The Wordy Wonder Day will be a cracker, including a sound walk led by the poet Klare Lanson and Luca Sartori, who runs a cafe in town, singing Italian tunes!

You can check out the program here and book here.

Festival events will take place in Taradale, Fryerstown, Maldon and Newstead as well as Castlemaine.

 

WHAT ABOUT YOU? WHAT WAS YOUR FAVOURITE BOOK AS A CHILD?

Also check out:

  • Top 5 Australian Children’s Books to Re-Read Until You Go Mad
  • Meet the Locals: Castlemaine YA Author Simmone Howell

just_a_girl: upcoming talks, bits ‘n’ bobs

Walter Mason, Destination Cambodia

Walter Mason will be appearing with me at the NSW Writers’ Centre seminar: Open Access – Selling Your Book in the Digital Age

Just a quickie.

Now all the excitement of Friday Night Fictions has died down (for a month or so), I’m doing some housekeeping and sorting out a few just_a_girl items. It seems that the life of the published writer is really geared these days to heading down the talking track and making public appearances (and you know how much I love that) — but the good news is it seems to be getting easier.

If you are in Sydney or Melbourne, come along. Would love to meet you.

Debut Mondays – Wheeler Centre, Melbourne

On Monday 23 September, I will be doing a reading from just_a_girl at the Wheeler Centre, in Debut Mondays, with Fiona McFarlane and Briohny Doyle. It’s at the Moat, a cosy little bar underneath the State Library. I met Kate Holden there once. Angela Savage and I first laid eyes on each other there. The bar and me, we’ve got a history, that’s all I’m saying.

Can Self-Promotion Be a Creative Act? – NSW Writers’ Centre, Sydney

Well, I do my best. It seems writers do have to be entrepreneurs these days. On Saturday 21 September, from 3 to 4pm, I’ll be talking at the Open Access: Selling Your Book in the Digital Age forum in a panel of authors who will discuss what they have found works and whether promoting yourself can be as creative as writing your book. I’m thrilled to be featured with Walter Mason (Destination Saigon), Andrew Nette (Ghost Money) and Jenn J McLeod (House for all Seasons). I’m looking forward to sitting in on the whole day and getting some tips from digital experts like Anna Maguire.

just_a_girl Goes Digital

It’s been news to me that sometimes getting your hands on an ebook can be more difficult than buying a paperback copy. For small publishers, getting ebooks onto Amazon and iBooks can be tricky and can take a loooonnnngggg time (for excitable people like me). The good news is that the just_a_girl ebook is now available on Kobo and is recommended  in the ‘Aussie Reads’ section.

Jenn M McLeod

Jenn J McLeod will be appearing with me at the NSW Writers’ Centre seminar: Open Access – Selling Your Book in the Digital Age

Ratings, ratings, ratings

I’ve never been too sure of the star system when it comes to rating books and music. On Goodreads, I agonise when I have to rate books. There seems to be such a gap between three stars and four. I’d rather read reviews without the stars, but maybe that’s just me. There’s no denying though that the wider publishing world likes stars and ratings. It really helps writers if you give them feedback. If you have read just_a_girl and if you love it (or hate it — I won’t track you down, I promise), it’s good to know people are reading it. It’s like a little security blanket. And if you review it on your blog, even better. Did you know that sales teams for publishers use blog posts to continue arguing to booksellers that the book should remain on the shelves (months after the book has been launched). You can review or rate the book at Goodreads, Amazon or Kobo.

Goodreads competition

One of the best ways to promote a debut novel is to have a giveaway on Goodreads. It’s a way to highlight your book, get people interested in what it’s about, without spamming them. Goodreads does all the organising; writers and publishers just have to mail out the copies. As an added incentive, I asked those who won (and those who entered — who missed out but still read it) to do a little review, and I promised I would include it here on my blog. So here goes:

Thanks to SOPHIE:

just_a_girl is a gritty Puberty Blues-esque novel for the modern age. It is referred to as an adult text however I would recommend it to teenagers as well. The novel is separated into three narratives, in which the interrelated characters develop. The first is Layla, a fourteen year old girl discovering her sexuality and self identity through interactions online. Layla is forced to deal with her fathers homosexuality at a young age, a factor which I believe influences her future relationships with her boyfriend, Davo, and her illicit relationship with an older man, Mr C. Ironically, Mr C is also linked to the second character, Layla’s mother. Margot, struggling to cope with losing her husband for another man and now her daughter to adolescence, turns to the Riverlay Church seeking solace. Here, she meets ‘Mr C,’ or Pastor Bevan, a leader of a new-age Christian Church. Margot finds comfort in Bevan, believing him to represent God in earth, an ironic twist to his actual role. The novel also focuses upon Tadashi, a young Japanese man who seeks affection in the form of a doll after the death of his mother. I was unsure of his overall contribution to the plot. He seemed to be a minor character yet the text kept referring to him. Overall, I thoroughly enjoyed this novel. It is honest and gritty, and I often found it confronting. It represents accurately what teenagers are forced to encounter in modern society, something authors often struggle to represent.

Andrew Nette, Ghost Money

Andrew Nette will be appearing with me at the NSW Writers’ Centre seminar: Open Access – Selling Your Book in the Digital Age

And JESSICA:

This book took me a little while to get into at first, but then I was hooked. Highly recommended for young adults!

And OTHER READERS

Who have posted reviews at Goodreads including Annabel Smith, Ellie Marney, Anna, and Mandee.

AND SPECIAL MENTION

To my husband who rated it five stars. *awwwwwwwww*

NOW, YOUR TURN…

IF YOU’RE A WRITER, DO YOU HAVE ANY TIPS ON HOW TO MARKET A BOOK ONLINE?

AND READERS, HOW DO YOU GO ABOUT CHOOSING A BOOK? A REVIEW IN A NEWSPAPER? ON A BLOG? A FRIEND MENTIONING IT? 

Friday Night Fictions: August 2013

As promised, I’ve decided to start a monthly club, Friday Night Fictions, that helps promote the work of debut authors (both Australian and international) and short story/Flash fiction writers too.

It can be tricky for new authors to gain traction in the media and bookstores, so I hope you can read and support each other’s work. If you could spread the word about Friday Night Fictions via your social media contacts, that would be terrific.

For bloggers or reviewers, if you review any of these fictions, I’ll link to your reviews before the next edition, so we can develop a discussion around emerging writers. Just let me know the URL via the contact form above. I have updated reviews for Jessie Cole and Eleanor Limprecht…

And *clink clink* to all the writers below, who have managed to complete a novel. It’s something many people dream of, but you’ve done it! I like the threads linking some of the works …

The deadline for the September Friday Night Fictions is Friday 20 September and it will be launched on Friday night, 27 September. I mentioned that I would choose one writer from the list to profile for the next FNF. Congratulations to Nina Smith. I love the sound of her wild romp and I look forward to talking to her about Hailstone.

Oh, and if I have missed anyone (these things happen), let me know, and I’ll make sure you’re in September.

Here we go…

 

KATE BAGGOTT, Love From Planet Wine Cooler

Love From Planet Wine CoolerThe last ‘nice girl’ on earth finds her way through a world defined by sex, music and the internet. Somehow.

Love From Planet Wine Cooler is an ode to a generation of women who didn’t so much lose their virginity as misplace it thanks to the advent of wine coolers. Somehow, they managed to find out all about love, relationships and careers.

Or did they?

Put in your imaginary ear plugs and follow Marina and her best friend through the laughter and tears of being a human being from the 90s on the search for answers now.

Read stand-alone parts from Love From Planet Wine Cooler that were published on Lit sites before the book came out:  Mr. January was published on Fiction365;  The Love Detox was published on Once Written. To view more or to buy the book visit: http://www.katebaggott.com.

Contact Kate on Twitter.

DAWN BARKER, Fractured

FracturedTony is worried. His wife, Anna, isn’t coping with their newborn son. Anna had wanted a child so badly and, when Jack was born, they were both so happy. They’d come home from the hospital a family. Was it really only six weeks ago?

But Anna hasn’t been herself since. One moment she’s crying, the next she seems almost too positive. It must be normal with a baby, he thought, she’s just adjusting. He was busy at work. It would sort itself out. But now Anna and Jack are missing. And he realises that something is really wrong…

Fractured is Dawn Barker’s debut novel. It tells the story of an ordinary family whose lives are changed forever after the events of one terrible day. It deals with themes of mental health, parenting and relationships.  Fractured was selected for the 2010 Hachette/Queensland Writers Centre manuscript development programme.

Dawn’s October Update: “There’s been one interview published with me on the Australian Women Writers Challenge website as Fractured has been their most reviewed book this year so far.”

Read an extract. Buy the book.


KATE BELLE, The Yearning

Yearning

 It’s 1978 in a country town and a dreamy 15-year-old girl’s world is turned upside down by the arrival of the substitute English teacher. Solomon Andrews is beautiful, inspiring and she wants him like nothing else she’s wanted in her short life.

 Charismatic and unconventional, Solomon easily wins the hearts and minds of his third form English class. He notices the attention of one girl, his new neighbour, who has taken to watching him from her upstairs window. He assumes it a harmless teenage crush, until the erotic love notes arrive.

Solomon knows he must resist, but her sensual words stir him. He has longings of his own, although they have nothing to do with love, or so he believes. One afternoon, as he stands reading her latest offering in his driveway, she turns up unannounced. What happens next will torment them forever — in ways neither can imagine.

Read an extract. Buy the ebook from Amazon or iTunes. The print book is available at Target, Kmart, Myer, Collins, Dymocks, Big W, Eltham Bookshop, other independent bookshops and major airports. Check out the reading group questions here.

Contact Kate at her website, on Facebook, and Twitter.

Kate’s October Update: “I’ve recently done an author interview with Little Raven Publishing and a number of new reviews up on Goodreads.”

Read more…

Which writer (living or dead) would you like to be for a day?

Leonard Cohen in Greece

Leonard Cohen in Greece

Western Australia seems to be the hotspot for writers at the moment. I have just finished reading Annabel Smith’s wonderful first two novels (A New Map of the Universe; Whisky Charlie Foxtrot) and Amanda Curtin has recently released Elemental (we share the same publisher in UWAP). Annabel and Amanda are part of a collective of writers — alongside Sara Foster, Emma Chapman, Natasha Lester and Dawn Barker — who, once a month, have a writerly debate via their blogs, answering a question about the writing life.

This month, I’m thrilled to be a guest blogger in their Writers Ask Writers series, with the curly question: Which writer (living or dead) would you like to be for a day?

My writing process is like a bear stumbling into a beehive or a honey cache: I’m stumbling right into it and getting stuck, and it’s delicious and it’s horrible and I’m in it and it’s not very graceful and it’s very awkward and it’s very painful and yet there’s something inevitable about it

It’s 1966.
I live on the Greek island, Hydra.
I am surrounded by beauty, simplicity.
I have learnt to play flamenco guitar.
I have taken lots of drugs.
I have had women falling at my feet.
I sing in a monotone.
I live in a haze.
I’m the king of deadpan.
I write about Canada and the Church and the wiping out of Cultures.
I Write Pages of Words Beginning With Capital Letters.
I write about cocks until my fingers bleed.
I write about women and desire.
I can get into character anywhere.
Darling, I was born in a suit.

It’s 1994.
I’m meditating.
I want to retreat and I’ve surrendered.
I’ll stay here for years.
I have taken lots of drugs.
I can be anywhere I want, man.
I’ll project back and forth in time.
Phil Spector threatens me with a crossbow
‘Hallelujah’ becomes the song of a generation but not mine.
I don’t know whether I know.
That four lines from my song ‘Anthem’.
Are four of the most beautiful in the English language.

It’s 2008.
I’m on a hill in the Hunter Valley.
I’m performing in a vineyard but I’m not drinking.
I’ve taken lots of drugs.
But I can see clearly tonight.
The stars are bright looking out.
But there’s someone about to start grieving.
I can see her in the audience.
She is lying down with her head gentle on the grass.
She is thinking about death and souls.
She is remembering how many words she knows.
So she sings them out loud with me.
To her baby who is at his first gig.
Who refuses to close his eyes.
Even as she dances with him all night in her arms.

Ring the bells that still can ring
Forget your perfect offering
There is a crack in everything
That’s how the light gets in.

Leonard Cohen has written songs, poetry and novels. Beautiful Losers is a hell of a ride. I think his voice is better now with its gravel edge. When I was a kid, a family member was obsessed with him (you know who you are) and, every chance she got at the dinner table, would affect this weird nasally voice and embark on dreadful lamentations. I always rolled my eyes; it’s so embarrassing when adults think their music is cool.

And then, damn it, Leonard Cohen did get cool.

Let’s check out who my cohorts wanted to be for a day:

PWFC_author_collage

AND WHAT ABOUT YOU? IF YOU COULD TAKE THE CHALLENGE OF BEING A WRITER FOR A DAY, WHO WOULD YOU PICK?

Move away from the computer: The Shallows by Nicholas Carr

Nicholas Carr The ShallowsWhenever I move into a new house (and there have been many: 23 houses, give or take), for the first week I revel in the surroundings. The space. The views. I sit in various places. I observe what’s outside the windows. I lounge in the backyard. I notice where the sun falls, and lie in it.

By the end of the first month, I no longer notice. That space I created has already become cluttered. I look through the window but I don’t see what’s out there. I know what’s out there. I start living inside my head again.

In Tony Eprile’s article ‘Open Your Eyes: Seeing like a writer’ (March/April 2013 edition of Poets & Writers Magazine), he talks of the importance of sitting still and observing:

Simply paying attention is something anyone can do, but it requires training and patience, a Buddhist quietness of mind that allows one to look steadily and assiduously, to see and not just recognise. It requires an emptying of thought and an opening to vision … Look closely, and slowly, at the world, and it will reveal itself to be quite different from what you once imagined it to be.

Vladimir Nabokov, Speak MemoryHe goes on to talk about Vladimir Nabokov’s Speak, Memory that describes in gloriously delicate detail ‘the slow glide of a raindrop off a leaf’.

When I travel, things are different. The newly minted world has colour, texture, life. I carry a journal, write every night trying to recreate the day, and looking back, my words are always vivid and evocative. But I can’t seem to do this in my backyard. I don’t notice what’s happening to plants. I want to learn how to write about my everyday life in the same way.

Many writers are talking these days about the impact of the internet and social media on their daily practice. The constant feeling of being interrupted. The distractions. As I read Nicholas Carr’s book The Shallows, I became increasingly aware (read: alarmed) of how using my laptop (iPad, iPhone) was affecting not only my work but the way I interact with my family. I find it increasingly hard to switch off. In our kitchen, once the domain of toasters and kettles and slow cookers, the benchspace is lined with modems, various sized cables and different items charging all the time. As I do the dishes, the iPhone podcasts from the Wheeler Centre (only 98 more podcasts to go!).

While I apparently work three days a week, on the off days my laptop sits on the bench, dinging every time someone posts on Facebook or Twitter or enters something in iCal or even sends me an email (how old-fashioned). As I read to my kids, or bash on musical instruments, I have one ear out for an update.

Of course, I know I can change all this, I can adjust all the settings, but what bothers me is that I find it very hard to commit. Each time I hear that ding I get a rush of adrenaline; like it’s a news update. I feel compelled. Even though it’s very rarely a message that requires urgent attention — or any attention at all, really. I also feel queasy, as if I’m gambling into the early hours, while I’m pushing buttons.

There’s no doubt. When I have whole days away from the computer, I start to feel calmer. I start to notice. My writing takes on unusual shapes and forms. I feel completely peaceful when I have uninterrupted time for reflection.

Nicholas Carr argues that the way we use the internet is changing how we process information, and even the way our brains work:

The mental functions that are losing the ‘survival of the busiest’  brain cell battle are those that support calm, linear thought — the ones we use in traversing a lengthy narrative or an involved argument…’

And what about memory? I feel like I don’t use mine much. I haven’t even bothered to remember my home phone number (after about 15 houses, I gave up) because I can store it on my mobile phone. I don’t need to look at a map, remember the address of where I’m heading, because I’ll just punch it into the GPS. But Carr argues that this kind of laziness means we are losing the capacity to create and store long-term memories:

The key to memory consolidation is attentiveness. Storing explicit memories and, equally important, forming connections between them requires strong mental concentration, amplified by repetition or by intense intellectual or emotional engagement.

I don’t want to abandon social media, blogging, ebooks and internet research altogether. But after reading Carr’s book, I’m reluctant to continue using my computer the way I do. It’s a process of seduction. I let myself get distracted. But I feel used and abused later. I want to be focused.

While being able to research while not leaving your bedroom is pretty exciting (for an introvert like me), I’m now debating whether internet research really helps my writing process. Perhaps it’s better to head out to a library, to focus in on one thing at a time, to just sit and talk with people, to let ideas percolate. When I start researching on the internet, I always feel overwhelmed. Because I am interested in everything. I want to make connections everywhere. Traditional research seems to involve discovering the root of an idea and then branching out. Internet research seems to involve getting the whole tree and desperately pruning down. I need to set boundaries, as with all other aspects of my life.

When I’m older and grey, I won’t be reciting reams of poetry like my grandfather did. I wonder, as my short-term memory starts to fade, what will start to pour out?

Friday Night Fictions: for debut authors

Taylor Kitsch, Tim Riggins, Friday Night Lights

Taylor Kitsch, Tim Riggins, Friday Night Lights

When you are releasing a first novel, the most unexpected things can happen. One is that you attract guardian angels — fellow readers and writers who decide to champion your work (even complete strangers).  This is especially important for debut novelists. If a writer with a following retweets you, invites you to guest blog or writes a review, it makes an enormous amount of difference to how your work is perceived, and whether it gets any attention. Two champions for me have been the authors and social media experts  Walter Mason and Angela Savage. Both have done everything in their power to help promote my book (without me even asking). I had never met Walter before the Sydney launch, and only recently met Angela for the first time in Melbourne (after conversing via blogs).

It started me thinking. What I am hearing via FB and blogs is that many debut authors are releasing books or stories into the current climate and the reaction is … NOTHING. Can you imagine spending many years on a project (12 years in my case) to get absolutely no reaction in the media? It can be heartbreaking. Especially as the books are often well-reviewed (if they finally do get reviews). On Twitter it can be like millions of writers all with their own little megaphone, and you can’t hear a thing.

So, I thought I’d take a hint from Walter and Angela, and start a new item on my blog called Friday Night Fictions, with the sole purpose of promoting debut authors’ fiction. I’m also keen on digital fiction, short stories, and Flash or micro-fiction. If you can link to it, even better. The idea is to start a club that promotes first-timers, and we can check out and comment on each other’s work too…

I also realise how important bloggers and reviewers have become in promoting first time writers’ work. If you review any of the works featured, or interview any writers, in Friday Night Fictions, I will link your reviews in the following edition so there is a developing dialogue around each writer’s work…Email me and let me know.

The scope of the internet means first-time works don’t have to come and go without a trace. Unlike printed book publishing, there is time online — to reflect, to debate. Works can stay current and relevant for as long as readers want to look at them, with ebooks available…that’s why I encourage writers who have published in 2013 and 2014 to contact me.

The title comes because I’ve become addicted to the TV show Friday Night Lights. I started watching it on Friday nights. I know, I always come to things a bit late. I’d get the kids to bed early, wrap myself in a doona, hold my husband’s hand and settle in for some good drama and great southern American hairstyles. Then it eked out to Thursdays, Saturdays, Sundays. Then series one ended and now I’m wringing my hands each night as I wait for the next series to arrive in the post on DVD. Sometimes it’s good to wait for good things. You know, like we used to. I originally discovered the series when a friend sent me this article written by Lorrie Moore (you now need to subscribe to get it, but it’s worth it).

Back to Friday Night Fictions. If you would like to be included, I have a series of conditions.

1.If you submit work, you need to subscribe to my blog at Wild Colonial Girl (http://www.wildcolonialgirl.com).

2. You promise that when your work is published on the blog, you will help promote Friday Night Fictions on social media and to your mates. You also promise to read at least one OTHER writer’s work featured, and comment on it.

3. All work needs to be fiction and published in 2013 and 2014.

4. All books need to be debut novels (any genre, from anywhere on the planet). E-books and self-published books are fine.

5. Short stories and Flash/micro-fiction OK, as long as you can link to it.

6. You can only enter a particular work once.

7. Please email submissions to info(at)frecklefeatures(com)au with FRIDAY NIGHT FICTIONS in the subject line.

8. Email submissions need to include: Author’s name and title made clear, and up to 150 words on the work (I will not be editing down so if you include more words than this, it won’t go in); a small image, preferably of the cover, where applicable; a link to where readers can buy or access the work; a link to an extract already available online so readers can get a sense of the style, if possible. Please note: emails must come from authors. No publishers or publicists/agents please.

9. Friday Night Fictions will go up on the last Friday night – every three months. The next issue is May 2014…

10. Reviewers can only send links to reviews of works featured in Friday Night Fictions. These will be updated for the following edition, so featured writers can see responses…

11. Each month I will choose a writer/work from the submissions whose work EXCITES me – to feature for the following edition.

Please pass on to anyone who has had a debut novel published this year, or any emerging writers in fiction. I look forward to your comments and hope we can build a global community of first-timers in fiction…

I’ve had my 15 minutes of fame. Next?

Ms Evie rocks to just_a_girl, Castlemaine launch

Ms Evie rocks to just_a_girl, Castlemaine launch

Although my book just_a_girl was released on the first of June, it’s taken a while to move through the launches.

The Sydney launch took place upstairs at Gleebooks and was like worlds colliding (as Emily Maguire put it). As I stood up to do my speech, I could see my first boyfriend (who knew me when I was just a girl) smiling near the front, along with my current and former bosses seated near the back, and then my dad, sister and a whole line-up of family in the mix. My two best friends were there, along with writers new and old. And Sue Woolfe, my wonderful supervisor and brilliant author. Then there were old friends of my mum’s. And people I’d never met before who were intrigued by the premise.

It’s heady, this collision of people from your past and present. The word that people kept using when they approached me was ‘proud’ and I was so humbled by their support and comments. It showed people really do understand what a hard slog it is, writing and publishing a novel, full of setbacks and then the excitement of getting to print.

I asked Emily Maguire to launch the book and she came in with guns blazing. I’ve always been so inspired by Emily, as both a fiction and nonfiction writer. She is interested in teenage girls and women, how they operate, how culture defines them, how they throw off expectations. Her first book Taming the Beast was a revelation and her latest Fishing for Tigers was a winner of the SMH Best Young Australian Novelists for 2013 (that I was lucky to help judge).

In the speech, Emily spoke of her teenage years, how (like me) she was boy-crazy, and how she reconciled this with her evangelical Christian background. As she spoke, I was so excited and engrossed by what she was saying that I forgot to get nervous — now there’s a great intro! I was most touched by the following line that Emily said about my writing:

I don’t believe there’s any character she couldn’t get me to empathise with, any story she couldn’t make me care deeply about.

Emily Maguire and me, selfie

Emily Maguire and me, selfie

I always hope to write my characters with compassion and conviction (even if they aren’t always likeable) and I’m glad that Emily could see that. My clever husband Damon took a video of the launch and it’s now up on YouTube, so here’s Emily in action on the night. (You can also read a transcript of her launch speech). And if you watch Emily until the end, you can see my Academy Awards moment and a reading from just_a_girl — where Layla swears, meets a moth, and a mysterious man, on the train.

In between the launches, I visited Readings in Carlton to sign some books (and learnt the term ‘face out’ as I begged them to feature it alongside The Rosie Project), did a Q+A at Colour Box pop-up bookstore with Angela Savage in Footscray, and  my first ever radio interviews with Alicia Sometimes (3RRR) and Jan Goldsmith (3CR), where luckily I managed a velvety sexy voice because I had a virus I couldn’t shake off.

The turn-up for the Castlemaine launch was wild and woolly. As in Sydney, the weather wasn’t kind, but Castlemaniacs entered Lot 19 by the bucketloads. I asked Ms Evie and Johnny Danger (from the kids’ punk band Itchy Scabs) to sing the title song of the book (No Doubt’s Just a Girl) and they followed up with Trouble from Pink. Local kids slammed in the moshpit and through the speeches as well. My two-year-old daughter ate a whole bowl of popcorn and double dipped in every bowl on the table.

Angela Meyer managed to raise her voice above the din and again did a beautiful speech to launch just_a_girl. Angela blogs regularly at LiteraryMinded and is a wonderful fiction writer. She also taught me how to get my blog up and running. She is heading off to Scotland for months (months!) to host some panels at Edinburgh — so bon voyage, Angela!

I chose the same part of the novel to read to the Castlemaine audience (so I won’t bore you with the video again) as my son’s Lightning McQueen and various race cars whizzed past my feet. I was looking for a G-rated version to read, considering all the kids, but it wasn’t too easy to find! I had to tone down Layla’s favourite swearword, Fuckadoodle! My son said later that he liked it when everyone went quiet and my voice came out of the speakers. I guess that’s the best feedback I’ll ever get.

Angela Meyer (LiteraryMinded blog) and Mark Anstey (Lot 19)

Angela Meyer (LiteraryMinded blog) and Mark Anstey (Lot 19)

Being in the public eye for a while can be a surreal experience. The local paper had a large photo of me (in the lead up to the launch) with the accompanying title: Lolita with a webcam. I found myself last Friday sitting in my office, staring out at the frosty clothesline, talking on Radio National’s Life Matters about moving from Sydney to Castlemaine and how social media can act as an anchor when you arrive in a new place. Today I published an article on the Wheeler Centre blog about the dangers of social media for teenage girls. This Thursday (25 July) I’m doing a ‘live’ author chat at Allison Tait’s Pink Fibro Facebook book club about writing a first novel, judging literary awards and editing a magazine for writers. I hope you all can come along and join me, and ask lots of questions…

In a recent post I mentioned Susan Cain and her TED talk on introspection. She talks of her ‘Year of Talking Dangerously’. In her spirit, in the upcoming months, I have decided to say ‘yes’ to everything, and see where I end up. I’m sitting up the front on the rollercoaster.

WHAT ABOUT YOU? HAVE YOU HAD YOUR 15 MINUTES OF FAME? DID YOU ENJOY OR ENDURE IT?

just_a_girl reviews + media

Here is a sample of reviews and media. For a comprehensive and up-to-date list, go here.

REVIEWS

“Krauth’s debut is alive with ideas about isolation and connection in the digital age, particularly the way the internet raises the stakes of teenage rebellion. Her portrayal of Layla’s sexual experimentation will terrify many a parent, but it’s sensitively judged: not there to titillate so much as to bridge a gap of understanding.”
Jo Case, The Australian. Read review. 3 August 2013.

“A wholly original book whose teenage heroine gets more convincing and complex as the book progresses.”
Kerryn Goldsworthy, The Age; Sydney Morning Herald. 6 July 2013.

just_a_girl review, The Age + Sydney Morning Herald

just_a_girl review, The Age + Sydney Morning Herald

“[Writing sex] can be at once banal and shocking, as in Kirsten Krauth’s debut novel just-a-girl, with its 14-year-old protagonist, Layla, and her disconnected digital persona (“I start to feel it, slowly, for the camera.”)”
Damon Young, ‘The Lure of Erotic Fiction’, Sydney Morning Herald, Read article. 1 October 2013.

“This is a tough book. It’s a necessary book, and one I want to pass on to quite a few people. It’s a book that will make you question our digitized everyday, and yearn for more human connections. It’s a gut-wrenching book, taking readers to dark places and introducing characters on the precipice. It’s about porn/love, isolation/connection, sexualisation/justification, misogyny/mentality, Facebook and the face-to-face. It’s about our world, right now, and it’s a little bit brilliant.”
Danielle Binks, ALPHA READER blog. Read review. 21 August 2013. She gives the book five stars at Goodreads.

“[Krauth’s] debut novel is a welcome return to subtlety, ambiguity and the idea of literature as art. The best stories are those that bounce along at a decent clip, while at the same time gradually revealing their complexity, and finally leaving you to contemplate the consequences.”
Adrian Deans, The Book Hammer. Read review. 10 August 2013.

“The three stories [of just_a_girl] run in parallel, intersecting only occasionally as each protagonist searches for something that will give their life, if not more meaning, then at least something solid to hold on to. As it turns out, both Margot and Layla are looking for the same thing – from the same person, even – but rather than giving them common ground and closing the distance in their relationship, their quests come very close to setting them against each other as rivals.”
Adam Ford, blog, interview and review. 15 September 2013.

“I would recommend this for parents of adolescent girls who worry about what goes on in their daughter’s lives. But more importantly I would recommend it for those who don’t.”
Mellisa Wray, from Dream Big … Read Often blog. 12 October 2013. Read review on Goodreads. She gives the book four stars.

“just_a_girl is being listed as adult fiction, but I do think this would be fine for older YA readers. It deals with gritty, confronting subjects, but it’s never graphic …  just_a_girl examines the life of a young girl, exploring her sexuality, as well as the relationship she has with her parents. It’s a story that’s very relevant right now as more and more children spend time online.”
Mandee, Vegan YA Nerds blog. Read review. 13 August 2013.

“Tadashi brings with him a spectrum of emotions, including snippets of a traditional Japanese childhood, and introduces us to the shadier corners of the internet, that he ventures in to foster his feelings of loneliness and rejection. Reading the chapters from his point of view imparts an instinctively voyeuristic quality, where you are confronted with feeling like a peeping tom, yet my eyes remain glued to the page.”
Cate Leedman’s reader review, UWA blog. Read review. 29 August 2013.

Just_a_girl is an adult novel that looks into the heart of teenage life, its darkness and light, and it’s filled with beautiful language that made me drool a little.”
Ellie Marney, hick chick click blog. Read review (and interview). 13 July 2013.

”… this idea of parents who are more child-like than their children permeates the book – and it’s very crushing and contemporary.”
Simmone Howell, Post Teen Trauma blog. Read review. 10 July 2013.

“When she speaks about just_a_girl, you can see Kirsten’s care for each of her characters, and her particular pride in their distinct voices: Layla’s choppy speech, punctuated by tangents and expletives (fuckadoodle!), Margot’s long flowing prose, and Tadashi’s more simple and poetic style.”
Nuala Kane’s wonderful rendition of my first reading and Q+A in Melbourne at Colour Box Studio. 6 July 2013.

“[Layla’s] voice was authentic and likeable, vulnerable but tough in exactly the right ratio, and ultimately this book was un-put-downable.”
The Incredible and Rambling Elimy blog gives the book four and a half stars. Read review. 6 July 2013.

“Kirsten Krauth’s ‘just_a_girl’ is a tense, edgy and compelling insight into adolescence which I read in a single sitting.”
Annabel Smith, Goodreads. Read review. 3 July 2013.

“When it comes to voice, Krauth is in her element. Online and offline, every word of dialogue hits its mark.”
Michelle McLaren, The Newtown Review of Books, Read review. 2 July 2013.

“An honest, gritty and thought provoking story about sex, power, loneliness and the desire to connect meaningfully with another soul.”
Shelleyrae at Book’d Out blog gives the book four stars. Read review. 27 June 2013.

MEDIA, INTERVIEWS + PROFILES, GUEST BLOGS, AUTHOR EVENTS

just_a_girl hits number 4 on Gleebooks’ bestseller list. August 2013.

just_a_girl hits bestsellers list at Gleebooks

just_a_girl hits bestsellers list at Gleebooks

Dream Big … Read Often: an interview with Melissa Wray at her blog, 13 October 2013.

Event: I did a reading from just_a_girl at Debut Mondays, Wheeler Centre, Melbourne, with Fiona McFarlane. 23 September 2013.

Event: Can self promotion be a creative act? I did a talk at Open Access seminar: Selling Your Book in the Digital Age, NSW Writers’ Centre, Sydney, 21 September 2013.

just_a_girl SMH column

just_a_girl (and Friday Night Fictions) promoted in Susan Wyndham’s column in Sydney Morning Herald, 11 October 2013.

Disconnected in a connected world: what are teenagers doing online?, researching teenage
 girls in the digital age for just_a_girl, Wheeler Centre blog, 22 July 2013.

Lolita with a webcam: profile on Castlemaine’s local paper, Midland Express. 9 July 2013.

Profile in Midland Express

Profile in Midland Express

Radio interview with Jan Goldsmith, Published or Not, 3CR. Listen to podcast. 4 July 2013.

Radio interview with Alicia Sometimes, Aural Text, 3RRR. Listen to podcast. 3 July 2013.

Ten (not so) easy steps to writing a novel: guest post at Walter Mason’s blog, 29 June 2013.

Writing a first novel: guest post at Shelleyrae’s Book’d Out blog, 27 June 2013.

Appearance at a pop-up bookstore: Q+A with Colourbox Studio in Footscray, 25 June 2013.

The launch of Kirsten Krauth’s new novel: Walter Mason covers the Sydney launch, 21 June 2013.

Haruki Murakami’s Wind Up Bird Chronicle and its influence: guest post at Friday Faves, Annabel Smith’s wonderful blog, 7 June 2013.

Voice, reviews and choosing a publisher: Q+A with Allison Tait, Life in a Pink Fibro blog, 6 June 2013.

just_a_girl is born: My lovely agent, Virginia Lloyd, live from New York, on how she’s helped me through the first time, 6 June 2013.

The lure of introversion: QUIET by Susan Cain

Quiet_Power_of_introverts_Susan_CainI’m having a pyjama day today. I’ve had a couple lately. Every now and then the world gets too busy, I get run-down and I jump into bed (I try not to take my laptop – too often). The kids are at child care so I can luxuriate in nothingness. Sleep. Read. Try not to think too much. Recuperate. When I was a teenager I used to need pyjama days a lot. Each year in high school, I’d take one day, and it would turn into a week. I would lie on the couch and watch morning TV, then the soap operas, then vegetate. I’ve always loved my mum for understanding that I needed to do this. As a kid I put a lot of pressure on myself. I didn’t need parental expectations, I had enough of my own. I was a hard worker, a passionate student and wanted to excel. This downtime kept me going. There’s a reason people call them ‘mental health days’. But I wonder, does everyone need them?

I’ve recently read a book that has changed my perspective on the world, and given me real insight into the way I approach things. Susan Cain’s QUIET: The Power of Introverts in a World That Can’t Stop Talking (she also does a great session on TED). It’s become my Bible that I want to carry around and refer to all the time. It’s certainly explained a lot of my behaviour for the past 41 years. Cain focuses on introversion not as a form of shyness, but how we respond to external stimulation. Most introverts prefer, and get off on, quiet environments. They prefer one-on-one conversations over group activities, usually D&Ms (deep & meaningfuls), not social chitchat. They enjoy time alone. They like working in spaces where they have their own office (and can shut the door), where they can focus right in, without distractions. All of this is so familiar to me.

But problems can arise because these days there is great pressure to be an extrovert (especially when you’re a writer, an often introverted profession), to be a great public speaker, to work the room at events. While I don’t think Australia is quite at the level of the US (where it’s almost seen as a stigma to be introverted), many grow up thinking that to be successful they need to be a ‘people person’. It makes me laugh thinking back to my first job interviews as a teenager, as I always said this about myself knowing it to be key, but even then I felt like it was a deceit.

Susan Cain talks about the power of introspection at TED

Susan Cain talks at TED

As I grew older, I put more pressure on myself to take on roles that involved a public life (information officer, marketing) but in the end it was exhausting. What I really wanted was to be an editor or writer, to work on projects, to be thorough and demanding and immersed. And as a freelancer working from home, I’ve created that space. The digital world has opened that up to me.

When I worked in the public service, offices were being removed, everyone was going open plan, all staff were being trained to be trainers, brainstorming was the ‘in’ thing, the constant noise was deafening, and no-one ever got any work done. Cain systematically goes through many of these ideas (open plan, brainstorming, group activities at school) and argues that often the end result is not the best outcome (either for introverts or extroverts).

There is also a great deal of pressure on parents to have social children who fit in easily and make lots of friends. Even at kinder level, my son is doing talks to the group. Many parents enrol their kids in whirlwinds of extra activities after school like dancing, soccer and music. But what about the child who would rather stay at home and lie on the couch, reading? In the school holidays I used to take a stack of books, wherever I was, and find a comfy corner. We’re going to the beach! Swimming! The sun’s shining outside! It was very hard to drag me out…But I was passionate about words. And I was completely, blissfully, happy exploring those worlds. And still am.

Now, somehow my introverted husband and I have managed to raise two extroverted kids (there’s another story in itself – it really helps at parties when your son know all the kids’ and parent’s names) but the important main point of QUIET is that introverts should be left alone (in many senses), not forced to change, and can even teach others in their own ways. Without introverts, we’d be missing out on many writers, artists, researchers and scientists who step back and look at the world from a different angle.

Social media is an interesting space because it is an easy way for introverts to become extroverts. It’s much easier to approach others, to comment, to be part of the conversation, to self-promote. But it can be too easy too. When I opened my Twitter yesterday I saw a tweet that I don’t remember sending. I thought I had been hacked! Kirsten Krauth read a book by Kirsten Krauth. It had gone out to everyone! It really brings solipsism to a whole new level, doesn’t it? But what had happened was that I had marked my own novel  in Goodreads (ie I had ‘read’ it) and Goodreads sent that tweet off via Twitter without me realising. The ludicrous nature of that tweet really brought it home. As Cain points out, there is a point when I need to stop talking. And I’ll be ironic and use my blog to say that.

It’s time to get back down under the doona and start on the pile of novels I’ve got beside the bed.

WHAT ABOUT YOU? ARE YOU AN EXTROVERT OR INTROVERT? DO YOU NEED DOWNTIME? HOW DO YOU MANAGE IT ALL?

Post Navigation

The menopause histamine connection

Explaining the link between itching, hot flashes, hormones, and menopause.

Dan Slee

Social media, PR and digital communications in the public sector from the co-founder of comms2point0

E.R.Murray

Writer, reader, lover of adventures and all things outdoors.

Kate Richards (Australia)

Writer, reader, wilderness lover, MD.

Jono Lineen

writing, walking, talking

Giraffe Days

Book Reviews and Book-Related Ramblings

this is... The Neighborhood

the Story within the Story

book'd out

Book Reviews and News

looking up/looking down

an occasional blog about writing, reading and watching the world

Southerly

The best in new Australian writing

%d bloggers like this: