wild colonial girl

A freelancer moves to Castlemaine

Archive for the tag “holiday in cambodia”

Friday Night Fictions: author profile Laura Jean Mackay

Friday Night Fictions debut author: Laura Jean McKay

Friday Night Fictions debut author: Laura Jean McKay

I first came across Laura Jean McKay’s collection of short stories Holiday in Cambodia when I was researching new books set in the region, inspired by Walter Mason’s Destination Cambodia. After a brief trip there in 2005, it’s a country I have remained fascinated with. I wrote voraciously about it at the time (must fossick for that notebook!) and remember, at the end of each day travelling, being exhilarated and exhausted by the conflicting imagery — the gut-wrenching violence of the Killing Fields tour; the joy on the face of a girl as she gave me a tarantula to eat — and the sudden awareness of the richness of my life, in all senses of the word (see Laura’s reflections on this later).

So I was thrilled when Laura sent in her book to be featured in November’s Friday Night Fictions club for debut authors. Her collection is harrowing, gutsy and makes you squirm at times. She takes on a variety of perspectives, all confidently characterised, including the dreams of local Cambodians — a young prostitute; a woman who works in a factory — interspersed with the more familiar terrain (for Australians) of the tourist abroad.

The writing is straight, finely tuned and never sentimental. And while I don’t think shorts exist merely as a lead-in to longer work (see my recent review in The Australian of The Great Unknown and Sleepers Almanac), it’s a sign for me of the writer’s potential if I’m left at the end of a short story desperate to know more.

When I interviewed Laura, I was particularly interested to hear that her dad was a writer — as my father is too. I’ve often wondered whether people can have a ‘writer gene’, where they are born to write, as it often feels like this when I do it. I still think it’s pretty much all about hard work and resilience but, comparing my books with my dad’s, there’s a similar voice that emerges, a style that we seem to share. I also love her comments about shyness and eccentricity (as I’ve unearthed ideas about this on the blog along the way).

And I’m very grateful that she chose to ignore those people who told her not to bother with a short story collection, because ‘people won’t read it’. We need more of them published! You can hear Laura reading one of her short stories ‘The Expatriate’ if you fancy a taste.

Do you remember the moment when you decided you wanted to be a writer?

Laura Jean McKay's debut collection of short stories, Holiday in Cambodia

Laura Jean McKay’s debut collection of short stories, Holiday in Cambodia

I don’t think there was a moment where I thought ‘I will be a writer’ but there was definitely a point when I started writing. My dad, who was a poet, died before I was born. Mum and some of his friends published his poems in a book that was always around the house when I was little. When I was 11 or 12 I found a suitcase of all his drafts — those scraps of paper and notebooks that most writers have. I think seeing that process, a whole suitcase filled with process, and knowing about the final product of the book had a big influence on me. I started writing poetry using sort of the language he used. So there was this kid poetry — often written in texta — with this adult man imagery. It makes for pretty strange and interesting reading. I guess poetry taught me how to look at the world — and then I found prose.

Your book is a collection of short stories set in Cambodia. Did you set about from the start to publish a collection of short stories? Or did you write one story at a time and start to see the connections?

I actually started off writing an historical novel about the 60s surf rock music scene that was rocking Cambodia before the Khmer Rouge. I wrote about ten or twenty thousand words of it and realised I couldn’t fit all I wanted into that structure. I naturally default to writing short stories — I think I always will — and so as well as struggling through the novel I’d been bashing out these stories about modern Cambodia. After a while I realised that I was working on a collection and that this was the only structure that would allow me to say what I wanted to say. The novel is in there though! It’s a story called ‘Breakfast’ and I reckon I wrote a whole novella’s worth to get to the final 5000 words. I don’t know why it was so hard — maybe because it was carrying the weight of the novel or maybe because so much was lost when the Khmer Rouge marched into Phnom Penh in April ’75. It’s not a sad story but I found it incredibly hard to write because I was writing about a lost time, a time not without problems, but when Cambodia was independent and thriving.

A lot of people told me not to write a short story collection, that it wouldn’t be published and that people didn’t read them. I thought, ‘Well, I can either write a novel that I know isn’t going to be what I want it to be, or a short story collection that will.’ My partner says I’m dogged that way …

Why Cambodia? Did it start off as a holiday?

I first went to Cambodia as a volunteer aid worker in 2007. Phnom Penh, and Cambodia, was really doing pretty well by then — a lot of people had adjusted to independence from the UN and there were facilities in place, roads and mobile phone services, cafes etc. Cambodian people were reviving traditions and doing incredible things with education. I got a job working up in the remote north and expats told me stories about how all the aid workers used to meet every Friday night as a rule so that they would know everyone was still alive and not lost or shot somewhere out in the jungle. Still, I was completely bowled over by the levels of poverty, the lack of infrastructure, the corruption and the violence. I saw a man using his chin to cross a busy road in Phnom Penh because that was what he had left to use. I knew that behind the polite and smiling exterior that most tourists experience on a holiday, the levels of domestic violence were (and possibly still are) astronomical. The tourist/expat scene of which I was a part, completely shocked me as well. I was repulsed by the things I said and the assumptions I made and the way I acted. My perception of what ‘rich’ is completely changed as I realised that money in the bank was one thing, living in a country that will care for you if you’re old, young, physically or mentally disabled, a single parent etc, is another. I realised I was billionaire-rich because I was from a location in the world and of a race and had a passport that meant I would probably be looked after. This all makes for a lot to write about …

Why did you choose the Dead Kennedys song as your title (other than that it’s catchy!)?

The title for the book came very late in the piece, after I’d completely rewritten the first draft and I was about to send it out to publishers. I used to hang out in the 90s punk scene in Brisbane, where my contribution was having blue hair and attending a lot of gigs, and I remember hearing ‘Holiday in Cambodia’ on a CD for the first time and thinking that the Dead Kennedys really knew about everything. I think I was singing the song to myself in 2012 when I was taking a break from writing and realised that the lyrics of that song (written in 1980) still applied, that I had experienced a version of what Jello Biafra was describing, and that Holiday in Cambodia was the title for my book. If there is a central question to the collection, I guess it’s: how can you have a holiday in Cambodia? It’s like having a holiday in Rwanda, or Syria.

Recently Jello Biafra’s agent wrote asking for a few copies of the book …

What is it that you love most about writing?

Everything and nothing. I love the first image that I see so clearly it’s as though it has happened, and I know there might be a story there. I love when I’m writing absolute shit and it’s impossible and it’s only the fear and guilt that’s driving me on (fear that I won’t finish it, guilt that I’ve given up everything else to do it) and the shitness builds and builds like a bubble and then pop I’m through it — I know what I’m writing and that it will be okay. I love that every time I write I have to solve a series of problems and if I do that I can handle most things. I love getting something to the point where it’s as good as I’m physically and mentally and emotionally capable of producing and knowing that, with a good editor, I’ll be able to take it even further. I love being inside a story — where I’m not thinking about it but I’m so in it that it takes up my everything, even when I’m not working on it. You know?

How did you go about getting the book published?

It wasn’t as hard people said it would be but it wasn’t as easy as some publishing tales I’ve heard either. I sent it to one publisher before it was ready and that was a mistake. I imagined they would see what I envisioned for it and instead they, understandably, saw what I gave them. I got some truly lovely feedback and only one shitty rejection. Most people wanted to see ‘my novel’. It didn’t take too long before I had a great meeting with Black Inc. who said they liked the work and wanted it. I admired the hell out of their books already so it was exciting but also it felt just right.

I wrote two novel manuscripts in my 20s so I knew how to write longer works but I didn’t know how to take them to the next stage. I thought the process was: write the first draft, ‘edit’ it to make the sentences nicer, proof read, send to your favourite publisher. I didn’t understand how the process of rewriting 50 per cent of the book until it’s almost unrecognisable could bring it to a stage where a publisher could see it as a book. Now I’m writing a novel and I’m working on getting the story out and the characters and voice right without being too particular, knowing that in the next draft I’ll kick its arse.

You set yourself the challenging goal of writing from many character perspectives, both Cambodian and traveller. How did you research the Cambodian characters in particular? And how did you check that the writing seemed true?

I didn’t set out to write from a lot of different perspectives. I think every short story (or every piece of writing) needs to be treated as unique, something with its own needs that might be vastly different from the previous story I wrote. That’s probably where the different perspectives come from. Often I would write a story from one perspective and change it in the next draft. With the story ‘Like no one is watching’, I originally wrote the whole thing from the perspective of a Cambodian woman. It’s about acid throwing in Cambodia, which used to happen quite a bit as a ‘crime of passion’. Someone would get jealous about a real or perceived affair and would buy acid from the market for a few dollars and throw it on the face of their partner or the person they thought their partner was with. Often it doesn’t kill the person but maims them horribly — it’s incredibly painful and damaging. I realised that I needed to tell it from a Western perspective because not only is it an awful situation but it’s so culturally scary. I wanted to juxtapose that with the culturally awful things that Westerners do.

I did a Masters degree researching stories written about Cambodia by Cambodian and non-Cambodian writers. I also used my experiences, showed some stories to friends in Cambodia and generally sought advice. I worked with a great writing group in Phnom Penh who were so encouraging and inspiring. Although I don’t speak Khmer I was really influenced by the stories that I was told or that were published in English — both by contemporary and older Cambodian writers. One of the stories I wrote was published in Nou Hach literary journal in Phnom Penh — that felt really good.

I had a book launch of Holiday in Cambodia in Phnom Penh and Chakriya Phou — a writer whose work I love — launched it. Her take on the stories was so incredible — I learnt things about Cambodia from her speech that I wouldn’t have been able to access if we weren’t in touch through writing. Having said that, the stories are fiction. They’re not true. I would be very surprised if some people didn’t find them inaccurate and sometimes offensive. I don’t think you can escape that as a fiction writer, especially one writing about a different country and culture. I guess that’s another reason I called it Holiday in Cambodia, to make it clear that I am always a tourist in the places I write about.

Do you have a writing community where you live? Do you like the company of other writers when working on drafts, or are you someone who prefers to go it alone?

Janet Frame's short stories were a great influence on Laura Jean McKay's work

Janet Frame’s short stories were a great influence on Laura Jean McKay’s work

My partner, Tom Doig, is also a writer and last year we started our PhDs and moved to Portarlington, a bay-side town on the Bellarine Peninsula. We did that so we could write and to write we needed to be in a place where we knew no one. I have actively resisted making friends here. Before that we were living in a unit in Brunswick overlooking our concrete car space and we were pathologically social. We had spaces in an awesome writers’ studio and met with friends every other day and there were festivals and parties and I said yes to everything. Sometimes I think I was drawn to short stories because I could get one out in a couple of writing sessions and still go to the thing I had on that night. But I also want to write novels and a quiet town with the bay out the window is the company I need at the moment.

Now my writing community is more formal. I see people at writers’ festivals and meet up with a writing group every six weeks or so where we rip each other’s stories to shreds and drink tea. I miss my friends and family, though, and go into the city to hug them when I can.

What is the most important thing you’ve learned in the process of writing your first book, that you wish you knew at the beginning?

Because I’d tested out a lot of my awful behaviour and mistakes on my first manuscripts, I felt that the creation of this one went pretty well, in that I had some terrific readers to go through the first draft and tell me all the things that needed to be done. I knew how much work I’d need to do to make it publishable. I wasn’t under any illusions about some magical muse who would take me away or that I would be discovered. In retrospect, with the first manuscripts, I had some incredible opportunities presented to me that I either didn’t recognise or was too shy to take up. I was so shy. People don’t think so because I like performing and being on stage. I’ve learnt that eccentricity is more productive than shyness so have settled for that.

Which authors have been instrumental to your own reading and writing?

I don’t love all of one author’s work and I think that’s a good thing. It shows that they’ve changed and developed and challenged themselves, trying new things that appeal to different readers. I adore almost every Janet Frame short story I’ve read, for example, but can’t read her novels. Same with Lorrie Moore. Gritty realist literary fiction with a dystopian edge is probably the book shelf I would gravitate towards in the ultimate bookshop!

Arundhati Roy's novel The God of Small Things changed Laura's perception of the novel

Arundhati Roy’s novel The God of Small Things changed Laura’s perception of the novel

When I was younger, poets like William Blake, Sylvia Plath and Leonard Cohen (I didn’t know that Cohen was a singer for a very long time) influenced me. I read Arundhati Roy’s The God of Small Things when I was 20 and it changed my idea of how a novel could be. Janet Frame’s The Lagoon and Other Stories and JD Salinger’s To Esme with Love and Squalor are short story collections that I have read over and over again — they are so perfect and flawed: the best combination. I really love Raymond Carver’s work. I resist reading novels by Russian writers (translated) because I love them too much and I can’t do anything else while I’m reading them – Aleksandr Solzhenitsyn’s One Day in the Life of Ivan Denisovich and Cancer Ward and Leo Tolstoy’s Anna Karenina are my favourites. Knowing writers like Romy Ash and Anna Krien and seeing their work develop and their books come out has been amazing. I saw how hard they worked and how great that work was and thought, shit, I’d better work about three times harder than I do now!

Living out in the country means more time to read and in the last year I have read such brilliant books by Australian authors: Eva Hornung’s Dog Boy, Jessie Cole’s Darkness on the Edge of Town and Peter Goldsworthy’s Wish are three that have recently blown my mind. I’m just starting Charlotte Wood’s Animal People and Alexis Wright’s The Swan Book. This list could change completely tomorrow. This is what has influenced me today.

The wonderful Angela Savage, who writes detective novels set in Bangkok, has written a terrific review of Holiday in Cambodia.

WHAT ABOUT YOU? HAVE YOU READ ANY BOOKS ABOUT CAMBODIA, OR OTHER COUNTRIES IN ASIA? HAVE YOU TRIED TO WRITE ONE?

If you are working on your first novel or short story collection, you can find out more about Friday Night Fictions here or read profiles of other debut authors Tracy Farr, Michael Adams and Nina Smith.

Author Kirsten Krauth aka Wild Colonial Girl is on Facebook. If you could LIKE I would surely LOVE.

Advertisements

Friday Night Fictions: November 2013

Howdy again, and hope you enjoy the final edition of FRIDAY NIGHT FICTIONS for the year*. This NOVEMBER issue, we’ve got high-pumping action, a fair smattering of YA, short stories galore and literary fiction to blow your mind. I love the mix that comes in each month…

I also did a recent debut author profile of Mr September, Michael Adams, about his genre-bending novel, The Last Girl (that slips between YA and lit fiction). Coming up soon is Tracy Farr  (whose Life and Loves of Lena Gaunt featured in the OCTOBER edition).

AND my pick of the month this time is Laura Jean McKay’s Holiday in Cambodia. I’ve heard great things about this debut, and it continues a Cambodia thread that I seem to be following… I look forward to talking to Laura Jean and finding out more about her book.

I’m really excited to hear what all the FRIDAY NIGHT FICTIONS authors have been up to. Many are getting coverage on blogs and in mainstream newspapers. A big thanks to the writers who have started commenting on, and writing about, other writers’ work. I’ll be posting reviews and comments as they come in.

Sharon Kernot has done a wonderful review of Margaret Merrilees’ The First Week (see the Reviews section at the bottom of the OCTOBER edition). Even now, with a few reviews under my belt, I know how exciting it is to see someone engage in a meaningful way with the book (and finding out another writer’s views can be especially stimulating!).

If you’re new to FRIDAY NIGHT FICTIONS, you can find out more here, read the AUGUST, SEPTEMBER and OCTOBER editions + read my author profile of Nina Smith (Hailstone).

If you’re a debut author who’s been published in 2013 (or 2014 as it comes), and would like to contribute, read the guidelines and contact me.

*FNF will take a few months’ break (I’m hoping to spend a bit more time offline) but will be back at the end of February. Have a great Christmas and New Year, relax, read, and write (if that’s what you’re planning)…

SCOTT BAKER, The Rule of Knowledge

Scott Baker, The Rule O fKnowledge Faith, history, science and love collide in this fast-paced action adventure. High school teacher Shaun Strickland is shocked when he receives a last-minute invitation from Cambridge University to deliver a paper on the relationship between space and time, something he has been studying for years. It’s the break he’s been longing for.

But as he speeds through the cold Carolina night, his car slams hard into something surging from the bushes; an old and tattered hobo, carrying an ancient package whose mystery is irresistible. But there is something else, a book, sealed airtight for millennia, written in modern English, and predicting the exact moment it will be found.

Relentlessly pursued, Shaun must immerse himself in an ancient world to uncover something bigger than he could have possibly imagined.

What he finds is that much more than his own fate is at stake…

‘Indiana Jones’ meets ‘Back to the Future.’

In stores now. Buy the book online.

KASPER BEAUMONT, Elven Jewel

Kasper Beaumont, Elven JewelThis sword and sorcery fantasy begins when the magical continent of Reloria is threatened by cruel, scaly invaders called Vergai from the wastelands of Vergash. These invaders are barbaric and are intent on destroying the protective elven forcefield and conquering peaceful Reloria.

Halfling friends Randir and Fendi and their bond-fairies are the first to discover the invaders and they embark on a quest to save the threatened Elven Jewel.

They leave their peaceful farm village with their fairies and race against time to stop the invaders. They join forces with dwarves, elves, men and a mysterious dragon, and call themselves the Hunters of Reloria.

The quest is perilous, with numerous encounters with the ruthless Vergai. The Elven Jewel is stolen and the quest becomes a race to the portal to retrieve the jewel before it can be taken to Vergash.

Online extract and YouTube clip.

Buy the book at Smashwords, Amazon.com and Writersweb.com.au.

FELICITY CASTAGNA, The Incredible Here and Now

Felicity Castagna, The Incredible Here And NowSomething terrible happens the summer Michael turns 15.

But The Incredible Here and Now is not about tragedy. It is about his place, the West, where ‘those who don’t know any better drive through the neighbourhood and lock their car doors’.

But Michael knows it intimately and lets the reader in: to the unsettled life of his family, the friends who gather in the McDonald’s car park at night, the one girl who will acknowledge he’s alive, the white Pontiac Trans Am that lights up his life like an omen.

It is here that he finds an escape from his mother’s growing silence and the absence of his brother Dom, who could charm the whole world with his energy and daring.

Michael’s stories are about love and joy and wonder, felt in the company of friends, and in the place he lives in.

Read an extract from the text.

Buy the book.

Meet Felicity at her website and on Twitter.

ELIZA CREWE, Cracked

Eliza Crewe, CrackedAt 17, Meda Melange is already an experienced serial killer. It’s not her fault, she doesn’t do it because she likes it (though she does). Meda eats souls, and there’s really only one place to get them — and it’s not the Piggly Wiggly. Then Meda learns she’s not the only soul-eater, she’s part demon, and the other demons are out to get her.

Fortunately, Meda finds the perfect place to hide — in a school for demon-hunters. The modern Knights Templar are dedicated to fighting demons and protecting Beacons, people marked by God as good for mankind. Because the demons are determined to kill her, the Templars are convinced Meda is a Beacon trying to fulfill her destiny.

Meda’s goals are far less saintly. She just wants to find out why the demons are out to get her and, well, that’s easier to do with back-up — even if her back-up would kill her if they knew the truth.

Meet Eliza at her Website + Twitter.

Buy the book:
Worldwide (except India): The Robot Reader (E-book).
AU: Booktopia + Readings.
UK: Amazon + Book Depository  + Waterstones.
US: Amazon  + Barnes and Noble + Indiebound + Powell’s.
Canada: Amazon + Chapters + Kobo.

LESLEY DIMMOCK, Out of Time

Lesley Dimmock, Out Of TimeLife is about to get really complicated for Lindsay ap Rhys ap Gruffud as Queen Elizabeth the First lands in her garden.

Not only does Lindsay have to try and find a way to get Elizabeth back to her own time …

… but she also needs to avoid the thing she dreads most — falling in love — as Lindsay’s best mate, Meg, enlists librarian, Kate Spencer on the quest to send Elizabeth home before a sixteenth century plot to seize the throne can succeed.

Time is running out … for Elizabeth I and Lindsay ap Rhys ap Gruffud

Read an excerpt.

Buy the ebook at Amazon,  iTunes and Lulu.

Meet Lesley on Facebook  and Twitter, and at her blog.

NICOLE HAYES, The Whole of My World

Nicole Hayes, The Whole Of My WorldDesperate to escape her grieving father and harbouring her own terrible secret, Shelley disappears into the intoxicating world of Aussie Rules football. Joining a motley crew of footy tragics — and, best of all, making friends with one of the star players — Shelley finds somewhere to belong. Finally she’s winning.

So why don’t her friends get it? Josh, who she’s known all her life, but who she can barely look at anymore because of the memories of that fateful day. Tara, whose cold silences Shelley can’t understand. Everyone thinks there’s something more going on between Shelley and Mick. But there isn’t — is there?

When the whole of your world is football, sometimes life gets lost between goals.

“A poignant coming-of-age tale with a fresh, original angle. No matter what your feelings are about AFL, this novel is bound to have you cheering by the end.” – Junior Books + Publisher

Buy the book at bookshops, at Random House, Booktopia and Bookworld, as an e-book at all the major outlets in Australia, and in the USA and the UK, where you can also buy the paperback.

Read the first chapter here. Find Teachers’ Notes at the Random House Website and an interview at Hypable.

Like The Whole of My World on Facebook and visit Nicole’s website for more information. Or follow her on Twitter @nichmelbourne.

AMANDA HICKIE, AfterZoe

Amanda Hickie, AfterZoeZoe’s not completely happy with the way her life has turned out but she’s even less impressed with her death.

She is blindsided by an afterlife of perpetual contentment arranged by paternalistic angels. Most of heaven’s population enjoy their eternity with the aid of an elixir which ensures they forget their loved ones, but Zoe doesn’t want to forget.

She joins an underground resistance group and starts to explore the might-have-beens with an old lover.

Zoe’s insistence on her right to absolute memory becomes more complex when her husband shows up.

This alternative heaven explores the nature of relationships, the possibility of identity without memory and what it would take to be happy for eternity.

The book is available in paperback and on Kindle, Smashwords, Kobo, iBooks and others.

Find out more and read an extract here.

JANIS HILL, Bonnie’s Story: A Blonde’s Guide to Mathematics

Bonnies StoryA Young Adult/New Adult chick lit tale told by Bonnie, a smart self-imposed blonde hairdresser with an attitude and cynical outlook on the life of science she grew up in.

The first time I met Rogan, he was wandering down my street taking pictures of the street signs with his phone.

His name wasn’t really Rogan, it was Josh, but due to the crowd he hung around with and the quirky sense of humour science geek types have, he’d become Rogan Josh. Rogan for short.

Still, this wasn’t something I learned until a lot later.

Since meeting him, I’ve not just learnt this little soliloquy; I’ve visited the Moon, watched life begin, and discovered the true depth of mathematics. I can tell you now; maths really isn’t as boring as you’d have thought.

Click here to read the full sample and for details on how to purchase the book.

HEATHER KINNANE, A Faery Dream

Heather Kinnane, A Faery DreamEver had a dream you wished would come true?

Melissa is blessed, or cursed as she most often feels is the case, with the ability to dream true; an ability she knows was passed down from the mother she never met.

Now in her 30s, and plodding along in her failing relationship with Tom, Melissa is having dreams she wishes were prophetic.

Tall, strong and sexy Kellen lives in the forest, clad usually in nothing but a loin cloth. Though he makes her heart flutter, and is the man of her dreams in more ways than one, Melissa knows this dream is too far from reality to ever come true.

So when Kellen does turn up in Melissa’s life, with secrets from her past and plans for her future, can Melissa trust that this dream isn’t too good to be true?

Buy the book.

Read an excerpt.

KIRSTEN KRAUTH, just_a_girl

Kirsten Krauth, just_a_girlLayla is only 14. She cruises online. She catches trains to meet strangers. Her mother, Margot, never suspects. Even when Layla brings a man into their home.

Margot’s caught in her own web: an evangelical church and a charismatic pastor. Meanwhile, downtown, a man opens a suitcase and tenderly places his young lover inside.

just_a_girl tears into the fabric of contemporary culture, a Puberty Blues for the digital age, a Lolita with a webcam, it’s what happens when young girls are forced to grow up too fast. Or never get the chance to grow up at all.

““Krauth’s debut is alive with ideas about isolation and connection in the digital age, particularly the way the internet raises the stakes of teenage rebellion.” – Jo Case, The Australian

“It’s about porn/love, isolation/connection, sexualisation/justification, misogyny/mentality, Facebook and the face-to-face. It’s about our world, right now, and it’s a little bit brilliant.” – Danielle Binks, ALPHA READER.

Read an extractBook Club Notes are available.

Buy the printed version at ReadingsBooktopia or Amazon. The ebook is available at Amazon.com.au and iBooks.

International readers please contact me direct…

See reviews of just_a_girl here.

Contact Kirsten at Goodreads, her blog (Wild Colonial Girl), Facebook and Twitter. You can see her read from her work at the Sydney book launch, along with Emily Maguire (who introduced it).

LAURA JEAN McKAY, Holiday in Cambodia

Laura Jean McKay, Holiday In CambodiaBeyond the killing fields and the temples of Angkor is Cambodia: a country with a genocidal past and a wide, open smile. A frontier land where anything is possible — at least for the tourists.

In Holiday in Cambodia Laura Jean McKay explores the electric zone where local and foreign lives meet. There are tender, funny moments of tentative understanding, as well as devastating re-imaginings of a troubled history.

Three backpackers board a train, ignoring the danger signs — and find themselves in the hands of the Khmer Rouge.

Elderly sisters are visited by their vampire niece from Australia and set out to cure her.

A singer creates a sensation in swinging 1969, on the eve of an American bombing campaign.

These are bold and haunting stories by a remarkable new talent.

“Polished, Hemingwayesque snapshots, vivid and atmospheric” – Steven Carroll

“Subtly encompassing — these unostentatiously wrought stories look at the residual effects on their characters of the low, persistent fallout of catastrophe.” – James Tierney, The Australian

Buy the book.

Read an extract.

Read reviews in The AustralianCrikey and Artshub.

GERALDINE MEADE, Flick

Geraldine Meade, FlickFelicity Costello, aka Flick, is like any other 16-year-old — except for one difference. A difference she doesn’t want anyone to know about. A difference she hardly admits to herself.

Flick tells the story of a girl struggling with the secret of her sexuality and who goes to great lengths to hide the fact that she’s a lesbian.

In her efforts to conform to what she and her peers think is ‘normal’ Flick’s life spirals out of control until she sees no escape.

Will Flick succumb to the darkness? Or will she find the courage to realise that you can’t help who you fall in love with?

“Flick is the sort of book I wish I could have read in my teens. It never talks down to the reader but still manages to shine a light on some of the darkest and most confusing moments of becoming an adult.” – Graham Norton

Shortlisted for The Reading Association of Ireland’s Children’s Book Awards 2013.

Read an extract of Flick.

Order Flick here.

Buy e-book or paperback here too!

Follow Ger on Twitter or on Facebook.

Meet Ger at her website.

SKYE MELKI-WEGNER, Chasing the Valley

Chasing The ValleyEscape is impossible. Escape is their only hope.

Danika is used to struggling for survival. But when the tyrannous king launches an attack to punish her city — echoing the alchemy bombs that killed Danika’s family — she risks her life in a daring escape over the city’s walls.

Danika joins a crew of desperate refugees who seek Magnetic Valley, a legendary safe haven. But when she accidentally destroys a palace biplane, suddenly Danika Glynn becomes the most wanted fugitive in Taladia.

Pursued by the king’s vicious hunters and betrayed by false allies, Danika also grapples with her burgeoning magical abilities. And when she meets the mysterious Lukas, she must balance her feelings against her crew’s safety.

Chasing the Valley is the first book in an epic trilogy of magic, treachery and survival.

Buy the book at Random House.

Read an extract.

Watch the book trailer.

Get in touch with Skye at her website, Twitter and Facebook.

ANGELA MEYER (editor) AND WRITERS, The Great Unknown

The Great UnknownThe imaginative stories in The Great Unknown take inspiration from vintage American TV programs such as The Twilight Zone and The Outer Limits — and their contemporaries and successors — paying tribute to the cultural influence these shows have had on lives ‘down under’.

Episodes of these programs were often metaphors for equality, justice, the nuclear threat and other issues, while being memorably spooky and fun.

Editor Angela Meyer wanted to see what themes might seep into the writing of contemporary Australian writers working with the spooky, the strange, the eerie, the fantastic, the speculative, the macabre and the absurd.

Authors include Paddy O’Reilly, Ali Alizadeh, Chris Flynn, Carmel Bird, Ryan O’Neill, Marion Halligan, Krissy Kneen, AS Patric, Damon Young, Chris Somerville, PM Newton, Deborah Biancotti and Kathy Charles, and the winner of the Carmel Bird Short Fiction Award, Alex Cothren (with his first ever published story).

Find out more about the book at Goodreads and Facebook.

Available in December (and on pre-order) from Readings, Booktopia and Fishpond.

FELICITY VOLK, Lightning

Felicity Volk, LightningAmid the chaos of sweeping bushfires, Persia gives birth alone at home with tragic consequences. Traumatised and grieving, she travels north, and encounters Ahmed, a refugee fleeing deportation and his past in Pakistan.

So begins a road trip to the dead heart of Australia, a journey that transcends the limits of ordinary experience. In Persia and Ahmed’s world, ancient winds wreak havoc across generations, lightning ignites flames that both destroy and rejuvenate, and water drowns then delivers. Hearts break, days are leavened with loss, laughter kills and cinnamon preserves.

Lightning is an odyssey across continents and centuries that explores identity and connection, and our yearning to reveal ourselves even when cloaked in crippling grief.

A moving meditation on finding hope in the rubble of our lives, Lightning celebrates the way our stories and their telling keep us alive when all else is pulling us under.

Lightning can be found at most book retailers including Pan Macmillan, Booktopia, Bookworld and Amazon.

Read an extract.

Meet Felicity at her website and Facebook.

For reviews of Lightning see her website and, specifically, in The Weekend Australian. Read the story behind Lightning.

Post Navigation

The menopause histamine connection

Explaining the link between itching, hot flashes, hormones, and menopause.

Dan Slee

Social media, PR and digital communications in the public sector from the co-founder of comms2point0

E.R.Murray

Writer, reader, lover of adventures and all things outdoors.

Kate Richards (Australia)

Writer, reader, wilderness lover, MD.

Kirsten Krauth

Novelist, Blogger, Wild Colonial Girl

Jono Lineen

writing, walking, talking

Giraffe Days

Book Reviews and Book-Related Ramblings

The Neighborhood

The Story within the Story

book'd out

Book Reviews and News

looking up/looking down

an occasional blog about writing, reading and watching the world

Writing Historical Novels

Historical novelists on writing historical novels.

%d bloggers like this: