wild colonial girl

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Archive for the tag “first novels”

Debut author profile: Nina Smith

Nina Smith, author of Hailstone

Nina Smith, author of Hailstone

Each month I hope to profile a debut author or short story writer who has featured in Friday Night Fictions. This month, it’s Nina Smith, a WA writer who appeared in the August edition.

Her novel, Hailstone, is an action-packed romp with a gun-totin’, pill-poppin’, alcoholic, ex-evangelical lesbian on the loose. I spoke to her about religious cults, creating her novel in CreateSpace and gothic bellydancing (I dare you to try it).

Do you remember the moment when you decided you wanted to be a writer?

To be honest I don’t think it was ever something I decided; it simply was the only thing I ever wanted to do with my life. I was writing stories in early primary school, and my first novel at the age of 14. That, as I recall, was the most awful romance featuring guys on horses, and the heroine doing a lot of swooning, yelling and panicking. I’ve still got it scrawled in pencil in a notebook hidden away somewhere! At 15, my English teacher suggested I study creative writing at university, which was exactly what I ended up doing.

 What inspired you?

I draw inspiration from things that transcend words, like music. Sometimes I get novel ideas in dreams. Sometimes it’s from observing everyday life and the way people interact with each other. To me, stories are whole concepts as much as they are a series of events. Sometimes I will find a whole novel in a stark landscape, or a feeling in a song.

My book and yours share some common themes: religion and betrayal. Why were you drawn to investigating the dark side of church life and a preacher on the edge?

A lot of Hailstone was inspired by churches I came into contact with in my teenage years. Those teenage years were a stormy time, when I put a lot into religion, only to find there were aspects of it that absolutely alienated me. Since then I have had an enduring fascination with cults and the way some religions try to control people — not to mention the ways people rebel. Religion in general is a huge influence on the state of affairs in the world today, and we see it making people do crazy things. I wanted to explore those issues of control, of rebellion and most of all of fanaticism.

Hailstone is written in rapid fire, short sentences. Are you attracted to the crime genre?

To be honest, I haven’t read a lot of crime. My first love is fantasy, but every now and again I need to leave fantasy alone and write something completely and totally grounded in the real world, that’s all action and fast-paced. I love to read thrillers, and when writing them, I like to keep everything as tight and grounded as possible. I think however my day job as a journalist influences me here, as that has trained me to write in a way that wastes no words.

The title is an evocative one. Why did you choose it?

Funnily enough, the title came before the book. It occurred to me while driving one day that Hailstone would be an awesome name for a city, and that was where the story started. I like the name because hailstones, while not a natural disaster, are a force of nature that are incredibly destructive but also quite common. They suggest parts of life that are destructive but so ordinary people simply don’t pay any attention to them.

I was really drawn to both the cover and synopsis of your book. How did they both develop?

HailstoneThe synopsis was a result of days of writing, re-writing, occasional temper tantrums and then more re-writing. I find it so much easier to write a whole novel than a few paragraphs about it! In the end,  once I had distilled the most basic elements of the story — the gun, the church, the father — I was happy with it.

The cover was really interesting to put together. The model is a rather gorgeous woman I know who agreed to dress up and wander around our closest city with me one Sunday afternoon being photographed. That image is one of the last we took, and it was so perfect; the expression on her face, the way she held her keys, everything about her fit the character of Mags McAllister perfectly. I wanted to add something to it, though, so I went to the local wreckers and took photos of smashed windscreens. One of these images I overlaid, then put through filters until I had what I wanted: the feeling that I was looking through a smashed windscreen, watching the person who had smashed it storm away. To me it conveys the desolation, the anger and the brokenness of a woman who is trapped in an abusive cycle.

Your protagonist is a pistol wielding, valium-popping, alcoholic, ex-Christian lesbian. How did you uncover her? Did you do any research:-)

Ha! I might have ‘researched’ some things, but not others, in my miss-spent youth. I chose aspects for the character that were diametrically opposed to the environment she was in. I have to say, though, I’ve previously observed the children of authoritarian figures sometimes take such paths.

What were your favourite books to read as a child?

Everything I could get my hands on. I particularly loved the Obernewtyn Chronicles by Isobelle Carmody and the Vicky Bliss series by Elizabeth Peters.

You used CreateSpace to publish your first book? What was the process and would you recommend it to other authors? 

CreateSpace was a brilliant experience. The program takes you step by step through uploading your text and your graphics and making sure everything is formatted correctly before you order a proof copy. (I picked up a lot of things in that proof copy that I missed on the screen.) You can price your book yourself, order as many or as few copies as you need and it is listed on Amazon.

I highly recommend CreateSpace if you want to get your book out there, so long as you are:  a) able to pay for an editor and cover designer; or b) have the skills to do those things properly yourself.

The end product is beautiful and professional, and having control over every step of the process is a fantastic thing. The one thing you have to be aware of is that once you have your published product, it’s up to you to market it, which is a whole other journey to set out on.

You live in WA. What is it like to be a writer there? Is there a writer community where you are?

Western Australia is a very isolated part of the world. I think it is because of that, that communities of like-minded people tend to be very close and supportive. There are some amazing writers out here, and a great network of people, organisations and festivals.

What is the most important thing you’ve learned in the process of writing your first novel, that you wish you knew at the beginning?

Apparently its not a convention any more to put three spaces after every fullstop. That’s made editing some of my earlier efforts an exhausting process!

You describe yourself as a gothic bellydancer. Tell us a bit more…

Gothic bellydance is a branch of the amazing and diverse art of bellydance that explores the darker sides of life, human nature and music through bellydance. It is a beautiful practice where the costumes are mostly black, a little bit red (no hot pink!); the music is often industrial or dark — Rammstein, Tool and Nine Inch Nails are popular choices, along with bands like Maduro and Solace. It is a theatrical form where you can explore characters such as goddesses or demons, dance out your emotions or create a piece that is intense, confronting or dangerous. I love this form as it allows me to tell stories with my body and my dance in the same way I tell stories with my words.

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Friday Night Fictions: for debut authors

Taylor Kitsch, Tim Riggins, Friday Night Lights

Taylor Kitsch, Tim Riggins, Friday Night Lights

When you are releasing a first novel, the most unexpected things can happen. One is that you attract guardian angels — fellow readers and writers who decide to champion your work (even complete strangers).  This is especially important for debut novelists. If a writer with a following retweets you, invites you to guest blog or writes a review, it makes an enormous amount of difference to how your work is perceived, and whether it gets any attention. Two champions for me have been the authors and social media experts  Walter Mason and Angela Savage. Both have done everything in their power to help promote my book (without me even asking). I had never met Walter before the Sydney launch, and only recently met Angela for the first time in Melbourne (after conversing via blogs).

It started me thinking. What I am hearing via FB and blogs is that many debut authors are releasing books or stories into the current climate and the reaction is … NOTHING. Can you imagine spending many years on a project (12 years in my case) to get absolutely no reaction in the media? It can be heartbreaking. Especially as the books are often well-reviewed (if they finally do get reviews). On Twitter it can be like millions of writers all with their own little megaphone, and you can’t hear a thing.

So, I thought I’d take a hint from Walter and Angela, and start a new item on my blog called Friday Night Fictions, with the sole purpose of promoting debut authors’ fiction. I’m also keen on digital fiction, short stories, and Flash or micro-fiction. If you can link to it, even better. The idea is to start a club that promotes first-timers, and we can check out and comment on each other’s work too…

I also realise how important bloggers and reviewers have become in promoting first time writers’ work. If you review any of the works featured, or interview any writers, in Friday Night Fictions, I will link your reviews in the following edition so there is a developing dialogue around each writer’s work…Email me and let me know.

The scope of the internet means first-time works don’t have to come and go without a trace. Unlike printed book publishing, there is time online — to reflect, to debate. Works can stay current and relevant for as long as readers want to look at them, with ebooks available…that’s why I encourage writers who have published in 2013 and 2014 to contact me.

The title comes because I’ve become addicted to the TV show Friday Night Lights. I started watching it on Friday nights. I know, I always come to things a bit late. I’d get the kids to bed early, wrap myself in a doona, hold my husband’s hand and settle in for some good drama and great southern American hairstyles. Then it eked out to Thursdays, Saturdays, Sundays. Then series one ended and now I’m wringing my hands each night as I wait for the next series to arrive in the post on DVD. Sometimes it’s good to wait for good things. You know, like we used to. I originally discovered the series when a friend sent me this article written by Lorrie Moore (you now need to subscribe to get it, but it’s worth it).

Back to Friday Night Fictions. If you would like to be included, I have a series of conditions.

1.If you submit work, you need to subscribe to my blog at Wild Colonial Girl (http://www.wildcolonialgirl.com).

2. You promise that when your work is published on the blog, you will help promote Friday Night Fictions on social media and to your mates. You also promise to read at least one OTHER writer’s work featured, and comment on it.

3. All work needs to be fiction and published in 2013 and 2014.

4. All books need to be debut novels (any genre, from anywhere on the planet). E-books and self-published books are fine.

5. Short stories and Flash/micro-fiction OK, as long as you can link to it.

6. You can only enter a particular work once.

7. Please email submissions to info(at)frecklefeatures(com)au with FRIDAY NIGHT FICTIONS in the subject line.

8. Email submissions need to include: Author’s name and title made clear, and up to 150 words on the work (I will not be editing down so if you include more words than this, it won’t go in); a small image, preferably of the cover, where applicable; a link to where readers can buy or access the work; a link to an extract already available online so readers can get a sense of the style, if possible. Please note: emails must come from authors. No publishers or publicists/agents please.

9. Friday Night Fictions will go up on the last Friday night – every three months. The next issue is May 2014…

10. Reviewers can only send links to reviews of works featured in Friday Night Fictions. These will be updated for the following edition, so featured writers can see responses…

11. Each month I will choose a writer/work from the submissions whose work EXCITES me – to feature for the following edition.

Please pass on to anyone who has had a debut novel published this year, or any emerging writers in fiction. I look forward to your comments and hope we can build a global community of first-timers in fiction…

The Next Big Thing: Kirsten Krauth, just_a_girl

just_a_girlI’ve been tagged by great ‘suburban noir’ writer Wendy James (see my interview from the Writing Mothers series) in ‘The Next Big Thing’ blog meme, which is winding its way through literary blogs, to let us know about new books being released in 2013 and beyond by wonderful Australian and international writers. 

It seems a bit weird to claim yourself this way but I guess My Next Big Thing is also My First Big Thing (when it comes to a novel) so I’m excited to talk about it here.

What is the working title of your current/next book?

My first novel is called just_a_girl. It will be released in June 2013.

Where did the idea come from?

I used to spend a long commute from Springwood in the Blue Mountains to my public service job in Sydney. On the train I’d hear teenage girls talking about their lives. I began to wonder what it would be like to be 14 these days, with access to technology (the wonders and dangers) and strangers in your bedroom, and wanted to explore the idea of being disconnected in a ‘connected’ world.

I also heard a story from a close relative who was a primary school teacher. She talked of a girl in Grade 5 who went to a school camp and exposed herself in the showers to a male teacher. This had real resonance for me. I wondered and worried about this girl: where had she come from and where was she heading? Layla grew out of that story.

What genre does your book fall under?

It’s contemporary literary fiction — told from the perspectives of three characters: a teenage girl (Layla), her single mother (Margot), and a Japanese man (Tadashi), who makes a cameo role, searching for lasting friendship.

Actress Rachel Griffiths

Actress Rachel Griffiths

What actors would you choose to play the part of your characters in a movie rendition?

Rachel Griffiths can turn her talent to anything and she’d manage Margot, a woman who is numbed by her past, searching for meaning in her life after her husband leaves and finding it (or so she thinks) in the work of the Lord. Ashleigh Cummings was impressive in her role for Puberty Blues and she’d make a great Layla with her cheeky spirit. Takeshi Kaneshiro starred in one of my favourite films, Chungking Express, and has the composure and allure required for Tadashi.

What is the one-sentence synopsis of your book?

Layla is only 14 but already has the world at her fingertips: she cruises online, catches trains to meet strangers, and her mother, Margot, never suspects,  not even when Layla brings a man into their home.

Will your book be self-published or represented by an agency?

just_a_girl will be released by UWA Publishing in June 2013.

How long did it take you to write the first draft?

The first draft took about three years (part time) as a research masters in creative writing at the University of Sydney. It’s had many, many drafts since then (and doubled in length), and been worked out around having two babies (all up about seven years!) and I’m still doing finishing touches.

What other books would you compare this story to within your genre?

It’s inspired by books with a strong and compelling younger voice like Marguerite Duras’ The LoverPuberty Blues and Emma Donoghue’s Room. I also like the quirky, strange nature of Haruki Murakami’s writing and this is a big influence.

Who or what inspired you to write this book?

I was actually having a tough time in my life in my early 30s and needed to make a drastic shift. I decided to take a break from full-time work and go to university to see if I could write fiction (my real love and a dream of mine). It was a real process of renewal and realising that writing was something I really had no choice in: I had to do it. I needed to set myself on a new path. Or find some sort of balance. I hadn’t really written much fiction before (a few short stories at uni) but my supervisor Sue Woolfe was enormously supportive and encouraging (and David Brooks too), and convinced me I could get my writing published. I had faith in what she was saying. And began to see this character, Layla, take shape. So, taking the punt set me in motion for a career in writing and editing.

What else about the book might pique the reader’s interest?

Drugs. Soft porn. The Lord. It’s Lolita with a webcam. And there’s a body in a suitcase.

Next up, I’ve tagged the following writers to give us the lowdown on their Next Big Thing and their posts will appear on their respective blogs in a week’s time (ish). They are all wonderful writers, and their novels and blogs are worth looking into or noting for a future date!

  • Anna Hedigan: The Moral High Ground blog and two novels in progress
  • Angela Meyer: LiteraryMinded blog and a novel in progress
  • Adrian Deans: novels include Mr Cleansheets and THEM and no doubt there’s a novel in progress
  • Samantha Bowers: Deliciously Fictitious blog and a first novel in progress

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